BOCA RATON.- The Boca Raton Museum of Art presents the exhibit Purvis Young: Paintings from the Street through November 26. A 30-year retrospective of the work of self-taught Miami artist Purvis Young (born in Liberty City, Miami, Fl 1943 - ), an internationally-recognized American visionary "outsider" artist. A prolific, "street" artist and visual poet, Young paints on everything - from construction site trash and found wood to broken furniture and discarded books. Graffiti-like repetitive images of soaring interstate highway overpasses, cavalcades of trucks, street gangs and crowds, funeral processions, wild horses, glowing skies, and hovering angels reflect the street wisdom, folks belief, and harsh realities of life on urban ghetto streets. This exhibition presents over 100 works including 30 significant Purvis Young paintings and constructions recently donated to the Museum. Guest curated by Skot Foreman.

Purvis Young is a storyteller. Considering his obsession for books and his insatiable appetite for knowledge about art, it is not surprising that his painting and his books of paintings appear to serve the purpose of books. They all contain, preserve, and document knowledge of real life situations. Whether in bound form or painted on found materials, Young's images always tell a story. Like his African-American ancestors who maintained the traditions and values of their people through storytelling, he continues to record the struggles, the hopes, and the joys of his world. Young's work has roots in the dreamy fields of high art subject matter--horses, nudes, etc. At the same time it is filled with the energy and syncretism of the world's vanguard American urban Black culture. It is to outsider art what bebop is to the blues. The subject matter rides on a thick layer of color, attention, choice, and free-swinging composition that refers to a thousand years of composition before it. This work is anything but naïve.

Young lives and works in Overtown, an inner city Miami neighborhood cut off by the highway overpasses that loom over it. He's of the community, but also, now, of the larger art world as well. He has researched art history avidly and seen what other artists have done, spending years in the libraries that have supported his work. He has chosen his imagery out of Overtown and his own life, and out of the resonances of the past as well.