MADRID.- The Museo Nacional del Prado has unveiled a thoughtful rehang of one of its Renaissance galleries, placing two recently acquired paintings at the center of a new narrative about how the Spanish Renaissance took shape. Installed in Room 49, the works by Pedro Machuca and Pedro de Campaña are now shown alongside masterpieces by Raphael and Sebastiano del Piombo, offering visitors a fresh perspective on how artistic ideas traveled—and transformed—across Europe in the early 16th century. At first glance, the pairing feels almost inevitable. Both Machuca and Campaña belonged to a generation of artists who looked toward Italy for inspiration at a moment when figures like Leonardo da Vinci, Michelangelo, and Raphael were redefining what painting could be. But what the Prado’s new display makes clear is that these artists were not simply imitators. Instead, they absorbed those innovations and reworked them into something distinctly their own. The two paintings at the heart of t ... More
Edward Ruscha, DAILY PLANET 2003 & PAY NOTHING UNTIL APRIL 2003.
SALFORD.- One of Tate’s iconic LS Lowry streetscapes has been brought to a school named in the artist’s honour. The painting has been on display at The Lowry Academy in Worsley this week as the centrepiece of a unique series of arts and careers workshops for schoolchildren. This is the first time Tate has lent a work from its collection to a school. Lowry’s Dwelling Ordsall Lane, Salford 1927 depicts a crowd of children on the corner of a bustling residential road, reflecting the artist’s belief that ‘a street is not a street without people’. Students at the Academy have taken part in artmaking activities inspired by the painting as well as exploring a range of careers available in museums and galleries with guidance from Tate experts. Activities have included creating their own responses to Lowry’s artwork and stepping into the shoes of a curator, art handler or marketing advisor to discover the skills needed to deliver an exhibition. Helen Legg, Director of T ... More
William Scott, William Scott Church Prom with Kimbery in 1981 Another Life New Mom Edna, WS 401, 2021, watercolor and ink on paper, 30 x 22 inches (76.2 x 55.9 cm), framed: 33 1/4 x 25 1/4 inches (84.5 x 64.1 cm).
NEW YORK, NY.- At times, the contextual relation of the human to urban society is a deceptively generalized one—a simple result of time and circumstance removed from how it evolved towards uncategorizable extents. As always, yet particularly in our contemporary age of a long, undeserved American peacetime which has begun to crumble, it is increasingly critical to reorient ourselves towards such built environments. No condo is a given. There is much work to be done. There are many buildings to be reimagined. As a polymath, William Scott has spent the past few decades bouncing between scales and forms. Take for example—at once as monumental as the fantastical kingdoms of old and as quaint as could be contained by the screen of an iPad—his digital renderings of the grandiose, precise structures he aptly describes as “classic, new buildings.” As viewers, we ... More
HELSINKI.- Jointly presented by Kiasma and the Sámi Museum Siida, We Who Remain brings together contemporary artworks by Sámi artists and works engaging with Sámi life across Sápmi, spanning Finland, Sweden, and Norway. The exhibition opened at Kiasma on March 27, 2026, with selected works on view at Siida in Inari beginning in October. In recent years, the Arctic has drawn growing international political attention—not only for its strategic importance, but also for its abundant natural resources. As global interest in the region intensifies, the voices of its Indigenous peoples have been sidelined—echoing earlier history, when the Sámi homeland was divided by imposed nation-state borders that continue to shape the region today. The Sámi are the Indigenous people of northern Europe. Their homeland, Sápmi, long predates the emergence of Nordic nation-states and their national ideologies, spanning present-day Norway, Sweden, Finland ... More
Henri Matisse, Study for the 12th Station (Jesus Dies on the Cross). 1948. Chapel of the Dominican Sisters, Vence.
BALTIMORE, MD.- On March 29, the Baltimore Museum of Art opened the first exhibition to substantively explore Henri Matisse’s powerful mural The Stations of the Cross, which he created for his only architectural project, the Chapelle du Rosaire (Chapel of the Rosary) (1947-1951), in Vence, France. Matisse designed every detail of the building, from its remarkable stained-glass windows to the altar and priest’s vestments and to three large-scale black-and-white ceramic murals inside the chapel. The Stations of the Cross depicts Christ’s journey to Calvary and stands out in Matisse’s work for its narrative and rough, aggressive lines—starkly contrasting with the fluid, colorful style for which he is best known. Matisse in Vence: The Stations of the Cross—organized under the direction of Asma Naeem, Dorothy Wagner Wallis Director of the Baltimore Museum of Art and Aymeric Jeudy, Director of the Musée Matisse ... More
PRANGINS.- A major new exhibition opening today at the Château de Prangins invites visitors to reconsider Switzerland’s place in the history of colonialism—an involvement that is often underestimated or overlooked. Titled Colonialism: Switzerland involved, the exhibition runs from March 29 to October 11, 2026, and presents a wide-ranging exploration of how Swiss individuals, businesses, and institutions were connected to colonial systems across the globe. Through a carefully structured narrative, the show moves from historical realities to present-day consequences, offering a nuanced and thought-provoking experience. The exhibition unfolds in two parts, beginning with an extensive historical journey divided into nine thematic chapters. Each section is anchored by a symbolic object, grounding complex ideas in tangible forms. Visitors are first introduced to the broader context of European colonialism in a striking prologue. Here, a colonial helmet—once used by settlers to assert bot ... More
NEW YORK, NY.- Pace is presenting an exhibition of photographs by Emmet Gowin, most of which have never before been seen, at its 508 West 25th Street gallery in New York from March 12 through April 25. The presentation of works from Gowin’s Baldwin Street: Photographs 1966–1994 series coincides with the release of a new book on the same subject from Princeton University Press, available for purchase onsite during the show. It will also run concurrently with AIPAD's The Photography Show, on view in New York from April 22 to 26. The exhibition spotlights a selection from Baldwin Street: Photographs 1966–1994, a body of intimate portraits by Gowin of his wife Edith Morris and her extended family taken in Danville, Virginia. Named after the dead-end street where many of Edith’s family members—including her mother, Reva Booher Morris—lived, the series bears witness to the lives and relationships that shaped this family over time and sheds light ... More
LONDON.- Gagosian is presenting Approximate Objects, an exhibition of sculptural multiples by Richard Artschwager (1923–2013). On view from March 18 to April 17, the presentation surveys sixteen editioned works created between 1969 and 2012. Installed on the ground and upper floors of the gallery’s space at Burlington Arcade, Approximate Objects is accompanied by a selection of the artist’s publications and prints in the lower-level reading room. With accessibility of his work in mind, Artschwager produced editioned multiples throughout his career, complementing his unique paintings and sculptures. Most of these editioned works were produced in the artist’s studio and released by various publishers, including Brooke Alexander, Carolina Nitsch, Multiples Inc., and Castelli Graphics. The works on view include several artist’s proofs and prototypes. Following service ... More
Geoffrey Farmer, The Surgeon and the Photographer, 2009 (detail), paper, textile, wood, metal, Collection of the Vancouver Art Gallery.
VANCOUVER, BC.- The Vancouver Art Gallery presents Highlights from the Collection, a major exhibition drawn entirely from its permanent holdings of more than 13,000 artworks. This presentation marks the opening of a newly dedicated floor for the collection. Featuring more than 200 works by over 100 artists, the exhibition traces the evolving history of the collection through the environments in which art has lived, circulated and gathered meaning. With the selection rotating regularly to preserve light-sensitive works, the exhibition will continually refresh, offering visitors differing perspectives on the collection throughout its run. “Highlights from the Collection reflects our ongoing commitment to making the Gallery’s collection more accessible while foregrounding the stories and connections that continue to resonate today,” says Eva Respini, Interim Co-CEO & Curator at Large at the Vancouver Art Gallery. “As the cultural memory ... More
LONDON.- The V&A opened the first exhibition ever staged in the UK devoted to Maison Schiaparelli. Spanning the 1920s to the present day, the exhibition charts the history and impact of one of the 20th century's most innovative fashion designers, Elsa Schiaparelli. The show traces the origins of the House, from its first, paradigm-shifting garments, to its present-day incarnation in the hands of its creative director, Daniel Roseberry. Featuring new research undertaken by art and fashion curators, the exhibition establishes Elsa Schiaparelli as a key innovator in the fields of fashion, art and performance across Paris, London, and New York in the years between the two world wars. It highlights the history of a female entrepreneur and showcase her celebrated, yet rarely seen creations. The exhibition is the first to spotlight the London branch of Schiaparelli, its dynamic and independent clients and the founder's involvement in the satellite location. Schiaparelli: Fashion Becomes ... More
Through incomparable collections, rigorous research and dynamic public outreach, the National Museum of American History seeks to empower people to create a more just and compassionate future by examining, preserving and sharing the complexity of our past.
WASHINGTON, DC.- The Smithsonian’s National Museum of American History will add several objects to its “Entertainment Nation”/“Nación del espectáculo” exhibition as part of the museum’s commemoration of the 250th anniversary of the Declaration of Independence. Among the updates is the display of the recently donated comic book “Action Comics #1” dated 1938, the landmark first issue that introduced a new era of comic book heroes. Most notably, it debuted Superman, created by the writer and artist team of Jerry Siegel and Joe Schuster. Although costumed vigilantes had previously existed in pulp entertainment, Superman’s debut as an alien with superhuman powers marked the beginning of the superhero genre, establishing tropes and themes that continue to define the category. Superman’s massive popularity led to what is now known as “The Golden Age of Comics,” an era that introduced ... More
Installation shot of Ayotunde Ojo, Deep Waking, 2025 Oil, acrylic and charcoal on canvas. 170.2 x 157.5 cm, 67 x 62 in.
LAGOS.- Tiwani Contemporary, Lagos is presenting Ayotunde Ojo: A Life Of Its Own which references Ojo's painting process and understanding of how each painting arrives into being. “The result is a painting that resists stillness. These works do not document a moment; they register duration. The room is not fixed. It adjusts, shifts, absorbs emotional residue. Figures appear anchored yet slightly unsettled, as though existing across more than one temporal plane. What is seen is both present and remembered.” Ojo presents his domestic interiors as living, shifting spaces, altered by light, stillness and movement, subtly capturing the temporal shifts that coexist within a shared space. The paintings feel almost cinematic; compressing a series of lived experiences within the same space at different points of time, reminding us that time is never suspended but can be read as layered, infinite, visual information. The walls shift, light contradicts itself, perspectives fracture and sometime ... More
HONG KONG.- Nicole Eisenman’s ‘Fallen Angels,’ as the title suggests, is the artist’s most down-to-earth show in years. Comprising eleven recent paintings and three sculptures, the exhibition narrows the field of vision to three sites of middle-class living: home, work, beach. Nearly all of the paintings are easel-sized, while two of the sculptures (made with a table and a chair, respectively, from Eisenman’s studio) feel like accidental readymades, even ex situ. The contraction of scale and contemplative tone stands in contrast to Eisenman’s reputation for crowded tableaux and picaresque social scenes, but the work is no less demanding. Here, figures linger, hesitate, repeat themselves; time settles into familiar spaces. The ambition lies not in spectacle but in attention, in the difficulty of staying with what is close at hand. The first two sites—home and work—have collapsed into each other. The third offers no escape. One of these works is not like the o ... More
Quote I am a son of the sea and through it a son of light. James Ensor
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Dennis Brzek launches a new era at Berlin's Mies van der Rohe Haus BERLIN.- The exhibition What’s going on? marks the beginning of the program by Dennis Brzek, the new director of Mies van der Rohe Haus in Berlin. The group exhibition brings together works by Dora Budor, Clara Hausmann, Samuel Jeffery, Tam Ochiai, Oliver Tirré, Melvin Way, and Constantina Zavitsanos, combining existing pieces with new commissions developed in dialogue with the site. Through the lens of artistic practice, What’s going on? approaches the tension between the past and present of the historical Haus Lemke, where the institution is located. The works on view raise questions about time, absence, and personal narratives, making both private and shared memories their material. Under the direction of Dennis Brzek, Mies van der Rohe Haus is embarking on new institutional paths. Located in Berlin's eastern neighborhood of Alt-Hohenschönhausen, ... More
The British Library unveils the magical world of 'Fairy Tales' LONDON.- Fairy Tales celebrates the iconic heroes, villains and fantastical creatures that populate the captivating worlds of fairy tales. Young children and their families will travel through a mysterious forest and an enchanted palace to discover the characters, creatures and ideas that shape magical stories and their retellings. From encounters with powerful spells and curses, to the iconic heroes and villains from across storytelling cultures, Fairy Tales will encourage children and their parents or carers to explore the wonders of the fairy tale world. Visitors will begin their journey in a cosy cottage with a crackling hearth, where they will discover the oral storytelling origins of fairy tales. Here children will explore the breadth and wealth of storytelling traditions as shown by a collection of French stories in Histoires du temps passé by Charles Perrault, a beautiful illustration by Mervyn ... More
The Ara Pacis comes to life in a new immersive nighttime experience in Rome ROME.- Rome is offering visitors a striking new way to experience one of its most iconic ancient monuments. As of March 27, 2026, the Museum of the Ara Pacis has launched “The altar reveals itself,” an immersive multimedia experience that transforms the celebrated altar into a dynamic journey through history, combining videomapping, sound, and storytelling. Rather than presenting the Ara Pacis as a static relic, the project invites visitors to move through a carefully designed route around and inside the monument while listening to a narrative enriched by the voices of figures from different eras, including Renaissance collectors, archaeologists, and restorers who played a role in its rediscovery. As the story unfolds, light projections animate the marble reliefs, tracing their contours and revealing details that are often difficult to perceive, giving the impression that the monument ... More
£100,000 donation boosts King Tiger restoration project DORSET.- A £100,000 donation has boosted The Tank Museum’s ambitious plan to restore a unique World War Two tank to running condition. The major gift means the Museum has now reached just under 30% of its £1m fundraising target for the King Tiger V2 restoration project – one of the most complex and challenging restoration projects ever undertaken by the Museum. The donation was made in memory of the late Herrick Fordham, a British Army veteran who served in Sherman tanks during World War Two. It comes almost 81 years to the day that the rare German tank fell into Allied hands. Chris Price, CEO of The Tank Museum, said: “We are immensely grateful for this generous donation in memory of Mr Fordham – a man who would have been well aware of the significance and threat this tank would have posed during the war. ... More
National Gallery's tiger in the jungle turns into 40-metre mural close to London Zoo LONDON.- A giant 40 square-metre hand-painted recreation of Henri Rousseau’s electrifying jungle scene, Surprised! (Tiger in a Tropical Storm) (1891) has been unveiled on Jamestown Road in Camden, London – a site with 1.8 million monthly footfall and just a stone’s throw from London Zoo. It will be the first in a series of striking, large-scale murals re-created from National Gallery pictures set to appear in towns and cities nationwide. Murals reMastered, a bold nationwide collaboration with Global Street Art, will see some of the world’s greatest paintings transformed into monumental murals in streets, neighbourhoods and unexpected public spaces across the UK. Spanning more than 700 years of painting, works from across the Gallery’s collection will be reimagined at extraordinary scale, bringing timeless masterpieces out of Trafalgar Square and into the public ... More
'Held Within' unveils the quiet magic of daily life NEW YORK, NY.- GR gallery announced Held Within, a group exhibition featuring four artists whose works examine and expand the discourse surrounding the quiet magic embedded in everyday life. Through their distinct visual languages, the artists transform familiar objects and daily routines into evocative symbols of wonder and layered meaning. Pushing beyond the conventional boundaries of figurative art, the exhibition presents a selection of medium-format paintings on canvas and wood panel by Miho Ichise, Shangkai Kevin Yu, Kenta Kawabata, and Peter Opheim. Each work has been created specifically for this occasion. Held Within is defined by a fluid and distinctive visual language, naturally aligned with a sensibility in which the ordinary acquires a mysterious aura, inviting viewers to look closer and rediscover what is often overlooked. The exhibition ... More
Alexey Morosov's 'BELEK' transforms a 14th-century Venetian church VENICE.- The mountain landscapes of Kyrgyzstan, its glaciers, rivers and monumental Brutalist dams and hydro-engineering structures form the point of departure for BELEK, a large-scale immersive installation by Alexey Morosov, presented by the Pavilion of the Kyrgyz Republic at the 61st International Art Exhibition - La Biennale di Venezia. Bringing together the imagery of monumental hydro-engineering structures that reshaped Kyrgyzstan's geophysical landscape in the second half of the twentieth century with the cultural memory of a nomadic civilisation and the ancient equestrian game Kok-Boru, the pavilion unfolds as a multilayered artistic environment combining video, sculpture, painting and sound. Working at the intersection of contemporary art, philosophy, anthropology and technology, Morosov engages with water as one of the key resources shaping the future ... More
Phoebe Collings-James brings 'Infidel' sculptures to Pitzhanger Manor LONDON.- This Spring, the artist Phoebe Collings-James (b.1987) will bring new sculpture and ceramic work to Pitzhanger Manor & Gallery, the first time these works will be shown in the UK. Phoebe Collings-James: a rose, a bridge, a house will feature over 17 works, including clay paintings, armour and sculpture, mostly human-scale, that will fill the main galleries and Breakfast Room of renowned architect Sir John Soane’s former home. The Jamaican British artist’s work includes shifts in tone and finish, featuring a rich array of markings and textures, and draws on notions of language, feelings and violence. They have been exhibited around the world, from Berlin to New York.The works are influenced by cuneiform tablets and Ashanti folklore, as well as multi-disciplinary practices including the artist’s extensive work with sound design. New sculptures from the ongoing series ... More
Exhibition at Fashion and Textile Museum traces five decades of Collier Campbell's joyous design LONDON.- Enter an immersive world of colour, nature and exuberant creativity in Paint! Pattern! Print!, an exhibition that traces the work of sisters Susan Collier and Sarah Campbell, who revolutionised textile design in the 1960s and led the market for over five decades. This exhibition showcases their prolific and diverse output through a vast range of colourful and joyous designs, large-scale paintings, room sets, fashion and interiors. Immediately recognisable and influential, the Collier Campbell style was bold, loose, painterly and free-flowing. Visibly hand-created though mass-produced, their innovative patterns transformed printed fabric and the world of interiors. Paint! Pattern! Print! tells their success story, from childhood and family influences to a series of highly prestigious partnerships that brought British design to a global audience. In 1961, the young Susan ... More
Artist Pedro Reyes shares advice: "Do first, theorize after."
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On a day like today, painter Vincent van Gogh was born
March 30, 1853. Vincent Willem van Gogh (30 March 1853 - 29 July 1890) was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade, he created approximately 2,100 artworks, including around 860 oil paintings, most of them in the last two years of his life. In this image: Vincent van Gogh, Almond Blossom, 1890. Oil on canvas, 73.5 x 92 cm. Van Gogh Museum Amsterdam (Vincent van Gogh Foundation).
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