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Wifredo Lam's Cuban Surrealism radiates at Miami Art Week

Wifredo Lam, Untitled, 1974, Oil on canvas, 20 x 27 in.

MIAMI, FLA.- Miami Art Week is now underway, and Latin Art Core is drawing early attention at Art Miami with a powerful presentation dedicated to Cuba’s most celebrated modern master, Wifredo Lam. The showcase arrives at a moment of heightened global visibility for Lam, following the recent opening of MoMA’s landmark retrospective Wifredo Lam: When I Don’t Sleep, I Dream on November 10, 2025. For Israel Moleiro, founder of Latin Art Core, Lam’s prominence this week speaks to the broader momentum surrounding Latin American Surrealism—an artistic tradition he argues is central to the global history of modern art. As Moleiro explains: “Latin American Surrealism stands as one of the most compelling and transformative contributions to modern art, distinguished by its ability to reinterpret European Surrealist principles ... More

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National Gallery's Center for Advanced Study in the Visual Arts announces new publication, Art &   Yale University Art Gallery unveils first volume of landmark Italian paintings catalogue   The Gala-Salvador Dalí Foundation announces the launch of Platform Dalí


Cover of Art & Histories.

WASHINGTON, DC.- The Center for Advanced Study in the Visual Arts, the National Gallery’s world-renowned research institute, today announced Art &, its new book series aimed at understanding the role of art and artists in imagining a dynamic social fabric. The first volume, Art & Histories, will be published on January 13, 2026, followed by Art & Water in July of the same year. Future volumes will be published annually in the summer. Each edition of Art & will invite artists and scholars to explore a central topic—histories, water, dreaming, and more—and how artistic practices, both past and present, shape society’s relationships to these issues. Academic exploration of the topics will be accompanied by an original, commissioned work of art created specifically for the book and in response to its theme. “As a series, Art & is an invitation to think about art together with the issues it shapes through material and imaginative ... More
 

Italian Paintings at the Yale University Art Gallery: Volume 1: 1230-1420. by Laurence Kanter (Author), Pia Palladino (Author).

NEW HAVEN, CONN.- The Yale University Art Gallery announced the release of the first volume of the collection catalogue Italian Paintings at the Yale University Art Gallery, covering the period from approximately 1230 through 1420. To be released at later dates, volume 2 will present works produced between about 1420 and 1490, volume 3 will examine objects dating from about 1490 through 1600, and volume 4 will feature works from 1600 to 1880. The result of years of close examination and research, these publications represent the first thorough and comprehensive study of Yale’s exceptional collection of this material. The Gallery’s Italian paintings constitute one of the largest and richest such collections outside of Europe. At its core is the renowned Jarves Collection, assembled in Florence between 1852 and 1859 by the self-taught art lover and critic James Jackson Jarves (1818–1888). In the 1930s and 1940s, the Italian paintings col ... More
 

Salvador Dalí looks through binoculars on the CBS Morning Show (1956). © Philippe Halsman Estate. Image rights reserved. Fundació Gala-Salvador Dalí, Figueres, 2025.

FIGUERES.- The Gala-Salvador Dalí Foundation announces the creation of Platform Dalí, an international programme aimed at promoting dialogue between artists and scientists. In the words of the president of the Gala-Salvador Dalí Foundation, Jordi Mercader: “The foresight that led Salvador Dalí to explore the relationship between art and science has always sparked admiration for its search for a new humanism. This is the spirit that moves us today to create a programme such as this, ones that invites us to look anew at the opportunities of the present and the challenges of the future in a different way.” Platform Dalí has been created to weave networks of artists and scientists in order to explore new ways of understanding the world through knowledge and imagination. It is directed by Mónica Bello, who led Arts at CERN, the prestigious arts programme of the European Organization for Nuclear Research, in Geneva, for the last ten years. According to Bello: “The main aim of Platform Da ... More


Exhibition at Antichità Alberto Di Castro traces Pavel Pepperstein's artistic journey from 1978 to today   National Asian Culture Center presents tenth-anniversary exhibition Manifesto of Spring   Louisiana Museum of Modern Art presents 137 new works


Pavel Pepperstein, The horror and the absurd, 2020. Ink and watercolour on paper, 29.7 x 21 cm.

ROME.- At the age of thirteen, Pavel Pepperstein (then still Pavel Pivovarov) read Thomas
Mann’s novel The Magic Mountain. He was enchanted by this novel, imbued, in
Thomas Mann’s own words, with “hermetic pedagogy”. One of its characters, Pieter
Peeperkorn, inspired the young reader to invent a pseudonym — Pepperstein. From
that time on, while remaining Pavel Pivovarov in everyday life, he began
to appear in the realms of art and literature as Pavel Pepperstein. The exhibition features early graphic works by the artist, including those created even
before the invention of the pseudonym. Altogether, the works on display cover a
wide span of Pepperstein’s life and creative path: from 1978 to the present day. In 1987, Pepperstein became one of the three founders of the group Inspection
Medical Hermeneutics (1987–2001). For the group’s exhibition at Shedhalle (Zurich,
1992), the members produced a series of staged photographs taken at the Schadzal ... More
 

View of Manifesto of Spring, National Asian Culture Center, Gwangju, South Korea, 2025. © National Asian Culture Center.

GWANGJU.- Manifesto of Spring, co-produced by National Asian Culture Center (ACC), M+ Hong Kong, and ZKM | Center for Art and Media Karlsruhe, marks the 10th anniversary of ACC. Revisiting its founding commitment to democracy and peace in Asia, the special exhibition confronts entrenched power structures to envision better future democracies. Through artistic exploration it detects unseen and helpful strategies that counter today’s most pressing global challenges, including the economic and colonial systems, and the climate crisis. Climate disaster, war, fascism, poverty, and discrimination signal that the world is on the brink, but responsibility for this is not shared equally. While the Global North has produced the majority of carbon emissions since the mid-19th century, the concept of the “Anthropocene” which describes humanity’s dominant influence on the environment, masks this imbalance. Instead, environmental scholar Jason W. Moore identifies our era as the “Capitalocene”—where capitalism ... More
 

Richard Prince, Untitled (Cowboy), 2016. C-print in two parts, 363.5 × 259.7 × 7.6 cm. Louisiana Museum of Modern Art. Donation: Richard Prince © Richard Prince Studio. Photo: Louisiana Museum of Modern Art.

HUMLEBÆK.- Thanks to generous donations and support, Louisiana Museum of Modern Art in Denmark presents a major exhibition of new acquisitions. Starting today, 137 artworks – sculptures, paintings, videos, installations, photographs, drawings and prints – are on view in the exhibition NEW WORKS in the museum’s South and North Wings. In all, 78 artists are represented in the Louisiana’s new exhibition. Forty-two are new to the collection, including El Anatsui, Marlene Dumas, Martha Rosler, Ed Ruscha and Amy Sillman. All works in the exhibition have been acquired over the past four years, mainly as gifts from individuals, artists and foundations. Exhibiting new acquisitions provides the chance for our visitors to encounter a great number of artists and artworks that are not necessarily linked by any theme, period or “ism.” The common denominator is simple: The works were acquired within the past four years. Naturally, the exhibition can also be seen to express our grat ... More


EMMA celebrates its 20th anniversary in 2026 - programme announced   Mario Ayala explores identity and car culture in major Houston exhibition   Clyfford Still Museum debuts exhibition curated by Children of the Colville Confederated Tribes


Howard Smith, unnamed (detail), 1970s. EMMA Collection © Paula Virta / EMMA.

ESPOO.- Next year marks the 20th anniversary of EMMA – Espoo Museum of Modern Art. The anniversary year will underline the ability of art to foster reflection, connection, and meaning in an accelerating, ever-changing world. EMMA’s 2026 programme features leading international names in the group exhibition In Search of the Present, a solo presentation by Axel Straschnoy as part of the Fine Arts Academy of Finland Foundation Prize, and exhibitions honouring the work of Howard Smith and Gerda Thesleff. Opening in March, the exhibition In Search of the Present is the third edition of the museum’s recurring exhibition concept exploring key phenomena and questions of our time. This year’s edition is an exploration of the now, an invitation to be present both in time and in place. Spatial and multisensory installations will transform EMMA’s galleries into places for quiet presence and contemplation, in which notions around belonging and rootlessness are brought into focus. I ... More
 

Mario Ayala, Camouflage (detail), 2025. Acrylic on canvas. 65.75 x 75 inches. Courtesy the artist and David Kordansky Gallery, Los Angeles, California and New York, New York. Photo: Grant Guiterriez.

HOUSTON, TX.- Contemporary Arts Museum Houston is presenting Mario Ayala: Seven Vans, the artist’s first solo museum presentation in the United States. The exhibition expands his signature shaped canvases to debut seven life-size paintings of the backs of vans. Derived from the word caravan, the van bridges histories of commerce and counterculture and acts as a tool for working people to modulate as a means of survival and expression. Ayala’s paintings begin with photographs. As part of his ongoing series RWD (Research While Driving), the artist uses his phone to document moments from his daily life. While looking through this image archive, Ayala noticed a recurring focus: the distinctive shapes of the backs of vehicles. For Seven Vans, he chose the van as the central subject, designing custom wooden stretchers—or frames used to stretch and support canvas—shaped like vehicle silhouettes. Each painting channels the sensibility and personality of its owner, functioning like a pseu ... More
 

Clyfford Still, PH-1085, 1978. Oil on canvas, 114 x 92 in. Clyfford Still Museum, Denver, CO. © City and County of Denver / ARS, NY,

DENVER, CO.- The Clyfford Still Museum’s new collaborative exhibition, “Tell Clyfford I Said ‘Hi’”: An Exhibition Curated by Children of the Colville Confederated Tribes, co-curated with youth from the Colville Confederated Tribes Reservation in Washington, is on view until May 10, 2026. Installed in all nine of the Museum’s galleries, the exhibition highlights the perspectives of Colville children on Still’s depictions of their home and ancestors, and the artist’s abstract works. Tell Clyfford also explores themes identified by the co-curators, including Family & Culture, Connection, Imagination, the Outside, Love, and Paint & Color. For the past three years, the Museum’s curatorial and educational staff collaborated with young children (ages three to fourteen) and Colville teachers from partner schools on every level of the exhibition, including artwork selection and arrangement, object interpretation, gallery text, and interactive spaces. “We’ve found that deep collaboration with communities bri ... More


Rijksakademie van beeldende kunsten appoints Laurence Rassel as new director   Blaffer Art Museum unveils Soledad Salamé's first U.S. solo museum exhibition, Camouflage   Musée cantonal des Beaux-Arts de Lausanne presents its 2026 programme


Laurence Rassel. Photo: Laurence Vincent.

AMSTERDAM.- The Supervisory Board announces the appointment of Laurence Rassel as the new general director of the Rijksakademie van beeldende kunsten in Amsterdam as of 1 March 2026. Laurence Rassel has been director of erg (école de recherche graphique), an art school based in Brussels, since 2016. Trained in the visual arts, pedagogy, and the management of art institutions, she was director of Fundació Antoni Tàpies, Barcelona, from 2008 to 2015, an institution created in 1984 by the artist Antoni Tàpies to promote the study and knowledge of modern and contemporary art. From 1998 to 2008, Rassel was a member of Constant, a non-profit association and interdisciplinary arts-lab based and active in Brussels in the fields of art, media and technology. "We’re very excited to welcome Laurence Rassel as the new director of the Rijksakademie. Her profound grasp of artistic practice, combined with her innovative approach to encouraging dialogue and experimentation, perfectly aligns with our mission", say ... More
 

Installation view.

HOUSTON, TX.- The University of Houston’s Blaffer Art Museum is presenting new work by Chilean-American artist Soledad Salamé in her first solo museum exhibition. Soledad Salamé: Camouflage will be on view through March 7, 2026. For Camouflage, Soledad Salamé locates moments in which nature’s resilience meets human resourcefulness. In a newly commissioned body of work, Salamé centers the environmental impact of discarded clothing, sent from the U.S. to be discarded in the Atacama Desert in northern Chile. There, millions of pounds of disposable textiles, often called “fast fashion,” are dumped and piled – creating uncanny mountainous topographies. In video, mixed media work, and prints, Salamé translates aerial photos of the Atacama into dizzying camouflage fields where she elaborates weighty details with needle and thread. The visual abstraction of the clothing piles subtly underscores the resourcefulness of migrant communities that have gathered and organized around them; Salamé's research bridges ... More
 



LAUSANNE.- At once a survey and a cross-section of Otobong Nkanga’s protean oeuvre from the past thirty years, the exhibition I dreamt of you in colours traces the genealogy of recurring subjects whose plastic actualisation is constantly evolving. Since the late 1990s, Nkanga (b. 1974 in Kano, Nigeria; lives in Antwerp, Belgium) has been exploring issues relating to mining, the use of the Earth’s resources, and the body in its relationship to space and the land. She examines complex social, political and material relationships in her multidisciplinary body of work, consisting of drawings, installations, paintings, textiles, photographs, sculptures, ceramics, performances, sound and poetry. Drawing on her personal history and research, which reflects multiple transhistorical influences, she creates networks and constellations between humans and landscapes, while addressing the restorative capacity of natural and relational systems. The notion of strata is central to Nkanga’s work &# ... More



Quote
Painting comprises three principal parts: drawing, proportion and color. Piero della Francesca

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Ludwig Museum explores Taiwan's identity, history, and future in major multithemed exhibition
BUDAPEST.- The exhibition at the Ludwig Museum presents an overview of artistic developments on the island – and, indirectly, of the experiences and dilemmas that shape Taiwan’s past, present, and future. The selection features the works of twenty internationally recognized artists and collectives who address important topics such as the cultural heritage of indigenous people, the lingering traces of colonization, Taiwan’s turbulent and often traumatic history at the turn of the 19th and 20th centuries, the evolution of modern Taiwanese identity and values, and the technology-based economy and society of the present and future. The exhibited works are extremely diverse in terms of genre: in addition to installations, interactive projects, videos, and animations using the most innovative technologies, visitors can also encounter archaic techniques, paper works, paintings, and sculptures. Taiwan could be compared to a modern vessel navigating the open sea – equipped with the mos ... More

Teresa Margolles confronts violence and memory in major retrospective at MARCO
MONTERREY.- The Monterrey Museum of Contemporary Art presents the exhibition ¿Cómo salimos? (How To Get Out?), the first retrospective in the Americas of the career of Teresa Margolles, one of the most influential contemporary Mexican artists on the international scene. Curated by Taiyana Pimentel, the exhibition brings together 23 works from 18 projects spanning from 2003 to the present that address the socio-political issues related to northern Mexico, which appear in much of Margolles’s work. It also includes projects from other parts of Latin America. Throughout her career, Margolles (Sinaloa, 1963) has explored the systemic violence and impunity that prevail in Latin America—particularly in northern Mexico—using conceptual strategies informed by her former profession as a forensic doctor.
“The pain and emptiness left by human loss in society are at the core of Margolles’s discourse. Since her early days as a forensic scientist, she has been gradually outlining the em ... More


"Non-existent" coin worth $3-5 million, to be auctioned
COSTA MESA, CA.- The 1804 dollar—long revered as the “King of American Coins”—has captivated collectors and historians for nearly two centuries. Initially struck exclusively for diplomatic distribution, including to the King of Siam (Thailand) and the Sultan of Muscat in modern Oman, collectors clamored for examples of this renowned rarity even before the Civil War. Several books have been published about this coin alone, and the census of the 15 known specimens has been gospel for generations. Until now. Hidden from view in a mostly forgotten collection since the 1940s, this newly discovered 16th specimen is forecast to bring millions of dollars at auction. It will be displayed for the first time ever by rare coin auction house Stack’s Bowers Galleries at the biggest rare coin gathering in the world, the American Numismatic Association’s World’s Fair of Money™, to be held next week in Oklahoma City. This discovery marks one of the most important “coin” events in modern history. The 1804 dollar has fas ... More



Saodat Ismailova – "We live in only one of the 18,000 worlds"




 



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Flashback
On a day like today, German artist Otto Dix was born
December 02, 1891. Wilhelm Heinrich Otto Dix (2 December 1891 - 25 July 1969) was a German painter and printmaker, noted for his ruthless and harshly realistic depictions of German society during the Weimar Republic and the brutality of war. Along with George Grosz and Max Beckmann, he is widely considered one of the most important artists of the Neue Sachlichkeit.



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