Frank Paulin (1926-2016), Times Square, 1956. Dye destruction print (Cibachrome), printed later. Signed, titled, and dated on verso, 13 x 19 3/8 in (33 x 49.2 cm)
NEW YORK, NY.- Bruce Silverstein Gallery is presenting Frank Paulin: Unseen Color, 1956 - 2008, the gallery's fourth exhibition of work by Frank Paulin (1926–2016) and the first devoted exclusively to the artist's color photographs. Featuring twenty works spanning more than five decades, from 1956 to 2008, this exhibition reveals a body of work that remained virtually unknown during the artist's lifetime. Shot on color film beginning in the mid-1950s, these photographs were not printed until late in the artist’s career, making this presentation a unique opportunity to reconsider the history of early color street photography in America. Paulin is widely recognized for his black-and-white street photographs of New York City, work that earned admiring reviews in the New York Times and the Village Voice when it was first exhibited at Helen Gee's pioneering Limelight Gallery in 1957. What has remained largely hidden is that Paulin was simultaneously working in color, producing images of remarkab ... More
VIENNA.- Masterpieces by Gustav Klimt, Egon Schiele and Richard Gerstl from the Stiftung Sammlung Kamm are on display as of now at the Leopold Museum, complementing the permanent presentation Vienna 1900 as “noble guests”. The Sammlung Kamm is located in Zug, the capital of the eponymous Swiss canton, where the foundation has placed its works at the disposal of the Kunsthaus Zug as permanent loans. Among the works newly presented at the Leopold Museum in Vienna are two important landscapes by Gustav Klimt (1862–1918) – the 1913 painting Italian Garden Landscape and the 1916 depiction Garden Landscape with with HIlltop (Parish Garden) – which are displayed in the large Klimt room on level 4 of the museum. The rooms dedicated to Richard Gerstl (1883–1908) on level 3 will now house one of Gerstl’s main works – the Group Portrait with Schönberg, created in 1908, the last year of the radical early Expressionist’s life. The fourth of the loans, which can b ... More
Yonathan Moore (French-Israeli, b. 1990), Wave 3, 2026. Aluminum, Integrated LED, Ceramic Coating, 62" x 6.5" (157 x 17 cm).
NEW YORK, NY.- Yossi Milo Gallery is presenting VOLUTES: New Works by Yonathan Moore Studio, opening on Wednesday, June 24, from 6 - 8 PM in The Qube. Following the debut of VOLUTES during NYCxDESIGN 2026, the exhibition introduces new large-scale works that further the exploration of wave-like forms through Flux Metal Drape, the Studio’s proprietary aluminum fabrication system. Flux Metal Drape uses two custom interlocking aluminum extrusions that generate rippling metal surfaces of variable wave frequency, rhythm, and scale. Moore developed this approach through years of fascination with aluminum extrusion, a process capable of producing complex geometries that are omnipresent in architecture and manufacturing, yet often deployed as hidden utility. Instead, Flux treats extrusion as a new medium for drawing in metal. The surfaces formed through the process generate a visual ... More
Anonymous Master Thought to be from Delft, 1608, Portrait of a Family Seated at a Table, inscribed and dated on the armrest of the chair in the lower right: AETATIS 27 Ao 1608. Oil on panel, 46 x 40.5 inches ( (117 x 103 cm.)
NEW YORK, NY.- Family portraits are often thought of as examples of status, particularly in the seventeenth century. However, the finest examples reveal something far more personal. In seventeenth century Holland, these paintings became visual biographies of a family, capturing not only their appearance but also their lives, relationships, and the hopes, dreams, and fears they held for the future. The anonymous Portrait of a Family Seated at a Table from 1608 is remarkable for its warmth and intimacy. At first glance, the painting is a clear message of prosperity. The richly furnished interior and fashionable attire signal a household of considerable means. Yet these symbols of wealth are not the main attraction. Instead, the artist focuses on the relationships between the sitters, creating an image that feels unusually warm for such an early family ... More
LONDON.- Marc Dalessio has won first prize in the prestigious Herbert Smith Freehills Kramer Portrait Award 2026 for his portrait Jean-Denis. Chloe Cox was awarded the second prize for What's Mine is Yours, and third prize went to Michael Slusakowicz for Charlie and Magda. Joel Nichols wins the Young Artist Award for their portrait In Our Borderlands. The winning portraits are now on display as part of the Herbert Smith Freehills Kramer Portrait Award 2026. The exhibition features 51 portraits, selected for display by a panel of judges comprised of Senior Curator at the Turner Contemporary, Melissa Blanchflower; digital artist and set designer, Es Devlin; contemporary curator, Amy Emmerson Martin; artist and Director of the Slade, Mary Evans; and, the panel chair, Director of the National Portrait Gallery, Victoria Siddall.
Marc Dalessio established his reputation through plein air landscapes, which were the focus of his practice for more than a decade before his recent return to portrait pai ... More
BERLIN.- Capitain Petzel announces Mikołaj Sobczak’s second solo exhibition at the gallery. The exhibition centers on three large-format paintings commissioned by the Salzburger Kunstverein. They were first shown in 2025 as part of the exhibition Moon, Sun, Mercury at the Salzburger Kunstverein, which was supported by the Ministry of Culture of the Republic of Poland. In Ancora (Italian for “again” or “still”), Mikołaj Sobczak interweaves historical events with elements of the present, focusing on the recurring cycles through which historical narratives are continually reconfigured. In doing so, he approaches each era through its diverse connections – ranging from political figures and celebrities to pop-cultural references, technological developments, and memes. The works in the exhibition blend historical allegories, queer identities, and contemporary social critique into a dense, multilayered visual language. The paintings Moon (Propaganda), Sun (Magic ... More
NEW YORK, NY.- The Morgan Library & Museum announced the appointment of Francisco (Frank) Trujillo as the next Sherman Fairchild Director of the Thaw Conservation Center. Trujillo joined the Morgan as Associate Book Conservator in 2006 and was promoted to Drue Heinz Book Conservator in 2018. In his new role, Trujillo will oversee the long-term conservation of the collection and broaden the Morgan’s conservation-related programs. He succeeds Maria L. Fredericks, who led the center from 2018 until earlier this year. During his time at the Morgan, Trujillo has worked on several important manuscripts and books in the collection including the Hours of Catherine of Cleves, Charles Dickens' A Christmas Carol, and John Milton's Paradise Lost. He has written and published on the Morgan's fifteenth century Italian tarot cards and its Coptic bookbinding collection, as well as J. Pierpont Morgan's travels in Egypt. Trujillo is a co-curator along with Joshua O’Driscoll and Claire ... More
BERLIN.- What is the essence of a selfie? What binds subject to object, human to technology? In her work 587 Blitze (587 Flashes), Berlin-based photographer Bob Jones explores the photographic self-portrait through an intense, radically physical process. Fotografiska Berlin presents the project as part of its talent program, Emerging Berlin. Jones: 587 Blitze emerged from my diploma thesis at HGB Leipzig. At its heart, it was an attempt to create an image of myself, using the photographic and conceptual tools available to me. I wanted to explore whether I could occupy a neutral position, even while being both the photographing subject and the photographed object at once. I can already reveal one thing: The process made it clear that from an embodied, subjective perspective, a truly neutral self-representation is simply not possible. Jones: It all started in December 2024 with the design and construction of custom pinhole cameras. Between then and ... More
NEW YORK, NY.- Art historian and bestselling author Katy Hessel will release a new illustrated adaptation of her internationally acclaimed book The Story of Art Without Men this fall, inviting a new generation of readers into art history through the artists and stories that have too often been pushed to the margins. For many young readers, it will reshape what they think art history is in the first place and show them how art can always be relevant to them. Titled The Story of Art Without Men: An Illustrated Guide to Amazing Women Artists, the book will be published by Norton Young Readers on October 6, 2026, and is now available for preorder. Created for readers ages 8–14, the book approaches art history less as a fixed timeline to memorize and more as a sprawling adventure through bold ideas, different worlds, inventions, and the artists who changed the way people see the world itself. Through vibrant illustrations by New York-based artist P ... More
The museum describes the project as an unusual summer encounter between film history, pop culture, and the enduring legacy of the samurai.
BERLIN.- The Samurai Museum Berlin has brought a striking piece of Hollywood mythology into the world of Japanese cultural history with a special presentation of Uma Thurman as the legendary “Bride” from Quentin Tarantino’s Kill Bill. Presented in cooperation with Madame Tussauds Berlin, the life-size wax figure will be on view exclusively at the museum through the end of October. The installation places one of modern cinema’s most recognizable characters among historic samurai armor, masterfully forged swords, and original objects connected to Japan’s warrior culture. The presentation follows a series of yellow-themed clues shared on the museum’s social media channels in recent weeks. The mystery has now been revealed: the color was a reference to the Bride’s iconic yellow outfit, one of the most memorable images from Tarantino’s cult film. The museum describes the ... More
James Turrell, As Seen Below ‑ The Dome, a Skyspace by James Turrell. Photo: Adam Mørk, 2026.
AARHUS.- Today, As Seen Below – The Dome, a Skyspace by James Turrell, the highly anticipated permanent installation by James Turrell, opens at ARoS Aarhus Art Museum in Aarhus, Denmark, ahead of the summer solstice. As Seen Below is the artist’s largest Skyspace installed within a museum context, marking a significant milestone in both the artist’s long and storied career and in the museum’s history. “This is a transformative moment for ARoS. With As Seen Below, we are not only presenting a landmark installation by one of the most important artists of our time, but also creating a place of wonder, reflection, and connection. This remarkable work invites us to slow down, look anew, and experience our relationship with the world around us in a profoundly different way,” says Rebecca Matthews, Museum Director and CEO of ARoS, adding: “It is an extraordinary privilege to work alongside James Turrell and help realise his singular artistic vision – a vision th ... More
AARAU.- Shamiran Istifan (*1987) is the recipient of the Manor Art Prize Aarau 2026, which is awarded every two years to promote young Swiss artists. The award is accompanied by a solo exhibition and publication at the Aargauer Kunsthaus. In her work, the artist links memories of growing up in Aargau with broader questions about society and its structures. In her new works, she explores cultural memory, (in)visibility, and imaginary places. The exhibition unfolds as a spatial narrative in which personal history, formative influences, and imagined futures intersect. In her installation-based works, Shamiran Istifan explores social systems. She works through media such as sculpture, textiles, and video. Aesthetically, she draws on pop culture, social media, suburban spaces, and the signs and symbols of everyday life. Visual language and stating itself becomes a formal device for shifting perception. New works are being created for the ... More
BIEL/BIENNE.- Continuing her work on the creation and circulation of images, the French artist Mimosa Echard (*1986) transforms the «white cube» of the Salle Poma into a conceptual cave. Numerous mythologies are invoked within its walls – prehistoric motifs; New York’s Times Square; Diana, the Roman goddess of the hunt; or the global phenomenon of the Spice Girls, among others. «Dolls’ Theater» thus appears as an entanglement of these heterogeneous spaces and figures, an allegorical grotto in which the artist explores the relationships between perception and violence, pleasure and control, origins and ephemerality. Installed at the entrance of the Salle Poma, the video Tide (2026) shows close-ups of advertising screens in Times Square. A historic district of entertainment and pleasure, the crossroad has undergone significant transformation since the 1980s: porn cinemas and peep shows have been replaced by monumental LED screens ... More
Quote I am a son of the sea and through it a son of light. James Ensor
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Len Lye Centre celebrates 10th anniversary with major two-part sound exhibition NEW PLYMOUTH.- Direct Bodily Empathy—Sound, Signal, Feedback explores sound as a material force of consequence in the world. Deep listening—to audible currents and felt vibrations, sirens and noise—is explored by artists as a means of knowledge building and a tool for critically engaging with a planet in crisis. Spanning the Len Lye Centre, Aotearoa and international artists and collectives examine sonic relationalities and the politics of sound through a range of approaches. These include acoustic ecologies, where sound becomes a speculative tool for sensing and indexing biodiversity and climate volatility; practices of ‘ear witnessing’, where audio material acts as legal evidence towards truth-telling and social justice; and the deployment of sound as a decolonial force, where musical composition unsettles acoustic histories of field recording and the archive, ... More
Malmö Konsthall opens major solo exhibition by Bouchra Khalili MALMO.- The Moroccan-French artist Bouchra Khalili addresses in her work issues related to belonging, community and democracy. She works with a wide variety of media, exploring how filmic and sonic forms can create a space for subjects rendered invisible by the nation-state model. Bouchra Khalili invites us to reflect on how our society functions, and how the right to belong in our shared society is defined. In many ways, her work reflects the wider current situation in Europe (socially, politically and historically), where the right to belong has been based on exclusion. Malmö Konsthall wishes to highlight the relevance of these issues for the region and for the City of Malmö, which is home to more than 180 different nationalities. The exhibition seeks to weave together the various threads in Khalili’s work from the 2010s to the present day, and encompasses ... More
Naoshima New Museum of Art presents summer 2026 exhibitions KAGAWA.- Naoshima New Museum of Art opened new exhibitions by Sanitas Pradittasnee and Kenjiro Okazaki as part of the museum’s summer exhibition changeover on Sunday, June 7, 2026. This marks the museum’s first partial exhibition changeover since its opening in 2025. Alongside these presentations, a satellite exhibition for Motoyuki Shitamichi’s Setouchi “Yoichi Midorikawa” Museum also opened. The museum also launched a new library project with indieguerillas and held a series of public programs related to the exhibitions, offering opportunities for new discoveries and exchanges for visitors from both within and outside the island. Further exhibition is planned, with Kei Imazu & Bagus Pandega scheduled for winter 2026. The Sound of Naoshima by Sanitas Pradittasnee is an open-air installation inspired by the “88 temples of Naoshima” ... More
Albumen Gallery announces Bowie collaboration and representation of photographer Markus Klinko LONDON.- Markus Klinko is an internationally recognized artist whose work explores glamour, mythology, and the construction of cultural icons, creating images that have become part of the visual memory of our era. Albumen and Klinko will begin a collaboration focussed on Klinko’s images of David Bowie, in 2026, the 10th anniversary year of the iconic musician’s death. Albumen’s Director and Founder, Stephan Schmid said, “We are thrilled to announce the representation of Markus Klinko, a visionary whose photographic lens has defined the visual language of contemporary pop culture. Markus Klinko uses contemporary icons the way earlier centuries used saints, monarchs, and mythological figures and Klinko’s unparalleled ability to fuse high-fashion glamour with raw, iconic star power aligns perfectly with Albumen Gallery’s commitment to championing boundary- ... More
Audain Art Museum celebrates Takao Tanabe's centennial with landmark retrospective WHISTLER, BC.- Marking the 100th birthday of Takao Tanabe on September 16, 2026, the Audain Art Museum is opening Takao Tanabe 100: Inside Passage, a landmark retrospective honouring one of Canada’s most distinguished painters for his immeasurable contributions to Canadian art. Presented as part of the Museum’s 10-year anniversary programming, this exhibition features more than fifty works spanning six decades, offering a comprehensive overview of Tanabe’s evolving visual language and his remarkable artistic career. Alongside his iconic coastal and prairie landscapes, Takao Tanabe 100: Inside Passage showcases lesser-known bodies of work, including the “White Paintings” and “Emperor” paintings, hard-edge paintings, and intimate river scenes, which provide a deeper understanding of Tanabe’s creative range. From modernist abstraction to serene ... More
MoCA Connecticut announces 2026 summer season focused on American history and memory WESTPORT, CONN.- The Museum of Contemporary Art Connecticut (MoCA\CT) announces its 2026 summer exhibition season, Looking for History: Rick Shaefer, Ellen Harvey, and Michael Borders, a trio of solo presentations that examine how histories—personal, local, and national—are pictured, preserved, and contested. As the United States marks its 250th anniversary in 2026, the exhibitions invite visitors into distinct yet interconnected conversations about the narratives and forces that have shaped the nation. On view from June 25 through November 15, 2026, Looking for History unfolds across MoCA\CT’s galleries, with each artist presented in a dedicated space. Rick Shaefer’s Colossi anchors the full season, while Ellen Harvey’s The Disappointed Tourist is featured from June 25 to August 2, followed by Michael Borders’ Connecticut Industry from August 13 through November 15. “Looking for History is a timely exhibition as our nation’s 250th anniversary presents a moment f ... More
Melbourne artist's Yarrabah residency leads to CIAF debut CAIRNS.- A six-week ceramics residency with Yarrabah Arts and Cultural Precinct has culminated in a series of newly developed works by emerging artist Sofii Belling Harding, marking her debut at the Cairns Indigenous Art Fair (CIAF) 2026 next month. Supported through Creative Australia's Young People: First Nations Arts & Culture Project Fund, the Melbourne-based artist spent the month of May immersed in the vibrant creative environment of Yarrabah Arts Centre, where she was mentored by Aunty Michelle Yeatman while working alongside Aunty Philomena Yeatman and Aunty Edna Ambrym. The residency formed part of Ms Belling Harding's Creative Australia-supported project, maya (Curing of Sickness, Yorta Yorta), which enabled her to advance the practical, technical and artistic skills required to continue developing her ceramics practice while learning ... More
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On a day like today, American painter Sam Francis was born
June 25, 1923. Samuel Lewis Francis (June 25, 1923 - November 4, 1994) was an American painter and printmaker. Francis was initially influenced by the work of abstract expressionists such as Mark Rothko, Arshile Gorky and Clyfford Still. His loose style was most influenced by the work of Jackson Pollock. He later became loosely associated with the second generation of abstract expressionists, including Joan Mitchell and Helen Frankenthaler, who were increasingly interested in the expressive use of color. But Francis never fit neatly into any school of art. He charted his own trajectory as one of the first global artists working around the world. In this image: Sam Francis, Evergreen Licks, 1987. Acrylic on canvas, 152 x 183 cm. Courtesy Bernard Jacobson Gallery.
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