FRANKFURT.- Pieter Bruegel the Elder (1526/30–1569) is regarded as one of the outstanding artists of sixteenth-century Dutch art. His works transport viewers into a fascinating world of humorous visual ideas and enigmatic motifs. Although he is today primarily known as a painter, he made a name for himself early on through his designs for prints. In the exhibition Bruegel. Printed, the Städel Museum brings together around forty-five exceptional prints based on Bruegel’s drawings. They reveal him as a unique innovator and an inimitable storyteller, whose motifs range from vast landscapes to secular and religious allegories and scenes of everyday life. Bruegel’s prints were created in close collaboration with the Antwerp publisher Hieronymus Cock and his wife, Volcxken Diericx. They convey a vivid impression of the artist’s unique visual world, which combines observation and imagination. Drawing on his fondness for the detailed, grotesque motifs of Hieronymus Bosch and his broad ... More
Reconstruction of Forest floor. Illustration by Brian Engh.
DALLAS, TX.- A unique cache of plant fossils from volcanic deposits in New Mexico contradicts the common narrative that flowering plants, which now dominate the earth’s flora, had more limited roles in the ecology of Earth’s forests before dinosaurs disappeared 66 million years ago. New research shows surprisingly large seeds and fleshy fruits in a dense flowering-plant dominated forest, preserved in a “botanical Pompeii” that happened nearly 10 million years before a catastrophic asteroid impact wiped out the dinosaurs. The discovery was made by a multi-institutional team of scientists, led by UC Berkeley doctoral student Jaemin Lee, and includes critical work by Perot Museum of Nature and Science’s Director of Paleontology & Curator of Paleobotany and co-author Dr. Dori L. Contreras that began during her doctoral work at the university. “Contributing to the body of science is a critical pillar of the work we do at the Perot Museum of Nature and Science. Discoveries D ... More
Installation view of Abigail Lucien: Blood of the Earth at the Art Institute of Chicago, 2026.
CHICAGO, IL.- The Art Institute of Chicago announces Abigail Lucien: Blood of the Earth, on view now through January 25, 2027. This solo exhibition presents a series of new sculptural works by Haitian American artist Abigail Lucien, and explores the ways that iron connects us to histories, the material world, and each other. Lucien has long been fascinated by iron, a mineral born from the explosion of stars that is essential to our daily lives. Found in the Earth’s molten core, human blood, everyday objects, and the built environment, iron is a versatile material that permeates the world around us. In Lucien’s artistic practice, it also provides a way to acknowledge craft traditions and diasporic experiences, finding inspiration in the ornate iron gates and grilles that adorn buildings in the Caribbean and in the iron forge as a sacred space of creation in Africa. “Lucien’s rigorous engagement with iron’s malleability opens up a compelling worldview, illuminating multiscalar ... More
Edward Lear (1812–1888), Corfu: A View from Above the Village of Ascension, 1856.
MINNEAPOLIS, MN.- The Minneapolis Institute of Art (Mia) has acquired eight works that reflect the museum’s ongoing commitment to building a collection that is both art-historically significant and global in scope. The acquisitions strengthen Mia’s holdings in Latin American colonial art, European painting and works on paper, contemporary American art, and Asian decorative arts. Among the highlights are a silver gilt salt cellar recovered from the wreck of the Spanish galleon Nuestra Señora de Atocha—the first work of early Latin American silversmithing to enter the collection and the only work from this ship in an American museum collection; an 18th-century Guatemalan polychrome wood sculpture that is the only known example of its Marian subject in an American museum; and a major new painting by artist Titus Kaphar titled Do You Remember Douglas Street?, that relates to his acclaimed debut feature film. “These acquisitions reflect who we are ... More
Daniel Joseph Martinez, Memento Mori (Blackboards, definitions and translations) In house only Hannah Arendt, Paul Virilio, Joseph Beuys, Cy Twombly. Triptych, 36 x 47 x 1 1/2 in. (91.4 x 119.4 x 3.8 cm) (each).
NEW YORK, NY.- Marian Goodman Gallery is presenting States of Being, a solo exhibition of Daniel Joseph Martinez, on view from 25 June – 7 August. On view in the First Floor galleries is a monumental wall installation titled The Post-Human Manifesto for the Future: On the Origin of Species or E=hν (+) We are here to hold humans accountable for crimes against humanity Or In the twilight of the empire, in the spider hole where the masters of the earth have gone to ground with their simulacral weapons, reality gives way to a violent Technological Phantasmagoria Celestial Event or Homo Sapiens are the Ultimate Invasive Species on the Earth or Modernism has failed us, the Empire is collapsing, humans are Morally indefensible or A world between what we know and what we fear or Doubt is not a pleasant condition, but certainty is ... More
Considered one of the best scrimshaw pieces in the world.
NANTUCKET, MASS.- The Nantucket Historical Association announced the acquisition of an island folk-art masterpiece: a scrimshaw plaque made by Edward Burdett (1805–1833). Burdett is the earliest identified American engraver of sperm whale teeth and was from Nantucket. Currently, only about twenty pieces of scrimshaw by Burdett are known, all sperm-whale teeth except for two bone plaques. This plaque, which has been in a single family for 200 years, was offered to the Nantucket Historical Association by the descendants of Capt. Valentine Hussey, a significant merchant from Nantucket’s whaling era. The NHA has three other scrimshaw pieces by Burdett, including a tooth also made aboard the same whaleship on which Burdett made this plaque. The plaque will be on exhibit in the Arie L. Kopelman Gallery at the Whaling Museum this summer, giving visitors a chance to view what one recent observer called “Nantucket’s Mona Lisa”: a not-to-be-missed ... More
Joshua Johnson, Lady on a Red Sofa, 1820–1825, oil on canvas, the Museum of Fine Arts, Houston, museum purchase funded by the Long Endowment for American Art.
HOUSTON, TX.- The Museum of Fine Arts, Houston marks the 250th anniversary of America’s founding with a roster of more than 70 artworks that speak to the American experience from across its campus and collections—from antiquities to global modern and contemporary art. Beginning July 1, 2026, visitors to the MFAH main campus and its two decorative-arts house museums, Rienzi and Bayou Bend Collection and Gardens, can map their own pathway, indoors and out, guided to the artworks and newly created audio stops and labels that discuss each of them from this historical and cultural perspective. Comments Gary Tinterow, director and Margaret Alkek Williams chair of the MFAH, “The collections of the Museum of Fine Arts, Houston take pride of place within our galleries and our curators are continually engaging with and revisiting these works of art. On the occasion ... More
TORONTO.- This summer, ROM is abuzz with the opening of a new experiential exhibition that explores the many facets of a fascinating everyday creature like never before. Making its debut in North America, BEES: A Story of Survival – running May 16 to October 18, 2026 – offers a visually rich journey into the world of bees, allowing visitors to appreciate these key pollinators through a whole new perspective. Bringing together sculptural art installations with cutting-edge technology to create an immersive experience – the exhibition presents a unique opportunity to see what the world looks like from a bee’s-eye view – and also learn more about what makes these remarkable insects so essential to the planet’s ecosystems. BEES: A Story of Survival was originally developed by National Museums Liverpool, in partnership with award-winning U.K. based artist Wolfgang Buttress, and is presented at ROM by Desjardins Financial Group. “Through vibrant soundscapes, digit ... More
DORNBIRN.- From 3 July to 8 November 2026, Kunstraum Dornbirn presents HYLE, Michail Pirgelis’s first institutional solo exhibition in Austria. Born in Essen in 1976, raised in Greece, and now based in Cologne, Pirgelis has been working for over two decades with materials from decommissioned passenger planes—exterior walls, rows of windows, floor panels—which he strips of their original function by scraping, sanding and fragmenting them to create abstract sculptures. The exhibition title draws on the Aristotelian concept of hyle (ὕλη): matter in relation to form, the potential of material to take shape. This identifies the conceptual core of Pirgelis’s practice. With HYLE, Kunstraum Dornbirn presents the first institutional solo exhibition in Austria by Michail Pirgelis. For the historic assembly hall, Pirgelis—born in Essen in 1976, raised in Greece, and now based in Cologne—has developed a large-scale installation. Here, monumental ... More
New INAH documentary summarizes more than three millennia of the practice of the ballgame. Photo: INAH.
MEXICO CITY.- Deep in the misty jungle of Veracruz, surrounded by birdsong and the cries of howler monkeys, a new documentary by Mexico’s National Institute of Anthropology and History begins with the sound and memory of one of Mesoamerica’s oldest traditions: the ballgame. Titled The Ancestral Ballgame: The Cosmos in a Sacred Game, the documentary brings together more than three thousand years of history, ritual and cultural continuity. Produced by INAH TV, the film explores the origins, symbolism and living legacy of a practice that was never merely a sport. For ancient Mesoamerican peoples, the ballgame was a sacred act connected to the cosmos, the renewal of life, political power, fertility, war and communication with the gods. The documentary was presented on July 1, 2026, at the National Museum of Anthropology in Mexico City. It forms part of the cultural programming created around the Mundial Social, an initiative that uses the global attention surrounding ... More
Ayse Wilson, Blue Diving In, 2026. Acrylic on canvas, 48 x 36 in, 121.9 x 91.4 cm.
NEW YORK, NY.- Jane Lombard Gallery is presenting the group exhibition Immensity of Blue. This exhibition looks to the conceptual framework of water to highlight places where idle activities are encouraged, rest is granted, new communities are fostered, and time seems to undulate indefinitely. Immensity of Blue will be on view at Jane Lombard Gallery through August 14th, 2026. In a vibrant triptych, Adam de Boer reimagines Georges Seurat’s A Sunday on La Grande Jatte through the lens of present-day Los Angeles. Palm trees shimmer in reflective water while figures lounge in states of ease, offering a distinctly Californian vision of sunlight, leisure, and collective gathering. Created using a traditional batik technique, the work merges cultural heritage with a contemporary sensibility, reflecting on the ways inherited traditions continue to shape personal experiences of place. Eva Struble similarly translates her physical experience of landscape into vibrant, multisensory abstract ... More
The Large Horse, 1505. Albrecht Dürer (German, 1471–1528). Engraving; sheet: 16.6 x 11.9 cm. The Cleveland Museum of Art, Bequest of Leonard C. Hanna Jr., 1958.113
CLEVELAND, OH.- The Renaissance Engraver at Work, the Cleveland Museum of Art’s (CMA) newest exhibition, offers visitors a glimpse into the beauty, complexity, and technical innovation of engraving, a printmaking process that emerged in mid-1400s Europe. Drawn exclusively from the CMA’s collection, which includes some of the world’s oldest and rarest engravings, the exhibition explores the origins of a medium that transformed the way images were created and duplicated. The Renaissance Engraver at Work, on view from Sunday, July 5, through Sunday, November 1, 2026, in the James and Hanna Bartlett Prints and Drawings Galleries 101A–B, is free and open to the public. “In Renaissance Europe, engraving was a new technology,” said Emily J. Peters, curator of prints and drawings. “Long the domain of goldsmiths, engraved lines appeared as prints on paper—possibly ... More
Henri Matisse, The White Feathers, 1919. Minneapolis Institute of Art. The William Hood Dunwoody Fund.
NICE.- The Musée Matisse Nice and the Musée Yves Saint Laurent Paris present a major exhibition dedicated to two leading creators who never ceased to rethink the 20th century, exploring and transgressing its sources to dissolve the established boundaries between fine and applied arts. If a single common thread were to link Henri Matisse (1869-1954) and Yves Saint Laurent (1936-2008), it would undoubtedly be their shared determination to transcend the traditional boundaries between fine arts and applied arts. For Henri Matisse (1869-1954), the dynamism of decorative prints becomes the means of creating a pictorial space that “extends beyond the limits of the tangible”;[1] for Yves Saint Laurent (1936-2008), painting offers the possibility of moving from plane to volume, of conceiving the garment as a mobile element that unfolds in the space, an art in movement. Sewing and painting were activities that involved the ‘same experimentation with lines, and the ... More
Quote Tanguy was the Watteau of surrealism. Sarane Alexandrian
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Ogden Museum of Southern Art announces artists for the 2026 edition of Louisiana Contemporary NEW ORLEANS, LA.- Ogden Museum of Southern Art announced today the artists selected for the 2026 edition of Louisiana Contemporary, presented by The Helis Foundation, the Museum’s annual juried exhibition celebrating contemporary artists from across the state. Reflecting the exhibition’s ongoing commitment to new ideas, this year’s selection includes 28 artists participating for the first time. Juror Sarah Jones, Lulu C. and Anthony W. Wang Head of Live Arts at The Metropolitan Museum of Art, selected 50 works by 45 artists. Louisiana Contemporary, presented by The Helis Foundation, will be on view at Ogden Museum from August 1, 2026, through February 14, 2027. Ogden Museum first launched Louisiana Contemporary in 2012 to celebrate artists living in Louisiana and showcase the vitality of artistic practice across the state. Since the inaugural ... More
New exhibition at Mexico's National Museum of Anthropology explores the ancient roots of the ballgame MEXICO CITY.- At a moment when soccer is placing Mexico once again in the global spotlight, the National Museum of Anthropology is inviting visitors to look much further back in time—to the sacred courts where the sound of a rubber ball once echoed across Mesoamerica. The exhibition “Tlachtli. Spaces of the Sacred Game” opened on July 2, 2026, at the National Museum of Anthropology, bringing together 24 aerial photographs by Santiago Arau Pontones and 10 archaeological objects that explore the deep cultural, ritual, and territorial meaning of the pre-Hispanic ballgame. The show is organized by Mexico’s Ministry of Culture through the National Institute of Anthropology and History, INAH, and will remain on view through August 2, 2026. Through sweeping aerial images, Arau connects ancient ceremonial spaces with the contemporary Mexican ... More
Kunsthalle Osnabrück presents Aleen Solari solo exhibition 'Tribute to Bicce' OSNABRÜCK .- Aleen Solari is an artist and painter. Her artworks bring painting out of its traditional canvas and into the space around us: surfaces, objects, and situations become part of her visual worlds. She links her art to themes that are familiar to many people – drawn from everyday life and pop culture, like music, fashion, teenage slang, or sport. Aleen Solari aims to connect with different groups, such as football fans or pub-goers. The starting point for Aleen Solari’s exhibition at the Kunsthalle Osnabrück is the subcultural space of fan culture and sport. [A subculture is a group within society. Members of the group share a common interest and have their own rules for how they interact with each other.] Her particular focus is on the fan culture surrounding football. Football stands, the sides of the pitch, and clubhouses are places with their own rituals and symbols. ... More
ACCA launches group exhibition Are you lonely tonight? I'm so lonesome I could cry. MELBOURNE.- In an era defined by hyperconnectivity, the Australian Centre for Contemporary Art opened a major group exhibition Are you lonely tonight? I’m so lonesome I could cry. examining loneliness not as an individual feeling, but as one of the defining emotional experiences of contemporary life, one that intrinsically connects us all. Open until Sunday 30 August 2026, the exhibition inaugurates ACCA’s new Art and Emotion series, an ongoing program exploring the emotional states that shape our personal and collective lives. ACCA will continue the series by exploring the themes of rage and joy in 2027 and 2029 respectively. Bringing together eleven leading local and international artists working across tapestry, painting, sculpture, installation, photography and moving image, the exhibition explores how loneliness is experienced, performed, mediated ... More
Zander Galerie Paris presents Molly Springfield's large-scale graphite drawings PARIS.- Zander Galerie Paris is presenting an exhibition of the five-part graphite drawing Commander Lowell by American artist Molly Springfield. Created in 2015 as part of her continuing series The Marginalia Archive and measuring over 4.5 meters in length, the work on paper explores the limits of reproduction, the translation of thought into writing, and the material conditions of reading. Through the processes of copying, annotation and transcription, Springfield investigates how meaning is mediated, altered and preserved. Molly Springfield’s work centres on acts of reproduction and the question of how information changes through repeated transmission. Working from existing printed texts, she repeatedly photocopies source material, with each generation serving as the basis for the next. Through this accumulative process, words, annotations and traces of use are enlarged ... More
Rare Cuzco School painting of the Black Madonna and Child comes to auction after 250 years in one family LONDON.- A rare religious painting from Peru’s Cuzco School, held by the same family for more than two centuries, will appear on the market for the first time this month at Sloane Street Auctions. Dating to around 1700, The Black Madonna and Child is expected to sell for £20,000 to £50,000 when it is offered on July 10. The oil on canvas, measuring 32 by 22 inches unframed, has been in the possession of the Messina/Grisewood family since the 18th century. The work’s history is as compelling as its imagery. The Messina family, Sicilian nobles associated with the Palazzo Messina in Palermo, is believed to trace its lineage back to those involved in the Norman conquest of Sicily nearly 1,000 years ago. The family later went into exile in Malta after Count Giovanni Messina was executed in Catanzaro in 1800 during the political upheavals that followed the revolutions ... More
Artist Justin Brice Guariglia uses ultraviolet spectrum to rethink non-human wilderness vision LONDON.- Flowers Gallery is presenting Agentic Forests, the first solo London gallery exhibition by New York-based artist Justin Brice Guariglia. A series of large-scale pictures printed in acrylic on white gessoed linen canvases, the works rigorously depict infinitely complex forest ecosystems, asserting the forest as agentic - a subject, not an object - that far exceeds human comprehension. Where contemporary environmental rhetoric tends to reduce the natural world to either something to be protected or something to be mined for resources, Guariglia's Agentic Forests proposes a richer relation that foregrounds our entanglement with and estrangement from the natural world. Over the past fifteen years, Guariglia has visited hallowed and sacred forests from all corners of the globe. He employs a meticulous process to photograph the forests, inch by inch, ... More
Schirn launches a new outdoor series with works by Katja Mater, Margaret Raspé, and Bernhard Schreiner FRANKFURT.- The Schirn Kunsthalle Frankfurt presents In A Silent Way. Sculptures around the Schirn, a group exhibition unfolding across several episodes in its public outdoor grounds at its temporary location in Frankfurt’s Bockenheim district. The works explore the transience and fragility of environmental phenomena, transforming them into aesthetic experiences. Each of the works are in dialogue with their surroundings and the forces of nature—sun, rain, wind and the rhythms of day and night. The first episode of the exhibition opened on June 24, 2026, with three site-specific installations by Katja Mater, Margaret Raspé, and Bernhard Schreiner. Each installation has its own unique way of relating to nature. The works, some of which are new productions, give audible and visible form to processes that usually go unnoticed in everyday life. They amplify ... More
Miles McEnery Gallery presents Brian Alfred's World Cup-timed exhibition 'Plus Ultra' NEW YORK, NY.- Plus Ultra is Brian Alfred’s seventh solo exhibition with Miles McEnery Gallery. Timed to coincide with the 2026 FIFA World Cup, being hosted across North America and culminating with the final in the New York area, the exhibition brings together a new body of paintings and a new animation exploring the imagery, spectacle, and collective experience of sports. Alfred has teamed up with Adidas, a foundational partner of the FIFA World Cup, to create a limited edition soccer jersey for the exhibition. The edition of 75 jerseys features the details of Plus Ultra, with customizable patches relating to diverse collectives within both the art and soccer worlds that can be added during the exhibition opening. Each jersey purchase comes with a complimentary, editioned zine specially created for the exhibition. For this exhibition, GRIMM Artisanal Ales—a frequent ... More
Art's Next Gen: Primavera 2026: Young Australian Artists opens at MCA Australia SYDNEY.- Why are Australia’s young artists looking to the past to make sense of the present Eight young artists have sought inspiration in history, memory and the archive. Whether reaching across eons into distant time or exploring moments just at the edge of memory, each tells a profound story about today through the lens of yesterday. Primavera 2026: Young Australian Artists at the Museum of Contemporary Art Australia (MCA Australia) features new works that tell intimate stories, uncover crimes, investigate cutting-edge technologies and reveal tender moments. They suggest that the past is never truly fixed or forgotten, but something we carry with us to reinterpret and reimagine together. Mark Maurangi Carrol presents a new suite of paintings entitled oro enua, atu enua (‘the horse, the lord of land’), inspired by a New Year’s Day event on the Cook Islands ... More
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On a day like today, Peruvian artist Fernando de Szyszlo was born
July 05, 1925. Fernando de Szyszlo Valdelomar (5 July 1925 - 9 October 2017) was a Peruvian painter, sculptor, printmaker and teacher. He was a key figure in advancing abstract art in Latin America since the mid-1950s, and one of the leading plastic artists in Peru. His work is represented in public and private collections throughout the world, including the Museum of Modern Art, New York; Solomon R. Guggenheim Museum, New York; Anita Shapolsky Gallery, New York;[3] Museum of Fine Arts, Houston; Art Museum of the Americas, Washington, D.C.; Museo de Arte de Lima (Peru); Museu de Arte Moderna, São Paulo, Brazil; Museo Nacional de Arte, La Paz, Bolivia; Museo de Arte Contemporaneo Arequipa (Peru); and the Museum of Latin American Art, Long Beach, California, among others. In this image: Fernando de Szyszlo, Ciudad Prohibida (V).
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