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Old Master Paintings at Sotheby's Features Brueghel
A section of "The Kermesse of St. George", a painting by Pieter Brueghel the Younger goes on display at Sothebys auctioneers December 3, 2004 in London, England. Photo by Ian Waldie/Getty Images.

LONDON, UNITED KINGDOM.- Sotheby's Old Master Paintings sale on Wednesday December 8, 2004 includes what may well be the finest work by Pieter Brueghel the Younger still in private hands. Estimated at £2,500,000-3,500,000, The Kermesse of St. George will be offered alongside three important Dutch paintings from the celebrated collection of Enrico Fattorini and a number of other works with similarly appealing provenance, freshness and quality. The sale continues on Thursday, December 9 with two more sessions, one of which will be devoted exclusively to Spanish paintings.

Full of the intriguing detail that makes the Brueghels' work so compelling, The Kermesse stands apart from the bulk of Pieter Brueghel the Younger's work in that it is one of only a handful of original compositions the artist produced. In contrast to his custom serial production, this composition is known in just three versions, of which this is the prime original. For most of his career, Pieter Brueghel the Younger (1564-1637/8) devoted himself to copying the works of his father, thereby extending the "Brueghelian" tradition, but rarely demonstrating his own independent talents. Here, in what is undoubtedly the finest original composition he ever devised, it is possible to see the elusive hallmarks of his own independent style - a distinctive verve and attention to anecdotal detail - combined with the engaging subject matter and composition that identify him his father's son. This exceptional work is sure to generate great excitement when it appears on the market in December, not only because of its importance, but also because it has not been seen in public since 1935, having remained in the same family ownership since before 1930.

Alongside the Brueghel, December's sale also includes the last three masterpieces from the collection of the late Enrico Fattorini, which has been dispersed in several sales at Sotheby's over the last ten years. Fattorini's collection of Dutch pictures was one of the finest assembled in Britain in the last hundred years. Although it is now mostly dispersed, the paintings by Adriaen van Ostade, Jan Steen, and Jacob van Ruisdael that will be offered in December's sale rank among the finest works he ever owned.

(John) Enrico (1878-1949) was a highly successful businessman from a family of talented entrepreneurs. His grandfather, Antonio Fattorini (1797-1859), came to England in 1815, having impetuously left his native Lombardy earlier that year in order to fight with Wellington's army against Napoleon at the battle of Waterloo. Unfortunately, the battle was over by the time Antonio arrived, and - rather than return to Bellagio - he decided to continue North to England to see what opportunities and adventures he could find there. He settled first in Dewsbury, in Yorkshire, and took up work as a travelling packman. By the time he died, aged 63, he owned shops in Leeds, Bradford, Skipton and Harrogate. Subsequent generations continued to develop the family business, but in 1912 John Enrico broke away to found his own mail order business in Bradford - Grattan Warehouses. His fledgling company expanded rapidly and when it was finally floated on the Stock Market in 1936, Fattorini found himself an extremely wealthy man, with the means to indulge his passion for collecting pictures and works of art. He was a disciplined collector who bought well, acquiring, for instance, a group of outstanding cabinet pictures from the Rothschild collection at Exbury in Hampshire, which form the core of his collection.

Estimated at £2,000,000-£3,000,000, Adriaen van Ostade's Peasants Carousing and Dancing Outside an Inn (right) was among the most important works Enrico bought from the Rothschilds. One of the artist's most accomplished and animated exterior scenes, this exceptional work was painted when Ostade was at the height of his powers and is replete with the kind of evocative observation of surface at which Ostade (1610-1684) excelled. Prior to its acquisition by the Rothschilds, the painting belonged to a series of distinguished collectors in France, including the Duchesse de Berry.

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