The First Art Newspaper on the Net   Established in 1996 United States Sunday, February 17, 2019

Pace London opens first exhibition of Dubuffet's Théâtres de mémoire series in over three decades
Installation view of Jean Dubuffet: Théâtres de mémoire.

LONDON.- Pace London is presenting Jean Dubuffet: Théâtres de mémoire, the first exhibition of Dubuffet’s Théâtres de mémoire series in over three decades and the first-ever exhibition dedicated to the series in London. Curated by Arne Glimcher, the founder of Pace Gallery, and Tamara Corm, Senior Director at Pace London, this exhibition features fifteen monumental paintings on loan from Fondation Dubuffet, Tate, Fondation Beyeler and private collections. Most of the works have never been seen in the UK before, including Les données de l’instant (1977), Dramatisations (1978), Les commentaires (1978), and Vestiges et devenirs (1976). Jean Dubuffet: Théâtres de mémoire is on view from 13 September to 21 October 2017 at 6 Burlington Gardens.

The Théâtres de mémoire is one of Dubuffet’s most important series of works, and contains some of the largest paintings he has ever made. The series, which Dubuffet started at age 74, also marks one of the last he created. The gigantic collages are composed of overlapping papers, layer upon layer, where he tested their placement by moving the elements, adding, rearranging, and deleting images until an eventual perfect coalescence of the interlocking parts was achieved. This was a new technique for the artist, and a redefinition of his art.

Each work is a vast picture made up of smaller paintings, which Dubuffet cut out and glued to the canvas. He began his process on his studio floor, where he would arrange different combinations of cut-out figures and scenes. He then used magnets to pin the paper or canvas to the wall, allowing him to easily replace one element with another, and to overlap segments until he reached his final compositions. These are the paintings that first interested Jean-Michel Basquiat, who regularly visited the gallery to see any new arrival by Dubuffet.

The paintings depict abstractions, landscapes, scribbles and figures from Dubuffet’s mind. Dubuffet titled the series after Frances Yates’ book The Art of Memory, which presents the ‘memory techniques’ used by Cicero and orators in the Middle Ages that enabled them to remember storehouses of knowledge. For Dubuffet, each of the Théâtres de mémoire is a collection of actual places and scenes that crowd and conflict in our memory. Just as memories are hazy and incoherent, the compositions have no clear narrative or starting point. In Dramatisation (1978) for example, Dubuffet brings together 42-elements to create an energetic assemblage of large and small figures and abstractions. Dubuffet requires the viewers to participate in this frenzy of visual information, and asks them to get lost in contemplation and experience, in Dubuffet’s words, “viewing by the mind, not the eyes”.

Further highlights of the exhibition include Localisation (1975) and Les données de I'instant (1977) on loan from the Fondation Dubuffet. This work depicts individuals and groupings of figures executed in distinctive styles and colours that reference earlier phases in Dubuffet’s oeuvre and foreshadow some of his final bodies of work. As explained by Dr. Kent Minturn in the catalogue essay: “The individual elements bring to mind many of Dubuffet’s past series, including his early Marionnettes de la ville et de la campagne (1942– 45), Paris Circus (1961–62), l’Hourloupe (1962–74) and his more recent haphazard Crayonnages and Parachiffres (1974–75). They are the gateway to the artist’s chief interests and obsessions that will dominate the last ten years of his artistic production”.

The exhibition is accompanied by a display of works from Brefs exercices d'école journalière, the series Dubuffet made directly after the Théâtres de mémoire. Like the Théâtres de mémoire, these paintings are assemblages that reflect many of the feelings of Dubuffet’s earlier periods. In these works, Dubuffet carefully uses a range of scales to create spatial illusion.

The exhibition marks 50 years of Pace representing Dubuffet and follows Pace’s tradition of staging landmark exhibitions on the artist, including two shows of Théâtres de mémoire presented in 1977 and 1979 in New York. An illustrated catalogue featuring an introduction by Arne Glimcher, a personal letter from Jean Dubuffet to Arne Glimcher and an essay by Dr. Kent Minturn accompany the exhibition.

Jean Dubuffet (b. 1901, Le Havre, France; d. 1985, Paris) began painting at the age of seventeen and studied briefly at the Académie Julian, Paris. After seven years, he abandoned painting and became a wine merchant. It was not until 1942 that he began the work which has distinguished him as an outstanding innovator in postwar European painting. Dubuffet's interest in art brut, the art of the institutionalized and the untrained, whether a paleolithic cave artist or the writer of contemporary graffiti, led him to emulate this directly expressive and untutored style in his own work. His paintings from the early forties in brightly colored oils were soon followed by works in which he employed such unorthodox materials as cement, plaster, tar, and asphalt—scraped, carved and cut and drawn upon with a rudimentary, spontaneous line. Dubuffet’s oeuvre was propelled by a constant evolution of techniques, seeking to dislocate site, space, and established continuities. In 1966, he received three independent retrospectives at museums, including the Tate Gallery, London; Stedelijk Museum, Amsterdam; and Museum of Fine Arts, Dallas, which travelled to the Walker Art Center, Minneapolis. Jean Dubuffet has been represented by Pace since 1967.

Today's News

September 15, 2017

Carbon dating finds manuscript contains oldest recorded origins of the symbol 'zero'

Pace London opens first exhibition of Dubuffet's Théâtres de mémoire series in over three decades

Seminal Andy Warhol Coke Bottle to spearhead special auction 'Up Close' during London's Frieze Week

Picasso portrait to highlight Christie's Impressionist and Modern Evening Sale in New York

Ruiz-Healy Art opens a solo exhibition of Chuck Ramirez photography

P·P·O·W exhibits new large-scale mixed media drawings by Aurel Schmidt

Epic quest to document 'miracle' of Hebrew language

Palmatary pre-fire Chicago map sells shy of $200k

Princess Diana's sterling silver card case sold for $20,974 at auction

Fondation Henri Cartier-Bresson opens 'Traverser' by Raymond Depardon

Does permanence matter? Ephemeral Urbanism featured in exhibition at Pinakothek der Moderne

Group exhibition that reflects on the relationship between art and architecture

First edition of art berlin opens with 110 international galleries from 16 countries

Yamamoto Keiko Rochaix opens exhibition of works by Alessandro Roma

Vienna's Secession opens exhibition of works by Nicole Eisenman

Exhibition pairs works from the multifaceted practices of Anton Alvarez and Jonathan

Grand Rapids Art Museum presents 16 artists during ArtPrize Nine

Bozar opens sixth Electronic Arts Festival

Ackland Art Museum acquires 12 artworks from Souls Grown Deep Foundation

Christie's sale of the collection of Alberto Pinto realizes $15,635,905

$21.5+ million changes hands in Heritage Auctions' Long Beach coin, currency events

Visit The Faraway Nearby this fall at the Ryerson Image Centre in honour of Canada 150

Most comprehensive exhibition to date by Berlin-based artist Sofia Hultén opens in Birmingham

Part 1 of a vast vintage costume jewelry collection will be auctioned at Ripley Auctions

Most Popular Last Seven Days

1.- Underground in Jerusalem, a rare look at an ancient tomb

2.- Research reveals new species are evolving fastest in Antarctica

3.- Tate Modern opens the UK's first major Pierre Bonnard exhibition in 20 years

4.- Travel ban for 'fragile' Van Gogh's 'Sunflowers'

5.- Holocaust museum stokes controversy among Hungary's Jews

6.- Rare Hassam, Jefferson letter and Sèvres porcelain offered at Potomack Auction

7.- 'Discriminating Thieves: Nazi-Looted Art and Restitution' opens at Nelson-Atkins

8.- Andy Goldsworthy to create Walking Wall on Nelson-Atkins campus

9.- US university to cover Christopher Columbus murals

10.- Leonardo da Vinci's drawings go under the microscope in a new publication

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful