The First Art Newspaper on the Net   Established in 1996 United States Sunday, September 15, 2019


Galerie Karsten Greve opens complementary exhibition of Roger Ballen's work during St. Moritz Art Masters
Roger Ballen, Window Shelf, 2012. Archival inkjet print on paper. Courtesy Galerie Karsten Greve, St. Moritz.


ST. MORITZ.- In a complementary exhibition, Galerie Karsten Greve is presenting a selection of works from the series Asylum of the Birds by Roger Ballen.

The New York-born photographer, Roger Ballen, who has been based in South Africa for over thirty years, belongs to the most recognized and innovative photographers of his generation.

Black and white is what I do. It is unadultered, stripped back, minimalistic and does not imply that it is a depiction or duplication of reality. (Roger Ballen)

The mesmerizing imagery created by self-taught photographer Roger Ballen, who carries a PhD in geology and was born in New York in 1950, are the result of meticulously arranging countless elements by strategically installing them like props on a stage. Human protagonists, whose often unconventional appearance is showcased prominently and is further emphasized by the derelict housing surrounding them, are integrated into multi-layered scenarios. Within them Ballen seeks to uncover – akin to the way the Surrealist movement’s écriture automatique sought to grasp unpredictable mental dynamics – the chaos of the condition humaine without transcribing it into any type of logical framework. „The images I create, I create not to inform. They are much rather meant to be understood as a coherent commentary on the chaos in our incomprehensible world… If I could attach any meaning to the images, they would be nothing more than simple photographs.”

In distancing himself from realistic representation and instead focusing on the image as a manifestation of a state of the mind or the soul, a vision, hallucination, dream or even nightmare, Ballen increasingly brings drawing, painting and graffiti to the foreground of his work. The figurative forms of expression seamlessly blend with newspaper clippings, cardboard drawings reminiscent of the Art brut-aesthetic cultivated by Jean Dubuffet or the Graffiti series of photographs by Brassaï. Roger Ballen’s choice of motif reflects his creative self-conception, according to which the image or rather imagination itself is found in a pre-configured state within the subconscious and cannot be traced back to a singular or definitive origin.






Today's News

August 26, 2017

Exhibition presents the conceptual world of the mystical philosopher Jacob Böhme

A suite of exhibitions celebrate 75 years of Australian Modernism

Unwanted statues of a defeated general? Taiwan has the answer

10th anniversary edition of St. Moritz Art Masters opens

Kunsthalle Bern and Kunsthaus Glarus collaborate on exhibition dedicated to the multifaceted concept of rumour in art

Doyle to auction Asian works of art on September 11

Sotheby's to offer fine timepieces including George Daniels masterpieces

Exhibition of works by Jimmie Durham explores the relationship between humans and nature

Pook & Pook and Noel Barrett combine expertise for auction of European and American toys

The Art Gallery of New South Wales opens an exhibition of new and recent works by Mikala Dwyer

'FluZUsic/FLUXUS MUSIC' exhibition exhibition opens at the Bob Rauschenberg Gallery at FSW

Exhibition of Saudi contemporary art reveals unexpected common ground

First major museum solo exhibition of artist Hilarie Mais opens in Australia

Galerie Karsten Greve opens complementary exhibition of Roger Ballen's work during St. Moritz Art Masters

Exhibition celebrates Antarctica's significance to science and humanity

Wave Pool announces winners of the first annual Curatorial Residency Program

The Society for Contemporary Art in Bremen opens exhibition of works by Jan Groover

Craft in America Center presents the powerful work of Los Angeles native artist Jaime Guerrero

Australian PM slams 'Stalinist' critics of colonial statues

Rabouan Moussion Gallery closing in La Baule and reopening in Paris

Smithsonian to honor Sting and J. Ralph for contributions to American music

Most Popular Last Seven Days



1.- Holocaust 'masterpiece' causes uproar at Venice film festival

2.- To be unveiled at Sotheby's: One of the greatest collections of Orientalist paintings ever assembled

3.- Bender Gallery features paintings by up and coming Chicago artist Michael Hedges

4.- Lévy Gorvy exhibits new and historic works by French master in his centenary year

5.- Artificial Intelligence as good as Mahler? Austrian orchestra performs symphony with twist

6.- Fascinating new exhibition explores enduring artistic bond between Scotland and Italy

7.- Exhibition explores the process of Japanese-style woodblock production

8.- Robert Frank, photographer of America's underbelly, dead at 94

9.- The truth behind the legend of patriot Paul Revere revealed in a new exhibition at New-York Historical Society

10.- Hitler bust found in cellar of French Senate



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful