The First Art Newspaper on the Net   Established in 1996 United States Tuesday, July 23, 2019


First major museum solo exhibition of artist Hilarie Mais opens in Australia
Installation view, Hilarie Mais, Museum of Contemporary Art, 2017. Featured left to right: Mist II, 2011, National Gallery of Australia, Canberra. Gift of the artist 2012, donated through the Australian Government's Cultural Gifts Program; Nomad, 2006-12; Broken Ghost, 2016, image courtesy the artist and Kronenberg Wright Artists Projects, Sydney © the artist, photograph: Jessica Maurer.


SYDNEY.- The Museum of Contemporary Art Australia is presenting the first major museum solo exhibition of Sydney-based artist Hilarie Mais. Since the early 1970s, Mais has consistently produced work underpinned by what she describes as her abiding interest in the history of abstraction, first in the United Kingdom, then the United States, and in Australia since 1981.

Featuring 20 major works, the exhibition is a close collaboration between the artist and the exhibition curators Blair French (MCA Director, Curatorial and Digital) and Manya Sellers (MCA Assistant Curator). This exhibition traces the last decade of Mais’ practice, since her last survey at the Drill Hall Gallery at ANU in Canberra in 2004.

Mais is best known for her constructions and paintings that merge the formal structure of the grid with an interest in organic forms found in nature. These patterns and sequences are often drawn from the growth of biological forms. Beginning with a geometric pattern the work then develops organically and instinctually, with Mais incorporating a highly personalised application of paint. Resulting works appear to shimmer optically, drawing the viewer’s eyes back and forth through their cycles of line and colour.

Despite the systematic quality of the work, Hilarie Mais notes: ‘The outcome cannot be predetermined; it evolves, it can be a surprise.’

MCA Director, Curatorial and Digital, Blair French said: ‘Hilarie Mais further establishes MCA’s commitment to supporting Australian and international artists at all stages of their careers. It is a privilege to work with Mais’ whose practice is of great maturity, evidenced in part by the trust in simple materials, forms and processes, and by the way a particular form can be returned to over and over again, producing new meaning.’

Three key threads of the artist’s practice can be seen in the exhibition. The first includes work where a ‘ghosting’ of colour appears to be formed between the work and the wall, drawing the eye beyond the material form and structure of the work to the perceptual field it creates around itself. The second approach is represented in the ongoing Tempus series of paintings, in which Mais returns over and over again to the basic relationship between the grid/square and circle/spiral systems as an underlying structure for making painted wall-based constructions. The third is represented in a multiple component work, Nomad (2006–12), produced as a colour spectrum – another system used within the history of abstract art – based upon waste plastics collected by Mais over a number of years.

Mais has always sought to personalise abstraction by emphasising the handmade quality of her work. MCA Assistant Curator, Manya Sellers concludes: ‘The presence of the artist is always evident in Mais’ work. Her grids are obviously hand-constructed and hand-painted, and their overall dimensions determined in relation to her own body, never larger than the outstretched reach of her arms. If ‘mistakes’ occur they are left uncorrected, a celebration of the imperfect and the human.’

The exhibition is accompanied by a richly illustrated publication covering the whole of Mais’ career, presenting and discussing some of her very first artworks through to new work produced for this exhibition. It includes an extensive overview essay, artist interview and a number of focus texts on selected bodies of work.

After its presentation at the MCA, the exhibition tours to TarraWarra Museum of Art, VIC, commencing 24 February – 29 April 2018, and then Drill Hall Gallery, ACT, from 7 June to 29 July 2018.





Today's News

August 26, 2017

Exhibition presents the conceptual world of the mystical philosopher Jacob Böhme

A suite of exhibitions celebrate 75 years of Australian Modernism

Unwanted statues of a defeated general? Taiwan has the answer

10th anniversary edition of St. Moritz Art Masters opens

Kunsthalle Bern and Kunsthaus Glarus collaborate on exhibition dedicated to the multifaceted concept of rumour in art

Doyle to auction Asian works of art on September 11

Sotheby's to offer fine timepieces including George Daniels masterpieces

Exhibition of works by Jimmie Durham explores the relationship between humans and nature

Pook & Pook and Noel Barrett combine expertise for auction of European and American toys

The Art Gallery of New South Wales opens an exhibition of new and recent works by Mikala Dwyer

'FluZUsic/FLUXUS MUSIC' exhibition exhibition opens at the Bob Rauschenberg Gallery at FSW

Exhibition of Saudi contemporary art reveals unexpected common ground

First major museum solo exhibition of artist Hilarie Mais opens in Australia

Galerie Karsten Greve opens complementary exhibition of Roger Ballen's work during St. Moritz Art Masters

Exhibition celebrates Antarctica's significance to science and humanity

Wave Pool announces winners of the first annual Curatorial Residency Program

The Society for Contemporary Art in Bremen opens exhibition of works by Jan Groover

Craft in America Center presents the powerful work of Los Angeles native artist Jaime Guerrero

Australian PM slams 'Stalinist' critics of colonial statues

Rabouan Moussion Gallery closing in La Baule and reopening in Paris

Smithsonian to honor Sting and J. Ralph for contributions to American music

Most Popular Last Seven Days



1.- Original 'Star Wars' creators lift lid on special effects challenges

2.- Lost '$170 million Caravaggio' snapped up before French auction

3.- Mansell's 'Red Five' on pole for Bonhams sale

4.- Impressionism's 'forgotten woman' shines in new Paris show

5.- Sotheby's to auction the best-surviving NASA videotape recordings of the Apollo 11 Moon Landing

6.- Exhibition explores Dutch and Spanish painting of the 16th and 17th centuries

7.- Cyprus discovers 'first undisturbed Roman shipwreck'

8.- Sotheby's unveils 'Treasures from Chatsworth' with Leonardo Da Vinci drawing, Lucian Freud portraits, and more

9.- Infamous botched art restoration in Spain gets makeover

10.- 1958 Gibson Flying V Korina played by Dave Davies to grab center stage in Heritage Auctions' sale



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez


Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful