A striking newly-commissioned photograph of actor Jack OConnell has been commissioned by the National Portrait Gallery
, it was announced today, Wednesday 26 July 2017, coinciding with his West End starring role in Cat on a Hot Tin Roof with Sienna Miller opening this week.
The portrait, taken by photographer Tereza Červeňová, was commissioned through the John Kobal New Work Award, a prize awarded annually to a photographer under thirty-five whose work is selected for display in the Taylor Wessing Photographic Portrait Prize exhibition at the National Portrait Gallery.
The London-based Slovakian photographer Tereza Červeňová won the John Kobal New Work Award commission following her selection as part of the Taylor Wessing Photographic Portrait Prize 2015 exhibition, and was invited to photograph the actor Jack OConnell in March 2017.
Červeňovas photograph of Jack OConnell was taken at his family home in Derby, and challenges the angry youth image associated with acting roles such as his film debut as the blue-collar teenager Pukey Nicholls in the 2006 coming-of-age drama This is England, a young murderer in the British horror Eden Lake, a drug addict in Harry Brown and James Cook in the teen drama Skins.
Shown with a hint of vulnerability and wearing a tee-shirt in a garden, OConnell is reflected through a window as Červeňova creates a semi-abstracted composition playing with light and lines as the actors torso apparently emerges intertwined with panels of a wooden fence.
Tereza Červeňová says: In portraiture my aim is always to manage to unveil what lies beneath the surface and meet the real person behind it and thanks to Jacks openness, seeing through the actors shield was both natural as well as effortless. Jack was very generous not only with his time but also with his thoughts and stories. It was great to have the full support and trust of the National Portrait Gallery and the John Kobal Foundation when it came to the execution and choice of the final portrait, which for me shows the juxtaposition of strength and vulnerability in a setting where the boundaries between the interior and the exterior are blurred and Jack emerges interlaced in both.
Born in Derby, England, Jack OConnell, the half-English, half-Irish actor had his big break when he was cast in 2006s This is England, a part written for him by director Shane Meadows. His career has gone from strength to strength, winning the EE BAFTA Rising Star Award and the New Hollywood Award in 2015.
Recent film credits include Angelina Jolies Unbroken, the critically acclaimed prison drama Starred Up, for which he was nominated for a British Independent Film Award for Best Actor, Belfast thriller 71 and last year he co-starred with George Clooney and Julia Roberts in Money Monster, directed by Jodie Foster.
Other credits include the successful British teen drama Skins, for which he won a British TV Choice award for Best Actor, British horror film Eden Lake, crime thriller Harry Brown opposite Sir Michael Caine and 300: Rise of an Empire.
Jack OConnell is currently starring at the Apollo Theatre in Londons West End as Brick in the Young Vic Production of Tennessee Williamss Cat on a Hot Tin Roof, alongside Sienna Miller as Maggie. Upcoming later this year is the new Netflix TV series Godless.
As winner of the John Kobal New Work Award in 2015 for her portrait of her friend Yngvild, taken the day before they attended a wedding together at Hollands Veluwe National Park, Tereza Červeňová received a commission to photograph a sitter connected with the UK film industry for the National Portrait Gallery Collection. Jack OConnell was chosen for his outstanding contribution to British cinema, theatre and television.
Slovakian born Červeňová moved to London in 2011 to study Photography at Middlesex University. After graduating with a BA Hons 1st, she embarked on a MA at the Royal College of Art (completing 2018). Her work now focuses on portraiture and fine art photography. She is the recipient of numerous awards including this years Bloomberg New Contemporaries, D&AD Yellow Pencil (2014) and Daniel Blau Gallerys 5 UNDER 30 Award (2013) as well as nominations for MACK First Book Awards. Her work has appeared in publications including The New Yorker, Telegraph Magazine and PORT Magazine as well as international exhibitions.
The John Kobal New Work Award Commission was launched in 2012 by the John Kobal Foundation and represents a significant achievement for young photographers, particularly as each commissioned portrait becomes part of the Gallerys Collection. The first commission saw the American photographer Matthew Niederhauser take a striking portrait of Andrea Riseborough, who had recently portrayed Wallis Simpson in the film W.E. (2011). The 2013 Award recipient, the Czech photographer Hana Knizova, photographed Olivia Colman reclining in an elegant tuxedo in a disused Victorian house in Stoke Newington. The 2014 Award recipient Laura Pannack photographed Star Wars actress Felicity Jones for her commission.
Dr Nicholas Cullinan, Director of the National Portrait Gallery, London, says: In sponsoring this award the John Kobal Foundation offers a young artist a great opportunity to photograph a sitter connected with the UK film industry. We are delighted that in an innovatively composed photograph by Tereza Červeňová, Jack OConnell now joins Felicity Jones, Olivia Colman and Andrea Riseborough in this exciting series of portraits commissioned from selected photographers in the Taylor Wessing Photographic Portrait Prize.
Simon Crocker, Chairman of the John Kobal Foundation, and a judge of the John Kobal New Work Award, says: Jack OConnell, one of the most talented actors to have emerged in the UK in the past few years, is a fitting subject for Terezas painterly eye and she delivers a terrific portrait to mark the fifth year of our award.'
The John Kobal New Work Award is awarded to a photographer under the age of 35 selected for the exhibition. The winning photographer receives a cash prize of £5,000 to include undertaking a commission from the Gallery to photograph a sitter connected with the UK film industry.