The First Art Newspaper on the Net   Established in 1996 United States Wednesday, July 17, 2019

New display in Brighton explores Jane Austen's relationship with coastal towns
'La Trenis Contredanse', hand-coloured etching French 1805. © Jim Pike for RPM.

BRIGHTON.- A new display at the Royal Pavilion in Brighton explores Jane Austen’s relationship with coastal towns, and life in Brighton during her time, to mark the bicentenary of her death. Jane Austen by the Sea looks at the seaside context of Austen’s plots and paint a picture of the leading resort of Brighton in the early 1800s, when it was a fashionable ‘watering place’ featured in novels like Pride and Prejudice.

Although there is no clear evidence that Austen visited Brighton she included it in several of her works, alongside other resorts on England’s south coast. The display reassesses her relationship with the town in the light of a long-term misunderstanding, arising from a hand-written letter of 8 January 1799.

Curator Dr Alexandra Loske said: “For many years, Austen has been quoted as having written: 'I assure you that I dread the idea of going to Brighton as much as you can do..', but her sentence actually referred to Bookham, a village in Surrey, rather than Brighton. The misquote appeared in the early 'Brabourne' edition of Austen’s letters from 1884 after the editor deciphered the placename wrongly, and his mistake was repeatedly copied and cited; however we now know that Austen may not have felt as negatively about the town as has been thought.”

George IV, who created Brighton’s Royal Pavilion and spent long periods living in the town when he was Prince Regent, was certainly a high-profile fan of Austen’s - and although she didn’t seem to approve of his lifestyle she was encouraged to dedicate Emma to him in 1815. In turn he kept a full set of her novels in each of his palaces, and Jane Austen by the Sea presents the King’s personal, specially-bound copy of Emma at the Royal Pavilion for the first time (generously lent by Her Majesty The Queen from the Royal Collection).

The display also presents a mourning brooch containing a lock of Jane Austen’s hair, one of her music books, and important rare manuscripts and letters. Dr Loske, who is a tutor at the University of Sussex as well as a curator at the Royal Pavilion, said: “When Jane Austen died 200 years ago she left an unfinished novel, Sanditon, set in a seaside town in Sussex. We’re thrilled to be able to exhibit a three-volume manuscript copy, in the hand of Jane's sister Cassandra, here on the Sussex coast, as part of our exploration of Austen’s interest in its emerging bathing resorts.

“We’ll also be looking at Brighton as Jane Austen and her readers might have known it, and exploring why ‘watering places’ like this became so fashionable: from coastal attire, tourist entertainments and the new pastimes of sea-bathing and Turkish baths to the town’s Royal connections and military presence.”

Other items in the display include a letter from Jane Austen to the Prince Regent's librarian, James Stanier Clarke, prints, paintings and caricatures of the resorts and fashions popular with seaside visitors in Austen’s lifetime, and original Regency costumes from Brighton & Hove’s own collection. Of particular note is a dress closely resembling the new ‘Brighton Walking Dress’ depicted in a London fashion magazine around 1817.

It investigates such themes as fashionable places and pastimes, Jane Austen’s own experiences by the sea, coastal resorts in her work and letters, seaside love and marriage, sailors and soldiers by the sea and Austen’s relationship with the Brighton-based Prince Regent and his household.

The display also brings Regency Brighton to life direct from the writer’s pen, via a series of quotes from Austen’s fiction and letters. Exhibition coordinator Fiona Redford said: “Brighton offered huge potential for Austen’s wry, tongue-in-cheek humour. She used the town as a backdrop for some of the more reckless, frivolous and silly characters in her novels, which could be viewed as a thinly-masked statement. We’ll explore parallels between the way she wrote about Brighton and work by contemporary caricaturists, who also highlighted the foibles and follies of the day.”

Visitors of all ages also are able to enjoy the Royal Pavilion’s new Regency Dressing up Box, where they can try on and take selfies in reproductions of Georgian costume. Options include Empire-style dresses, bonnets, breeches, waistcoats and Mr Darcy-style shirts, with some of the costumes inspired by pieces in the city’s dress collection.

Jane Austen by the Sea forms part of Royal Pavilion & Museums’ 2017 Regency Season, which also includes the exhibition Constable and Brighton (to 8 October 2017) and the display Visions of the Royal Pavilion Estate (to 3 Sept 2017) - both at Brighton Museum & Art Gallery.

Today's News

August 18, 2017

Reynolda House Museum of American Art presents 'Georgia O'Keeffe: Living Modern'

LUMA Foundation exhibits photographs by Annie Leibovitz

Exhibition of contemporary Chinese photography and the Cultural Revolution opens in Berlin

"Symbolism in Art of the Baltic States" to be shown at the Musée d'Orsay in Paris in 2018

Center for Women's History features Editta Sherman's photographs

A new book explores the influence of India on the work of British artist Howard Hodgkin

GOST Books publishes 'Pittsburgh 1950' by Elliott Erwitt

New Faculty of Fine Art, Music and Design designed by Snøhetta to open in October

Tomasso Brothers to presents omaggio to Florentine art at the Biennale Internazionale dell'Antiquariato di Firenze

New display in Brighton explores Jane Austen's relationship with coastal towns

Exhibition of works by Michael Golz on view at the Collection de l'Art Brut

BOZAR shines the spotlight on a great post-war Belgian designer: Ado Chale

Frederick Hammersley's creative process revealed in fall exhibition

FRONT International: Cleveland Triennial for Contemporary Art announces artist list

Bristol showcase for 200 emerging artist filmmakers

Brown Arts Initiative and Performa to launch new collaboration with co-commission of work by Kelly Nipper

Lafayette Anticipations will open in March 2018 in the heart of Paris

The Contemporary Jewish Museum opens exhibition of work by Kutiman

Edition Lammerhuber publishes 'Architecture of An Existential Threat' by Adam Reynolds

Hayoun Kwon presents an original work using virtual reality at Palais de Tokyo

Ismail Bahri's first major exhibition on view at Jeu de Paume

Descanso Gardens marks time with new elemental show

Most Popular Last Seven Days

1.- Original 'Star Wars' creators lift lid on special effects challenges

2.- Lost '$170 million Caravaggio' snapped up before French auction

3.- Mansell's 'Red Five' on pole for Bonhams sale

4.- Impressionism's 'forgotten woman' shines in new Paris show

5.- Sotheby's to auction the best-surviving NASA videotape recordings of the Apollo 11 Moon Landing

6.- Exhibition explores Dutch and Spanish painting of the 16th and 17th centuries

7.- Cyprus discovers 'first undisturbed Roman shipwreck'

8.- Sotheby's unveils 'Treasures from Chatsworth' with Leonardo Da Vinci drawing, Lucian Freud portraits, and more

9.- Infamous botched art restoration in Spain gets makeover

10.- 1958 Gibson Flying V Korina played by Dave Davies to grab center stage in Heritage Auctions' sale

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful