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Anish Kapoor's Descension installed at Brooklyn Bridge Park
Anish Kapoor, Descension, 2014. Brooklyn Bridge Park, New York, 2017. Photo: James Ewing, Public Art Fund, NY © Anish Kapoor, 2017.

NEW YORK, NY.- Public Art Fund brings Descension, one of Anish Kapoor’s most viscerally arresting installations, to New York City for the first time. Sited at Pier 1 in Brooklyn Bridge Park, this massive, continuously spiraling funnel of water harnesses one of the most evanescent of materials and create a striking contrast with the adjacent East River. Anish Kapoor, among the most influential artists of his generation, has had a career-long engagement with space and the limits of perception. Perhaps best known for his iconic public artworks, his last major outdoor sculpture in New York City was Public Art Fund’s presentation of Sky Mirror, his 35-foot-diameter concave mirror at Rockefeller Center in 2006. With Descension, he has created a dynamic negative space that descends into the ground, disturbing the familiar boundaries of our world. In the midst of a quintessential New York park, Kapoor invites us to experience the sheer perceptual wonder of an ordinary material like water made to behave in an extraordinary way. Anish Kapoor: Descension is on view May 3 – September 10, 2017 at Brooklyn Bridge Park, Pier 1.

“As we celebrate 40 years of bringing remarkable public art to New York City, it’s important to recognize those artists and exhibitions that have shaped the discourse and been so memorable to our broad public audience. We’re thrilled that Anish’s newest work will be a highlight of this anniversary season, more than a decade after his outdoor debut with us,” said Public Art Fund Director and Chief Curator Nicholas Baume.

Since the mid-1990s, Kapoor has explored the notion of the void by creating works that seem to recede into the distance, disappear into walls or floors, or otherwise destabilize assumptions about the physical world. Descension realizes a long-held aspiration of the artist to create a negative space alive with energy, continuously in process. 26-feet in diameter, the whirling pool will be surrounded by a railing, inviting audiences to peer into its depths. Through this transformation of properties inherent to materials and objects, Kapoor blurs the boundaries between nature, landscape, and art, allowing us to perceive space differently.

“Anish Kapoor reminds us of the contingency of appearances: our senses inevitably deceive us. With Descension, he creates an active object that resonates with changes in our understanding and experience of the world,” said Baume. “In this way, Kapoor is interested in what we don’t know rather than in what we do, understanding that the limit of perception is also the threshold of human imagination.”

First envisioned as a smaller, interior work for India’s Kochi-Muziris biennale (2014-15), Descension was later re-imagined as a large-scale outdoor piece for Kapoor’s solo exhibition at Versailles (2015). This is the first time the artist brings Descension to North America, giving visitors a unique chance to experience one of Kapoor’s most innovative new works.

Anish Kapoor, who is one of the most prominent sculptors of his generation, works in a wide variety of scales and formats, and in a range of media including pigment, stone, stainless steel, resin, wax, earth, and silicone. Over the last four decades, he has created a remarkably inventive and resonant body of work layered with artistic, cultural, and personal associations. Kapoor is well known for his captivating outdoor and indoor site-responsive works in which he marries a Modernist sense of pure materiality with a fascination for the manipulation of form and the perception of space. Born in Bombay, he moved to London in the 1970s to study art, first working on abstract yet evocative sculptures using elemental natural materials such as pigment, stone, and plaster. His sculptures reinvent the formal language of minimalism through the use of deep, resonant colors, sensuously refined textures and surfaces, and optical effects of depth and dimension.

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