The First Art Newspaper on the Net   Established in 1996 United States Thursday, July 19, 2018

Exhibition of art asserts black identity and racial justice issues
“The Fire Next Time,” 1968, Vincent Smith, oil paint and sand on canvas. Detroit Institute of Arts.

DETROIT, MICH.- As part of a city-wide commemoration of the 50th anniversary of the 1967 Detroit rebellion, the Detroit Institute of Arts presents “Art of Rebellion: Black Art of the Civil Rights Movement,” July 23–Oct. 22, 2017. The exhibition is free with museum admission, which is free for residents of Wayne, Oakland and Macomb counties.

“Art of Rebellion” features 34 paintings, sculptures and photographs mostly by African American artists working both collectively and independently in the 1960s and 70s. Artists in the collectives created art for African American audiences that asserted black identity and racial justice and, situated within the story of these collectives, is the Detroit rebellion of 1967. The exhibition also includes works by artists who were not part of a collective and artists working in later decades who were inspired by art from the Civil Rights Movement. A scholarly catalog accompanies the exhibition.

The exhibition is co-organized by the DIA and Detroit’s Charles H. Wright Museum of African American History, which is hosting a complementary exhibition, “Say it Loud: Art, History, Rebellion.” Both are part of a community-wide reflection on the Detroit rebellion of 1967 that involves about 100 local institutions led by the Detroit Historical Museum.

“The commemoration of the 1967 Detroit rebellion provides an opportunity to call attention to the talented and often overlooked artists who were reacting to the struggle for social, political and racial justice during the 1960s and 70s,” said Salvador Salort-Pons, DIA director. “The DIA’s collaboration with the Wright Museum lays a foundation from which we are building a strategic and lasting working relationship that will help bring our community closer together.”

Most of the exhibition focuses on the art of five artist collectives:

Spiral Active 1963–65 in New York and formed by Romare Bearden, Charles Alston, Norman Lewis and Hale Woodruff to advance the Civil Rights Movement’s platform of social change. Charles Alston’s “Black and White #7” (1961), “Untitled (Alabama)” by Norman Lewis (1967) and Romare Bearden’s photo projection on paper “Conjure Woman” (1964) are shown in this section.

Kamoinge Workshop Founded in 1963 in Harlem by photographers Louis Draper, Ray Francis, Herbert Randall, Albert Fenner and Roy DeCarava. Kamoinge is still active in addressing the underrepresentation of black photographers in the art world and in conveying the black experience. Ming Smith’s “James Baldwin in Setting Sun over Harlem, Harlem, New York, 1979” (1979/91), “Fadiouith, Senegal” by Anthony Barboza, (1972) and Adger W. Cowans’ “Malcolm X Speaks at a Rally in Harlem (at 115th St. & Lexington Ave.), New York, September 7, 1963” (1963) are among the photographs in this section.

Weusi Based in Harlem, founded in 1965 by Ademola Olugebefola and Otto Neals. An ongoing collective dedicated to eradicating negative misrepresentations of black culture in the media and to teaching African Americans about their heritage. This section includes Che Baraka’s “Blood of My Blood” (1973), “Curiosity” by Otto Neals (1969) and “Shango” by Ademola Olugebefola (1969).

Black Arts Movement (BAM) Active in New York 1965–76 and founded by poet and playwright Amiri Baraka in response to Malcolm X’s death. These artists emphasized racial pride and African heritage in art that reflects black culture and experiences. BAM members were politically militant and often racial separatist. This section features “Southern Pasture” by Benny Andrews (1963), “The Fire Next Time” by Vincent Smith (1968) and Hale Woodruff’s “Ancestral Memory” (1966).

AfriCOBRA (African Commune of Bad Relevant Artists) Established in Chicago in 1968 by Jeffrey Donaldson, Wadsworth Jarrell, Jae Jarrell, Barbara Jones-Hogu and Gerald Williams. These artists created powerful art that was understandable, relevant and accessible. They regarded art making as a revolutionary act and developed Afrocentric aesthetic principles and concepts that reflected the style, colors, cool attitude and rhythm associated with African American culture. Among these works are “Three Queens” by Wadsworth Jarrell (1971), “Unite” by Barbara Jones-Hogu (1971) and Jeff Donaldson’s “Victory in the Valley of Eshu (1971).

“Art of Rebellion” also includes work by artists who did not belong to a collective but who were also reacting to civil rights and social justice issues. Some examples are “Black Attack” by Allie McGhee (1967), which is about Detroit’s 1967 rebellion and “Selma to Montgomery, Alabama March, Cover of May, 1965 Issue of Ebony Magazine” by photographer Moneta Sleet Jr., which shows Dr. Martin Luther King Jr. leading protesters on the famous march in the title of the work.

Many African American artists working in the 1980s to the present were inspired by artists in the collectives, who were virtually unknown and unrecognized in their own time. Among them are Rita Dickerson, whose 2017 painting “1967: Death in the Algiers Motel and Beyond” is about the 1967 Detroit rebellion; Elizabeth Catlett’s “Homage to Black Women Poets” (1984) and David Hammons “African American Flag” (1990).

Today's News

August 13, 2017

Exhibition of vibrant paintings by Tim Bavington on view at David Richard Gallery

Exhibition brings together many long-forgotten icons of American culture

Untold stories from Denmark's colonial past on display at the National Gallery of Denmark

James Turrell light commission to transform Queensland's Gallery of Modern Art

Forensic Architecture: Towards an Investigative Aesthetics at Museu d'Art Contemporani de Barcelona

Norman Rockwell's Four Freedoms to travel in international tour

Graham Fagen exhibition on view at Scottish National Portrait Gallery

Exhibition of works by the Austrian-Greek sculptor Joannis Avramidis in Austria on show at the Leopold Museum

Exhibition at Cooper Hewitt features recently acquired contemporary works

Works From Collezione Sandretto Re Rebaudengo at Trondheim kunstmuseum

Five decades of Cuban posters promoting U.S. films to open in Pasadena

San Francisco Museum of Modern Art opens the 2017 SECA Art Award exhibition

Hamburger Kunsthalle opens exhibition of works from its collection

Moniker Art Fair triples in size for 2017

Fine Art Asia to return to the Hong Kong Convention & Exhibition Centre

The Fundació Joan Miró presents the photography exhibition From a Pixel, a Poem by Cloe Masotta

Third edition of Art on Paper to take place from 7 to 10 September at BOZAR, Brussels

designjunction announces plans for 2017

Göteborg International Biennial for Contemporary Art 2017 to open in September

Gallery 1957 opens major solo exhibition by Godfried Donkor

Exhibition of art asserts black identity and racial justice issues

Glitterati publishes "Radiographic: X-Ray Photo Inventions by Steve Miller"

Most Popular Last Seven Days

1.- French nudists get cheeky with theme park and museum outings

2.- Galerie Miranda opens exhibition of works by Marina Berio

3.- European police seize 25,000 trafficked ancient finds

4.- Son's tribute to his late father £120,000 restoration of their Rover 95 offered at H&H Classics

5.- The National Gallery acquires Artemisia Gentileschi self-portrait

6.- Thieves steal ancient arrow poison from Rijksmuseum Boerhaave in the Netherlands

7.- Researchers discover the oldest giant dinosaur species that inhabited the Earth

8.- One of J.M.W.Turner's greatest watercolours left in private hands sells for £2 million

9.- Louvre sets up Beyonce and Jay-Z art tour

10.- A 'Japanese tip': the origami art left by diners

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful