TORONTO.- The Art Gallery of Ontario
is presenting a major retrospective of pioneering American painter Georgia OKeeffe (18871986), featuring over 100 paintings by one the 20th centurys most successful and influential modernists. The exhibition examines OKeeffes entire career, charting the progression of her practice from her early abstract experiments to her late work, in addition to her trajectory west, and her profound influence and legacy. Organized by Tate Modern in collaboration with the AGO and the Bank Austria Kunstforum, Vienna, Georgia OKeeffe is making its only North American stop in Toronto, running from April 22 to July 30, 2017.
Opening with the moment of her first showings at the 291 gallery in New York in 1916 and 1917, the exhibition features OKeeffes earliest mature works made while she was working as a teacher in Virginia and Texas. The works on displayfrom her charcoals to a select group of vibrant watercolours and oils investigate the relationship of form to landscape, music, colour and composition, and reveal OKeeffes growing interest in synaesthesia: the ability to interpret music as colour.
A section in the exhibition considers OKeeffes professional and personal relationship with her husband, world-renowned photographer, art dealer and modern art advocate Alfred Stieglitz (18641946). A selection of photography by Stieglitz is being shown, including portraits and nudes of OKeeffe, as well as key figures from the avant-garde art circle of the time, including Marsden Hartley (18771943) and John Marin (1870 1953).
Still life formed an important theme within OKeeffes work, most notably in her representations and abstractions of flowers. The exhibition explores how these works reflect the influence she took from modernist photography.OKeeffes most persistent source of inspiration, however, was nature and the landscape; she painted both figurative works and abstractions drawn from landscape subjects. From the Faraway, Nearby (1937) and Red and Yellow Cliffs (1940)both on loan from the Metropolitan Museum of Art, New Yorkchart the artists progressive immersion in New Mexicos distinctive geography. Stylized paintings of the location she called the ―Black Place‖ will be at the heart of the exhibition.
The exhibition is accompanied by a catalogue from Tate Publishing, offering new scholarship on OKeeffe and her work. It includes contributions from the curators in addition to renowned visual theorist and cultural analyst Griselda Pollock.
"This partnership with Tate Modern adds to the slate of major collaborations we have established with some of the best art institutions in the world," says Stephanie Smith, AGO Chief Curator. "Due to its depth, scope, and its focus on dispelling persistent clichés surrounding the work of this great artist, this will be one of the most significant exhibitions of OKeeffes art ever presented in Canada. Were delighted to work with our colleauges in London to bring it to Toronto."
Georgia OKeeffe is organized by Tate Modern in collaboration with Bank Austria Kunstforum, Vienna and the Art Gallery of Ontario, Toronto. It is curated by Tanya Barson, Curator, Tate Modern with Hannah Johnston, Assistant Curator, Tate Modern. The Toronto installation of Georgia OKeeffe will be led by the AGOs Georgiana Uhlyarik, Associate Curator, Canadian Art.