NEW YORK, NY.-
From April 4 through August 6, 2017, the Museum of Arts and Design
presents Judith Leiber: Crafting a New York Story, an exhibition that focuses on the life and craft of Americas most enduring and iconic handbag designer, tracking her rise from patternmaker and Holocaust survivor to venerated female entrepreneur.
Including nearly one hundred handbags as well as wax models, letters, photographs, and other ephemera, the exhibition encompasses the history of Leibers eponymous company, which she founded in 1963 at the age of forty-two, through 2004, when she designed her last handbag. Judith Leiber: Crafting a New York Story presents the illustrious craftswoman, designer, and businesswoman behind the legendary name, while foregrounding the gendered significance of the handbag in twentieth-century Western culture, and the centrality of immigrant entrepreneurship in the fabric of New York.
MAD is thrilled to host this timely exhibition of Judith Leibers work as part of our spring fashion series, The Art and Craft of Getting Dressed, said Shannon R. Stratton, MADs William and Mildred Lasdon Chief Curator. Leiber is a designer, but she is also a craftswoman. This exhibition reminds us of the skilled making and tacit knowledge that we often take for granted, but that lie at the root of the designed objects we live with.
Judith Leibers combination of craftsmanship and innovation sets her work apart from other handbag designers in both the United States and Europe during the twentieth century, a legacy that continues, said exhibition curator Samantha De Tillio. But beyond the handbags, her personal story speaks to so many. She was an immigrant who created a flourishing businessa story that has political and social relevance, especially today.
Judith Leiber (b. 1921) spent sixty-five years in the handbag industry, from an apprentice in Budapest to the owner of an internationally renowned handbag company based in New York. As the only female patternmaker, and with the unusual ability to make a handbag from start to finish, Leiber brought a distinctly European training and skill set to the United States, where handbags were made with assembly-line skill division. This allowed her not only to succeed as a designer, but also to revolutionize the meaning of handbag craftsmanship for the American consumer.
Leibers handbags encompass a formidable range of materials and techniques, from finely crafted leather pieces and textile-based bags to the fantastical Swarovski crystalencrusted creations for which she is best known. From the earliest days of her company, Leiber pushed the boundaries of handbag designinnovation that is epitomized by her famed sparkling minaudières, the first of which she created as a solution to a damaged metal frame. Her imaginative animal and food clutches have since become fashion staples for First Ladies and celebrities alike.
Inspired by a lifelong admiration of art, travel, and opera, Leibers bags include Art Decoinfluenced hardware; materials such as Lucite and seashells; references to the artwork of Sonia Delaunay, Piet Mondrian, Georges Braque, Louis C. Tiffany, and Charles Rennie Mackintosh; and a collaboration with Faith Ringgold on a collection of handbags inspired by the artists quilts. Over the thirty-five years between the founding of Judith Leiber Handbags and her retirement, Leiber designed more than 3,500 bags.