The First Art Newspaper on the Net   Established in 1996 United States Monday, May 20, 2019


Civil War hero US South still cannot embrace
Actor Matthew McConaughey attends the "Sing" premiere during the 2016 Toronto International Film Festival at Princess of Wales Theatre on September 11, 2016 in Toronto, Canada. Mike Windle/Getty Images/AFP.

by Fiachra Gibbons


PARIS (AFP).- Rarely has Hollywood produced a character as stubborn and cussed as Newton Knight, the hoary hero of "Free State of Jones", the American Civil War epic starring Oscar-winning Matthew McConaughey.

Unlike such memorable screen curmudgeons as John Wayne's Rooster Cogburn in "True Grit", Newt Knight actually existed, and was, if anything, more dogged in real life.

Knight's story turns the accepted history of the American South on its head, according to the film's director Gary Ross, best known for "The Hunger Games", "Seabiscuit" and "Pleasantville".

A poor Mississippi farmer who had fought with the Confederate army, Knight deserted to lead a two-year revolt against the Rebels that history books have for the most part glossed over.

Knight's anger was first sparked by the way rich slave owners were exempted from conscription.

It was further inflamed by Confederate taxes that robbed the poor of what little they had. So he and his comrades united with runaway slaves in the swamps to launch a guerilla war against the plantation owners.

Knight and his mixed army of blacks and whites carved out their own free state, declaring their loyalty to the Union and running up the Stars and Stripes after capturing the capital of Jones County and taking a large swathe of the southeast of the state.  

'Hidden history'
Ross said it was no surprise many Southerners still find it hard to accept Knight. 

"Matthew McConaughey and I put a lot on the line to correct a lot of history that was wrong, that had been mistold, rewritten and forgotten," Ross told AFP.

"I am very proud how the film corrects what 'Gone With The Wind' and 'Birth Of A Nation' got wrong," he said -- referring to the two classic US films -- despite the $50-million movie's relatively poor showing at the US box office.

Ross admitted some audiences might have found the idea of such a rebellion in Mississippi incredible, given that it was the most "Southern" of the Confederate states which would later became notorious for its Ku Klux Klan lynchings.

"But it did happen. We stayed very close to the facts," Ross said.

"Many people received the film with open arms. But some others had difficulties embracing the coalitions (of blacks and poor whites) that we described."

Teetotal sharpshooter
To further confound stereotypes, Knight -- a teetotalling "primitive Baptist" libertarian who never cursed but was a crack shot -- took up the cause of freed slaves after the Civil War.

He married a black woman, proudly recognising his mixed-race children. 

"Americans have been sold a happy ending to the Civil War," Ross added. "The slaves were freed, all our problems were solved.

"But that's not true. No sooner were those slaves freed than they were re-enslaved. And that is just not a thing that everybody wants to know about."

McConaughey won the 2014 Oscar for best actor for his role in the "Dallas Buyer's Club". His performance as Knight has also been widely praised, but he admitted that for some it was a "hard pill to swallow".

"It is heavy, man. It's an action movie but it is not the type of film you can have a conversation in and then go out in the middle to get some popcorn. 

"It's a real you lock down go for the ride, wow, wow, wow kind of film," he said, speaking, as Ross did, via video link from New York.

"I think it has a huge relevance to the culture and politics of our nation at this time," something McConaughey thinks audiences outside America might see more clearly. 

"I see it as a great quiver to have in our arsenal. I see it also as a feather in my cap that will be come to be seen more so as time goes on."

Ross, who began writing the script long before the success of "12 Years a Slave", said he was convinced that "in five years or 10 years" people will still be debating the film "because it surprises, provokes and challenges us".

"I am just glad it is out there on a shelf and in the ether. I am intensely proud of it. It and 'Pleasantville' are my best films."



© 1994-2016 Agence France-Presse





Today's News

September 18, 2016

Tunisian remains found by British researchers prove 100,000-year human presence

Christie's announces First Open cross-category auction series

V&A Museum chief quits to fight nationalism post-Brexit

Pulitzer-winning playwright Edward Albee dies at 88

Georgia Museum of Art at the University of Georgia shows art of Brooklyn Bridge this fall

New-York Historical Society acquires items from tennis star Billie Jean King's archive

Exhibition of participatory works by 42 contemporary artists opens at the Jewish Museum

1960s-70s Abstraction shines as part of African-American Fine Art Auction at Swann Galleries

Steven Kasher Gallery presents debut solo exhibition of Jamaican photographer Radcliffe "Ruddy" Roye

First solo show of Hanne Darboven's work on the West Coast since 2010 on view at Sprüth Magers

Boots, Berlin Wall and beans -- buy a piece of Reagan

Multi-disciplinary Chinese artist Xu Zhen exhibits at James Cohan

Romanian revolution cradle to be EU culture capital 2021

WP Kinsella, whose novel became 'Field of Dreams,' dies

Munich's Oktoberfest opens amid tight security

Civil War hero US South still cannot embrace

New exhibition of paintings by Sean Landers opens at Capitain Petzel

Monroe Gallery of Photography announces exclusive partnership with the Tony Vaccaro Studio

Visceral Silence: Carbon 12 presents works by Monika Grabuschnigg & Christine Kettaneh

Solo exhibition of paintings and painted objects by John Wesley on view at Waddington Custot

Paul McCartney 'emotional' as Beatles film has UK premiere

Rubin Museum of Art exhibition is first to focus on rare images of Tibet's iconic architecture

WAGNER + PARTNER opens second solo exhibition of the painter Bastian Börsig's work

The Galleries at Moore present: Mapping the Stage: Micah Danges & James Johnson

Most Popular Last Seven Days



1.- Christie's to highlight several private collections in Jewellery sale

2.- Mystery of 'Salvator Mundi', the world's most costly painting

3.- High prices and world records achieved at Old Masters auction

4.- Newly identified Leonardo portrait on show in London

5.- Rare Edouard Cortes painting appears at Rehs Galleries after 114 years

6.- Understanding Jewellery: The definitive jewellery app

7.- Academy Art Museum offers only East Coast Richard Diebenkorn exhibition

8.- Egypt uncovers Old Kingdom cemetery containing colourful wooden coffins

9.- Garry Winogrand: Color is the first exhibition dedicated to the artist's rarely seen color photographs

10.- Sotheby's welcomes visitors to their newly-expanded & reimagined galleries



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez


Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful