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Tuesday, December 9, 2025 |
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| Future Spanish Princess Nude Portrait in CD Cover |
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MADRID, SPAIN.- According to Cuban painter Waldo Saavedra, nostalgia for their homeland brought him and press writer Letizia Ortiz together early in 1996. The future queen of Spain was then working in Guadalajara, Mexico for Siglo XXI, a Mexican daily.
They clicked instantly, and since then they became great friends, so much so, that Waldo fondly and insistently addresses her by her nickname, ‘Lety’, although he insists that they never went any further. They met again later on when the painter came back from a work trip to Buenos Aires, when Letizia visited another Saavedra show and asked him for an interview.
At one of their many meetings, the painter spoke to the future queen of Spain about his idea of paying homage to those artists who had most influenced his work, and using her face for it. She thought it would be “fun” that her face be used to honor Magritte, Goya, or Picasso, among others.
Letizia Ortiz was Saavedra’s muse in several of his works. Besides using her image to illustrate some poetry, her face appears on the Sueños Liquidos (Warner, 1997) disc of the Maná group. The painting was included in the work, but not as the cover. It depicts a young woman in the water, naked, and holding a paper airplane in her hands.
But there is more. Saavedra keeps in his home his publicized homage to Goya, where Letizia becomes the main figure. Naked from the waist up -she is not a Maja, neither naked nor dressed- he says. The author describes the picture as hyperrealist, and affirms that Letizia’s face is reproduced faithfully. Her figure, in the middle appears surrounded by a carousel, with details from Goya’s Tauromaquia and Caprichos of the painter of Fuentedetodos in the background. Also, it is inspired on a poem of Cuban writer José Martí, dedicated to “The Spanish dancer”, to be viewed at the Feria de Arte de Buenos Aires in May.
When Saavedra read the news about Letizia’s engagement to Prince Felipe in a Mexican paper, at first he didn’t even realize it was about his friend. He heard about it again through the press. At first he didn´t even realize it was about his friend.
After scrutinizing the Mana disc poster with a magnifying glass, many state that the likeness is not really that of Letizia Ortiz, although the style –a slender woman, long hair, bangs- is the same. “In that picture, Lety appears as one more element, almost a detail, she was not given the same weight as the one I have at home where she is the major figure,” claims the artist.
Waldo stopped calling the Saavedra family. But he never forgot ‘Leti’. He has not insisted on congratulating her on her engagement, because he feels it would distress her. “No matter where she is now, I am still her friend.”
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Today's News
December 9, 2025
A new book by Carole Feuerman, published by Moebius, traces the artist's early beginnings as a superrealist sculptor
Artemis Fine Arts announces major winter auction featuring masterworks of ancient and ethnographic art
Morphy's launches major holiday auction featuring rare firearms and militaria
Janet Borden, Inc. announces the passing of Martin Parr, Magnum legend and chronicler of modern life
Vancouver Art Gallery receives transformative donation of art from Hong Kong
National Portrait Gallery to stage the UK's first major museum exhibition showcasing the work of Catherine Opie
Le Fresnoy appoints Isabelle Gaudefroy director
Major Gwen John retrospective to open at National Museum Cardiff
Olafur Eliasson brings immersive light, nature, and sensory art to Jakarta
Tate Britain Commission 2026: Zineb Sedira
'Another Island' by Janilda Bartolomeu now on show at Nieuwe Instituut
Fenix - The Art Museum on Migration announces exhibition programme 2026/27
Colnaghi Brussels opens Northern Lights, a landmark exhibition on Flemish Caravaggism
Para Site unveils a multidisciplinary exhibition exploring inner worlds and interconnected selves
Grazer Kunstverein presents Nora Schultz and Charlemagne Palestine
Manar Zuabi's new exhibition exposes the fragile threshold between resistance and erasure
Diana Markosian explores loss, memory, and reconciliation in deeply personal exhibition at Fotografiska
MoMA reveals yearlong program of performance and media innovation for the Kravis Studio in 2026
PICA unveils 2026 artistic program charting connection, culture and contemporary practice
Maja Malou Lyse's Antibodies brings body, identity, and desire to Roskilde Station
Philadelphia Art Museum announces 2026 exhibitions
Ultra-rare 1804 Draped Bust dollar leads Heritage's FUN Auction
Scotland's largest awards for portraiture welcomes new headline sponsor
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