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Exhibition of Swedish painter Hilma af Klint's work opens at the Serpentine Gallery
Group IX/SUW, No. 17. The Swan, No. 17, 1914-5; Oil on canvas, 150.5 x 151 cm; Courtesy of Stiftelsen Hilma af Klints Verk; Photo: Moderna Museet / Stockholm.


LONDON.- Serpentine Galleries presents an exhibition of Swedish painter Hilma af Klint (1862–1944), who is now regarded as a pioneer of abstract art. While her paintings were not seen publicly until 1986, her work from the early 20th century pre-dates the first purely abstract paintings by Wassily Kandinsky, Piet Mondrian and Kazimir Malevich. This Serpentine exhibition focuses primarily on her body of work, The Paintings for the Temple, which dates from 1906–15. The sequential nature of af Klint’s work is highlighted by the inclusion in the exhibition of numerous paintings from key series, some neverbefore exhibited in the UK.

After graduating from the Royal Academy of Fine Arts in Stockholm in 1887, af Klint took a studio in the city where she produced and exhibited traditional landscapes, botanical drawings and portraits. However, by 1886 she had abandoned the conventions she learned at the Academy in favour of painting the invisible worlds hidden within nature, the spiritual realm and the occult. She privately joined four other female artists to form a group called ‘The Five’. They conducted séances to encounter what they believed to be spirits who wished to communicate via pictures, leading to experiments with automatic writing and drawing, which pre-dated the Surrealists by several decades.

In 1905, af Klint received a ‘commission’ from an entity, which the group named Amaliel, to create her most important body of work, The Paintings for the Temple. Consisting of 193 predominately abstract paintings in various series and subgroups, the artist painted a path towards a harmony between the spiritual and material worlds; good and evil; man and woman; religion and science. This major work charted the influence of science and religion on af Klint’s works, from the discovery of electromagnetic waves to the spiritual teachings of anthroposophist Rudolf Steiner. Steiner was af Klint’s mentor and his presence in her life resulted in the cycle becoming more orderly with depictions of symbols and motifs, such as shells, snakes, lilies and crosses, from his spiritual movement.

Hilma af Klint painted in near isolation from the European avant-garde. Fearing that she would not be understood, she stipulated that her abstract work should be kept out of the public eye for 20 years after her death. While the works were not exhibited for a further 20 years, it subsequently came to be understood alongside the broader context of modernism at the turn of the 20th century.

The exhibition is co-curated by the Serpentine Galleries in collaboration with Daniel Birnbaum, Director of Moderna Museet, Stockholm.

Julia Peyton-Jones, Director, and Hans Ulrich Obrist, Co-Director, Serpentine Galleries, said: “Hilma af Klint is a pioneer of abstract art and the earliest artist we have ever exhibited at the Serpentine. Since her work was last exhibited in the UK, a large body of her paintings has been restored, thanks to the efforts of the Moderna Museet and the Hilma af Klint Foundation. This has allowed never-seen-before works and series to be displayed, a number of which will be brought to the Serpentine for the exhibition.”





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