LOS ANGELES, CA.-
Phillip K Smith III, the artist most widely known for his glowing, mirrored homestead cabin installation in the Joshua Tree desert, Lucid Stead, debuted a new sculptural series he calls Light + Shadow Works at the recently opened Royale Projects
contemporary art gallery in Downtown Los Angeles. This exhibition marks Phillip K Smith IIIs first solo show in Los Angeles. The show opened on November 21st and will run through January 16th.
Smith IIIs Light + Shadow series is a culmination of his artistic focus over the last several years. Unlike some of Smith IIIs earlier hallmark techniques that employed technology and LED colored light, the Light + Shadow works are marked by a distinct absence of those ingredients. Their pure white forms rely unabashedly upon the minimalist interplay of ambient light and shadows to create their visual impact. Smith III describes, These works are about the subtlety of light across a surface
about tracing the shift, the step, the gradient of light that is contained and revealed within these forms. They are about presenting light in its most reduced state.
Encompassing all three salons at the gallery, the exhibition shifts in scale and color from front to back. The large front salon showcases three new highly three-dimensional works that are 8 in diameter, all white, carbon fiber, and titled Complex Surface: Discs 1-3. Depending on your position in the gallery, these works shift from a hovering perfect circle to a bent and curved continuous surface of light and shadow. On these three discs, Smith III states: Im interested in allowing the brain to exist in blurred states
between 2 and 3 dimensions, between darkness and light, between compression and expansion, between knowing and not knowing.
Additional highlights of the exhibition include a subset of the Light + Shadow series called Faceted Discs. Phillip K Smith III has dedicated himself to design 100 unique Faceted Disc creations over a decade, debuting ten new pieces in the series each successive year. The Discs utilize the same formal tenets of the Light + Shadow Works, with what art writer Jan Tumlir describes as bear[ing] a unique topography of striating lines and folded, tilting planes, the entirety of it coated a consistent monochrome white, resolutely matte and opaque. The first ten Faceted Discs were released in 2014, where they were exhibited during Smith IIIs prestigious spring 2015 Artist Residency at Dartmouth College in New Hampshire. Discs #11-20 will make their first public appearance for the November Royale Projects exhibition in Los Angeles.
Jan Tumlir continues by articulating the effect of the Light + Shadow Works while referencing the desert and its light, two elemental components close to Smiths practice:
they allow us to see the eyes inherent limitations as well as the excess of what they produce on their own. Facets disappear and again reappear, and in the process perhaps remind us of sand dunes, leveling out when the sun is directly overhead and then regaining dimension as it continues its course across the sky.
Phillip K Smith III received his Bachelor of Fine Arts and Bachelor of Architecture at the Rhode Island School of Design. From his Palm Desert, CA based studio, he continues to push the boundaries and confront the ideas of modernist design. Drawing inspiration from the cold rigidity of the Bauhaus movement, the reductive geometries of minimalism, and the optic sensation of Californias Light and Space movement, Smith III attempts to resolve the complex challenge of finding a natural state of life and spirit within these ideological aesthetic constrictions. The results are deceptively simple and compelling objects that seem to breathe and move as you observe and interact with them.
Commissioned to create more than a dozen monumental public artworks in the last 6 years in Kansas City, Nashville, Oklahoma City, Arlington, VA, Phoenix and multiple California locations, Smith's work was featured in the 2008 Annual Review in Art in America. In addition to these public projects, Smith continues to work on an ever-growing list of smaller-scaled works for private collections. In 2010, Smith was awarded the Palm Springs Art Museums artist residency, which produced the well-received 24-foot long LED light and acrylic installation, Aperture. Smiths 55-foot tall sculpture, Inhale/Exhale, in La Verne, California, is featured on the cover of 500 x Art in Public, by Chris van Uffelen, published by Braun in 2011. In October 2013, Smith debuted Lucid Stead, an existing homesteader shack transformed into a light installation in the middle of the raw desert of Joshua Tree, CA, which quickly became an international phenomenon. Shortly after being named by the Los Angeles Times as a Face to Watch in 2014 in Art, Smith presented Reflection Field to 200,000 people at the 2014 Coachella Music and Arts Festival. He has since been commissioned to create a permanent, light-based installation for the City of West Hollywood, CA and City of Bellevue, WA and was recently the Artist-In-Residence at Dartmouth College in New Hampshire where some of the most innovative artists of the last century also participated, including Robert Rauschenberg, Frank Stella and Donald Judd.