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San Francisco couple donate contemporary ceramics to Asian Art Museum
Gift from Phyllis Kempner and David Stein expands museum’s collection of contemporary art.


SAN FRANCISCO, CA.- The Asian Art Museum of San Francisco has received a significant gift of 19 contemporary artworks from local philanthropists, the first installment of a promised donation of more than 100 pieces, the museum announced today.

The gift is particularly timely: The museum, home to one of the greatest collections of Asian antiquities outside Asia, has recently made a concerted effort to enhance its modern and contemporary holdings.

San Francisco couple Phyllis Kempner and David Stein have given the museum 10 Japanese ceramics, one Korean ceramic, one bronze sculpture and a number of prints. Kempner and Stein say they plan to eventually donate the entirety of their extensive Japanese contemporary ceramics collection, which will considerably enhance the museum’s holdings in this area.

The pieces arrive as the museum celebrates its ‘‘summer of contemporary,’’ a period focusing on objects made in the past 50 years. One of the highlights of the couple’s gift, Vase, a porcelain from 1985 by Kim Yik-yung of Korea, is included in First Look: Collecting Contemporary at the Asian, a special exhibition showcasing the museum’s recent acquisitions. Kim’s piece emphasizes the whiteness of porcelain clay used in
traditional Korean ceramics and the aesthetics of modern forms, overlapping the traditional and the contemporary. First Look is on view Sept. 4 through Oct. 11, 2015.

‘Collectors have many meaningful reasons for giving: generosity, a desire to increase an artist’s exposure, a love for a particular genre or a deeply felt connection to an institution,’’ says Jay Xu, director of the Asian Art Museum. ‘‘ For Phyllis and David, it was all these things, and we’re grateful for their generosity.’

Other highlights include Kodo (Beat), an unglazed stoneware piece from 2011 by Mihara Ken; a 2014 blue and black porcelain bowl by Maeda Masahiro; and a faceted stoneware vase by Tadashi Nishihata dating to 2013. All three works are currently on view in the museum’s Japan galleries.

The couple--both psychologists and longtime San Franciscans are no strangers to the art world, having been involved with SFMOMA’s Society for the Encouragement of Contemporary Art for many years. A dozen years ago or so, their collecting shifted noticeably to Asia, and particularly to ceramics.

‘‘When we started, we were mostly drawn to traditional forms,’’ Kempner says. ‘‘But we’ve become increasingly interested in the more sculptural area. We tend to like either very expressionistic work or quite minimal reductive pieces.’’

‘‘We care a lot about the Asian, its present and its future,’’ Kempner says. ‘‘And we expect to be giving a certain number of pieces every year.’’ Stein adds that he hopes they might inspire other collectors to do likewise. But primarily, he says, ‘‘we hope that it helps the museum build a real niche collection in contemporary ceramics.’’





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