The First Art Newspaper on the Net   Established in 1996 United States Wednesday, April 24, 2019

Carlos Amorales presents 'We Will See How Everything Reverberates' at Turner Contemporary
Carlos Amorales, We Will See How Everything Reverberates, 2012. Installation of three hanging mobiles with cymbals. Steel, copper and epoxy paint. Courtesy the Artist.

MARGATE.- As part of The Year of Mexico 2015, Turner Contemporary presents, for the first time in the UK, We Will See How Everything Reverberates (2012), an installation by Mexican artist Carlos Amorales (born 1970, Mexico City).

Made up of three suspended mobiles with cymbals, We Will See How Everything Reverberates is based on the organic shapes created by the influential twentieth-century sculptor Alexander Calder (1898 –1976). In Calder’s delicately balanced mobile sculptures, cut-out shapes recalling natural forms were moved by air currents in the room. In this installation, over 30 different cymbals are hung in the space, creating a large-scale mobile as well as a huge musical instrument. Visitors to Turner Contemporary are invited to play the cymbals using one of the mallets provided.

Carlos Amorales’ work in film and video, painting, drawing, sculpture and performance examines contemporary Mexican culture and values. His earlier works were based on his search for identity and often used the idea of the mask. In 2003 his famous series of performances by masked Mexican wrestlers was performed at Tate Modern, the Pompidou Centre and the San Francisco Museum of Modern Art.

We Will See How Everything Reverberates inhabits Turner Contemporary’s Sunley Gallery, with its double height windows and spectacular views over the North Sea. We Will See How Everything Reverberates is the sixth major installation to be exhibited in the Sunley Gallery following work by Daniel Buren, Auguste Rodin, Maria Nepomuceno, Juan Muñoz and Edmund de Waal.

Exploring questions of concealment and identity, the artist Carlos Amorales works in a variety of media—from paintings and drawings to animations and performances—to explore the cultural heritage of his native Mexico. In one of his earliest performance pieces, Amorales vs. Amorales (1999), lucha libre wrestlers grapple in a ring, masks concealing their identities, as the artist directs the brutal struggle. Fascinated by horror and fantasy, Amorales also creates worlds populated with ambiguous figures, uncertain morals, and ghostly silhouettes. In Four Animations

Today's News

March 14, 2015

Städel Museum celebrates 200th anniversary with 'Monet and the Birth of Impressionism'

National Portrait Gallery presents rarely seen portraits by Elaine de Kooning

Sotheby's New York to offer the most valuable coin collection in private hands

Exhibition provides a rare opportunity to experience three masterpieces by van Gogh

Large-scale exhibition of Joseph Beuys multiples opens at Mitchell-Innes & Nash

'Power and Pathos: Bronze Sculpture of the Hellenistic World' opens at Palazzo Strozzi

San Jose Museum of Art presents rarely seen figure studies by Jose Clemente Orozco

Georgia O'Keeffe Museum opens artist's home and studio in Abiquiu for public tours

First solo show by Robert Heinecken with works from 1969 until 1999 opens at Capitain Petzel

Exhibition presents Bevan Davies' large-format black and white architectural views from the mid 1970's

Spanish dictator Francisco Franco symbols live on in Spain 40 years after his death

Phillips Photographs Sales to launch with an exclusive evening sale on April 1

The Jewish Museum opens exhibition of art and objects exploring repetition and difference in art

Fine collection of South African sculpture for sale at Bonhams

Queensland Art Gallery opens Australia's first David Lynch exhibition

Fotohof opens exhibition of photographs by Véronique Bourgoin and Juli Susin

Exhibition at Joan B. Mirviss focuses on the classical concept of the tsubo

Group exhibition with new works by Egs, Nug and Shoe opens at Galerie Gabriel Rolt

Carlos Amorales presents 'We Will See How Everything Reverberates' at Turner Contemporary

The Observer Observed: A Portrait of Don McCullin by Charlotte Sorapure unveiled at the Holburne Museum

'Bent, Cast, and Forged: The Jewelry of Harry Bertoia' on view at the Cranbrook Art Museum

Whyte's Rock, Pop & Movie Memorabilia Auction to offer Edge's student guitar

Earliest known painting of Irish Road Bowling to be offered at Spring Chelsea Antiques Fair

Important and historic special collections to be offered at Clars

Most Popular Last Seven Days

1.- Apple releases Spring 2019 iPhone cases and watch bands with 'Delft Blue' color in the lead

2.- Star Trek: Year Five #1 original cover art by Greg Hildebrandt Surfaces at Heritage Auctions

3.- Guitars of the greats rock halls of New York's Met museum

4.- Historic jewels and exceptional gemstones highlight Christie's Geneva Magnificent Jewels Auction

5.- French museum renames masterpieces after black subjects

6.- Heathrow Terminal 5 exhibits skeleton of new species of dinosaur

7.- Missing Rubens sketch goes for $1.4 mn at auction

8.- The Museo del Prado opens 'Giacometti in the Museo del Prado'

9.- Inrap archaeologists discover an Etruscan tomb in a hypogeum in Aleria

10.- Picasso in Ivory Coast? A village tells of its brush with the artist

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful