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Nasher Sculpture Center opens a retrospective of American sculptor Melvin Edwards
Steel Life, 1985–91. Welded steel, 12½ × 18 × 17¾ in. (31.8 × 45.7 × 45 cm), Jacqueline Bradley and Clarence Otis© 2015 Melvin Edwards / Artists Rights Society (ARS), New York. Photograph by Jeffrey Sturges, courtesy Alexander Gray Associates, New York; Stephen Friedman Gallery, London.


DALLAS, TX.- The Nasher Sculpture Center announces the exhibition Melvin Edwards: Five Decades, a retrospective of the renowned American sculptor, January 31-May10, 2015. Melvin Edwards’s career spans crucial periods of upheaval and change in American culture and society, and his sculpture provides a critical bridge between modernist techniques and materials and contemporary approaches to the art object. In 1988, New York Times critic Michael Brenson lauded Edwards as “one of the best American sculptors… [and] one of the least known.” Over the past five decades, Edwards has produced a remarkable body of work redefining the modernist tradition of welded sculpture.

“Exhibiting the work of Melvin Edwards is a tremendous privilege for the Nasher,” says Director Jeremy Strick. “His expansive, decades-long sculptural practice in welded steel fuses vital Modernist traditions with deeply held personal and social convictions, and the results are uniquely powerful artistic responses to some of the most volatile and pivotal events of our times. In addition to its historical and political relevance, Edwards’s work also has important connections with the radical experimentation and international outlook of contemporary art, positioning him as an artist of rare versatility and reach.”

Melvin Edwards: Five Decades bears witness to Edwards’s profound commitment, from the very beginning of his career, to an art that is both abstract and deeply engaged with meaning and expression. A truly international artist well before the advent of today’s global art world, Edwards has brought his experiences of other cultures and languages, particularly those of Africa, into his work, to explore the varied ways that art can forge bonds of connection and kinship. He is best known for his Lynch Fragments, an ongoing series of small-scale reliefs begun in Los Angeles in the early 1960s and born out of the social and political turmoil of the civil rights movement. Incorporating tools and other familiar objects, such as chains, locks, and ax heads, Edwards’s Lynch Fragments are abstract yet evocative, summoning a range of artistic, cultural, and historical references.

Melvin Edwards: Five Decades will feature a broad selection of Lynch Fragments, including early manifestations, which spoke to racial tensions and political and cultural struggles of the 1960s; Edwards’s return to the series in the early 1970s, during the Vietnam War; and a group from 1978 to the present, exploring memory, history, and African and African American culture.

Presenting a full range of Edwards’s achievements, Melvin Edwards: Five Decades – the first retrospective of his work in more than twenty years – will reveal that his career has extended far beyond the Lynch Fragments. Major large-scale sculptures of the 1960s, such as Chaino, The Lifted X, and August the Squared Fire, will be included, as well as his Rockers of the 1970s, which incorporate movement and, in some cases, sound.

Melvin Edwards: Five Decades will also feature many works not seen since their creation, and in some cases never before exhibited. With the artist’s cooperation, the Nasher will recreate the groundbreaking 1970 exhibition of his barbed-wire sculptures originally shown at the Whitney Museum of American Art. Several large sculptures have been restored for the Nasher’s presentation, most notably the first Rocker, Homage to Coco, which was in the 1970 Whitney sculpture annual. Also on view will be sculptures Edwards has made in Senegal over the past decade, as well as a selection of maquettes and prototypes reflecting his long career in public sculpture, and rarely exhibited works on paper, including sketchbooks and collaborations with the artist’s late wife, the celebrated poet and performer Jayne Cortez.

Organized by the Nasher’s Associate Curator Catherine Craft, the exhibition will travel to other US museums and will be accompanied by a richly illustrated scholarly catalogue with essays by Craft, scholars Alex Potts and Tobias Wofford, a conversation with the artist, and a catalogue of Edwards’s public sculptures by Nasher Assistant Curator Leigh A. Arnold. Edwards will speak about his work and practice as part of the Nasher’s 360 Speaker Series on January 31, 2015.

Born in Houston, Texas in 1937, Edwards attended college in Los Angeles, graduating with a BFA from the University of Southern California. In 1967, he moved to New York, where he lives today, dividing his time between his studio in Plainfield, New Jersey and residences, with studios, in Accord, New York and Dakar, Senegal. His work is held in many US museum collections including the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; the Art Institute of Chicago; the Los Angeles County Museum of Art; and the San Francisco Museum of Modern Art.





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