The First Art Newspaper on the Net   Established in 1996 United States Tuesday, August 20, 2019


Two industrial robots wave enormous black flags in exhibition in Dresden
Installation view.


DRESDEN.- In the ‘white cube’ of the Kunsthalle in the Lipsiusbau, two industrial robots wave enormous black flags. Accompanied by the operating noise of the robots, their continuous movements leave spectators without a place to rest their gaze, removing any steady reference point in the space. The waving flags translate the digital algorithm that controls the robots into a series of gestural movements in space that appear controlled, unpredictable, weightless, and measured at one and the same time.

“This work is viscerally intimidating, yet mesmerizing, creepy and wonderful in spite of the obvious classical patterning strategies.” (William Forsythe)

Also on display, besides the installation in the large hall, are two video works by Forsythe. “Bookmaking” (2008) has been re-edited for the purposes of this exhibition. A wall of monitors features film sequences, cut in rapid succession, that show Forsythe as he tries to print a book with his own body.

“Like the robots, the structural framework is deliberately counterpointed, although in the film my body gets into a somewhat pathetic, but intentionally disorganized mess. This physical frailty stands in stark contrast to the indestructible quality of the robots.” (William Forsythe)

In the latest video work by William Forsythe, we see strawberries being immersed over and over by a jet of water. In contrast to the recognizable choreographic positions in the other two works, this video piece depicts a clearly defined organization instigated by other means.

„The evidence of pattern, and the observer’s anticipation of emergent structure makes for a slightly absurd lecture in the pleasures of choreographic apprehension.” (William Forsythe)

Choreographer and artist William Forsythe (b. in 1949 in New York City) started his career in classical ballet. He went on to revolutionize the idea and practice of dance, creating interactive pieces that repeatedly blur the boundaries between classical choreography, theatre, performance, film, and choreographed objects. Citing René Magritte, Forsythe states that ‘An object is not so possessed by its own name that one could not find another or better one.’





Today's News

November 26, 2014

Rare first William Shakespeare edition found in ancient French port town library

Sotheby's to auction military and political leader Oliver Cromwell's coffin plate

Souls Grown Deep Foundation donates 57 works to Metropolitan Museum of Art

'Casablanca' upright piano sold for $3.4 million at frenzied sale at Bonhams in New York

Christie's New York announces 'Masterpieces Of Art Deco: The Marsha Miro Collection'

Christie's announces Hollywood Legends & Music Legends Sale on 16 December

Focus on Vincent Van Gogh, as artist and person, in a completely new presentation in the Van Gogh Museum

Ketterer Kunst's sale of art from the 15th to the 19th centuries has more than 40% new buyers

History of the World in 1,000 Objects? The Penn Museum's collections help tell the story of humankind

Smithsonian's National Museum of Natural History tells story of 'The Last American Dinosaurs' in new exhibition

Ulster's last 500 years revealed: The making of modern Ulster revealed in new gallery

Tibetan deity friezes, blue chip scroll paintings and archaic vessels lead Gianguan Auctions December 7th sale

In-depth exploration of one of Peter Blake's most iconic portfolios opens at Paul Stolper Gallery

Installation at Tel Aviv Museum of Art presents hundreds of items suspended from the ceiling

Post-Fair Report: Paris Tableau, the celebration of an art fair

Two industrial robots wave enormous black flags in exhibition in Dresden

Strong showing for 30s Generation painter Moralis in Bonhams Greek Sale

Njideka Akunyili Crosby is the 2014 winner of Smithsonian American Art Museum prize

Colourful war of words plays out on Gaza's battered walls

Solo exhibition of works by Joachim Brohm opens at Grimaldi Gavin

Nadia Myre wins the 2014 Sobey Art Award

Tiancheng International Jewellery and Jadeite Auction to take place on 7 December

Put in a bid for Christmas at Bonhams and make dreams come true

Exhibition of work by two of Italy's most acclaimed artists on view at ArtMoorHouse

Most Popular Last Seven Days



1.- Conservation reveals Wellington Collection work was painted by Titian's Workshop

2.- New dinosaur discovered after lying misidentified in university's vaults for over 30 years

3.- Unseen Texas Chainsaw Massacre outtakes and stills sold for a combined $26,880

4.- National gallery reveals conserved Italian altarpiece by Giovanni Martini da Udine

5.- London's Tate Modern evacuated after child falls, teen arrested

6.- Bavarian State Minister of the Arts restitutes nine works of art

7.- Boy thrown from London's Tate Modern is French tourist visiting UK

8.- Child thrown from London gallery has broken spine, legs and arm

9.- £10 million Turner masterpiece may leave British shores

10.- Tourists banned from sitting on Rome's Spanish Steps



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful