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Exhibition at MoMA illuminates Dubuffet's radical experimentation with form and material
Jean Dubuffet (French, 1901–1985), Goat with a Bird (Chvre l’oiseau). 1954. Ink transfer and ink on paper, 18 1/4 x 23 3/8 in. (46.2 x 56.7 cm). The Museum of Modern Art, New York. The Joan and Lester Avnet Collection, 1978. 2014 Artists Rights Society (ARS), New York /ADAGP, Paris. Photograph by Peter Butler.


NEW YORK, NY.- Jean Dubuffet (French, 1901–1985), whose work was marked by a rebellious attitude toward prevailing notions of high culture, beauty, and good taste, is a significant figure in MoMA’s collection, with holdings numbering over 1,200 works. From the time Dubuffet committed himself to art-making in the early 1940s, he was a relentless innovator. Jean Dubuffet: Soul of the Underground illuminates Dubuffet’s radical experimentation with form and material by focusing on the artist’s work at a key span of his career, from the 1940s to the mid-1960s. Dubuffet mixed sand, gravel, and other materials into his pigments, applying them in layers with brushes and palette knives to create a thickened impasto, and then excavated images from them by scratching and scraping away with the pointed handle of his paintbrush. He revolutionized lithography, experimenting with textures by attacking lithographic stones with sandpaper, rags, and chemicals, and creating images with dirt, fruit peels, leaves, and other organic materials. Drawings in ink or gouache mimicked these feats of combination and re-combination, resulting in surfaces of decaying or ever-expanding membranes. Acknowledging the importance of materiality to his process, Dubuffet wrote, “Art must be born from the material and from the tool, and must preserve the trace of the tool or the tool’s battle with the material.”

This exhibition draws on MoMA’s unparalleled collection of Dubuffet’s paintings, sculptures, drawings, prints, and illustrated books, charting his move toward near-total abstraction with pictures comprised of allover compositions unanchored by horizons, topographies of layered sand and dirt, or patterned lithographs of droplets and granules. Central to this presentation is the monumental lithographic project the Phenomenaseries (1958–62), which manifests the artist’s fascination with surfaces of the earth and natural forces, and which became fodder for future works across mediums, as he cut up prints, collaged them, and reconstituted them. Jean Dubuffet: Soul of the Underground is the first monographic presentation on the artist at MoMA in over 25 years.

Organized by Jodi Hauptman, Senior Curator, and Sarah Suzuki, Associate Curator, Department of Drawings and Prints.





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