During a prolific 200-year period in the 14th16th centuries, four master calligraphers invented one of the most aesthetically refined forms of Persian culture: nastaliq, a type of calligraphy so beautiful that for the first time the expressive form of the words eclipsed their meaning. Nastaliq: The Genius of Persian Calligraphy, opened Sept. 13 at the Smithsonians Arthur M. Sackler Gallery
, displays 20 rarely seen masterworks created by the scripts greatest practitioners, tracing its evolution from a simple style of writing to a potent form of artistic expression.
This is the first exhibition ever to focus specifically on nastaliq, which was used primarily to write poetry, Persias quintessential form of literature. With sinuous lines, short vertical strokes and an astonishing sense of rhythm, the script was an immediate success and was rapidly adopted throughout the Persian-speaking world from Turkey to India. The exhibition shows how generations of itinerant calligraphers, bound by the master-pupil relationship, developed, enhanced and spread nastaliq between major artistic centers.
Nastaliq represents one of the most accomplished forms of Persian art, developed at a time of cultural and artistic effervescence in Iran, said Simon Rettig, exhibition curator and curatorial fellow at the Freer and Sackler galleries. In a sense, it became the visual embodiment of the Persian language enthusiastically embraced from Istanbul to Delhi and from Bukhara to Baghdad.
Each of the four masters featured in the exhibitionMir Ali from Tabriz (active ca. 13701410), Sultan Ali from Mashhad (d. 1520), Mir Ali from Herat (d. 1545) and Mir Imad Hasani from Qazvin (d. 1615)further evolved the nastaliq style, intentionally slanting the script for dramatic effect, modulating lines to balance fluidity and discipline, and adding delicate, twisting flourishes. Often attached to royal and princely courts, many calligraphers were the celebrities of their time, and visitors will learn fascinating anecdotes of fame and rivalry.
Mastering nastaliq can take a lifetime, but it remains the most popular form of Persian calligraphy today. A demonstration video in the exhibition, along with calligraphic tools and accessories, shows how techniques developed more than 500 years ago are still practiced by contemporary calligraphers.
Primarily drawn from the collections of the Freer and Sackler galleries, highlights include the only known signed work by the inventor of nastaliq Mir Ali from Tabriz, two folios from a collection of poetry by the late 15th-century ruler Sultan Husayn Bayqara and sumptuous illuminated pages from imperial Mughal albums.