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A playful installation brings spectators together at the New Britain Museum of American Art
The artist demonstrates how Spin Cycle makes different color combinations that look different to our eye with simple movement.

NEW BRITAIN, CONN.- The New Britain Museum of American Art welcomes the latest NEW/NOW artist, Bob Gregson, and his participatory exhibition Space to Maneuver with an opening reception on Sunday, July 27, 2–3:30 p.m. Gregson harnesses humor to gently draw people into his sculptures and installations and provides opportunities for interactions: rolling on your back, turning panels, or rearranging objects, alone or with others who may be total strangers. Responding to the lack of intimate social interactions in today’s technology-saturated culture, he strives to use art to create situations that bring people together in a shared experience.

Each viewer of Space to Maneuver is an active contributor to the exhibition. In Bicker Booth, for example, two people are prompted to become actors by theatrically interpreting phrases from a Rolodex of common gripes, aphorism or sarcasms. This stage for a “mock argument” embodies the artist’s fascination with social dynamics – “the fact that people are never listening to each other when they talk or that we say the same things all the time.” In At Every Turn, participants navigate a set of turnstiles, disrupting each other’s path or working together to form different phrases from the words at the end of each turnstile.

Bob’s philosophy is as direct as his work. As he explains, “I believe an artwork is absorbed and filtered through one’s life experiences. We respond to the colors, shapes and images that awaken unconscious connections. I like to play in the hazy territory between an artwork and the public. His approach follows the legacy of art movements that have challenged the definition of art, including Dada, Fluxus, Happenings, Conceptual art, as well as Minimalism. As Gregson explains, “The basic message is that art can be serious but not sacred . . . I also enjoy the idea that the work is never actually completed but continually reinterpreted and refreshed through those who encounter it.”

Robert (Bob) Gregson received a B.F.A. from the Hartford Art School and an M.F.A. from The Art Institute of Chicago. His early education started academically with artist Carroll N. Jones, Jr. and Pulitzer Fellowship recipient Rudolph Zallinger. Early in his career he worked at the Sidney Janis Gallery in New York installing exhibits by Josef Albers, Claes Oldenburg, Ellsworth Kelly, Marisol and others. Today, Gregson integrates conceptual art, installation, games, architecture and graphic imagery in his sculptures and installations. His work has been exhibited at the Capitol Children’s Museum in Washington D.C., the Wadsworth Atheneum Museum of Art in Hartford, CT, Chicago’s Museum of Contemporary Art, and many other prestigious art museums and galleries. He studied game theory and applied his experience, creativity, and knowledge to large-scale public projects such as the Hartford Art Organization, Sidewalk, the grand 350th birthday celebration of New Haven, and the festive First Night bash, also in New Haven.

Gregson has also been the artistic director for hundreds of public events that he calls “situations”—mixing community participation with large-scale inflatable sculptures, scaffolding, mazes and theatrical lighting. In recent years he has focused on intimate works that challenge the boundaries between artist and viewer. As a teacher he directed the art classes at the Wadsworth Atheneum in Hartford, taught at the Young Artists Studio in Chicago, the University of New Haven, Southern Connecticut State University and the University of Hartford. He has lectured at Yale University as well as served as keynote speaker at many conferences including First Night International. Bob is the author and illustrator of several books and has presented numerous workshops dealing with art and participation. He is a Silvermine Guild Artist in New Canaan, Connecticut.

Today's News

July 26, 2014

A new exhibition at Buckingham Palace brings together nine generations of royal children

For the third year in a row, Metropolitan Museum announces more than 6 million annual attendance

Amon Carter Museum of American Art acquires masterpiece by Raphaelle Peale

Previously unseen archive of Jimi Hendrix photographs on view at Snap Galleries

The Paris of Toulouse-Lautrec features over 100 prints and posters from MoMA's collection

Over There! Exhibition of posters from WWI opens at the Museum of Fine Arts, Boston

Early paintings and woodcuts by Vasily Kandinsky on view at the Guggenheim Museum

Forgotten painter Rudolf Bauer to be resurrected in new play, TV documentary, and gallery exhibition

The FLAG Art Foundation in New York opens two new exhibitions this summer

Joseph Bellows Gallery opens 'Victor Landweber: American Cameras' and 'Summer Selections II'

CAC Málaga presents TV Channel: Philippe Parreno's first solo exhibition in Spain

Museum of Fine Arts, St. Petersburg commemorates the centennial of the Panama Canal

'L'Art Brut dans le Monde' exhibition opens at Collection de l'Art Brut in Lausanne

Galerie Daniel Templon announces first participation at Paris Photo

Timeless Journeys: 21st Annual Summer Poster Show at International Poster Gallery

'Jean-Jacques Lebel: The Highest of All the Arts is Insurrection' opens at ZKM / Karlsruhe

Abstract landscape paintings by Gregory Botts on view at David Richard Gallery, Santa Fe

A playful installation brings spectators together at the New Britain Museum of American Art

York awarded Mellon funding for digitisation of Archbishops' Registers

Horizon: A group exhibition of artists recommend by other artists opens at Quint Gallery

Brazilian painter Cristina Canale opens a new exhibit at Galeria Nara Roesler

Woodmere Art Museum presents first retrospective of pioneering painter Theresa Bernstein

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