The First Art Newspaper on the Net Established in 1996 United States Wednesday, June 3, 2015


LACMA exhibits recently conservated mural 'Abbot Kinney and the Story of Venice'
Edward Biberman, Abbot Kinney and the Story of Venice , oil on canvas mounted on aluminum, lent by the United States Postal Service®. Recent conservation provided by Joel Silver. Photo: Anthony Peres © 2014.
LOS ANGELES, CA.- Edward Biberman, Abbot Kinney and the Story of Venice celebrates the recent conservation of the mural Abbot Kinney and the Story of Venice, painted by Los Angeles artist Edward Biberman in 1941. This example of New Deal–era art is being exhibited at the Los Angeles County Museum of Art in a special installation about Venice in the context of a narrative about the artist’s long-term engagement with public art and fascination with Southern California culture.

Senior curator of American Art Ilene Susan Fort states, “LACMA is honored and thrilled to have the opportunity to present the mural to a broad public. When I first moved to Southern California from New York City, I drove to Venice especially to see the famous painting in person. It is fun and quite unique in composition and presentation among the many murals commissioned during the Depression to decorate new post offices built all around the country. LACMA’s presentation places it within the historical context of Venice’s visionary foundation and actual fate. It is an intriguing tale.”

Recent conservation of Abbot Kinney and the Story of Venice was underwritten by film producer Joel Silver. “Edward Biberman’s Abbot Kinney and the Story of Venice mural is a treasured part of the history of Venice,” says Silver, CEO, Silver Pictures. “As a longtime preservationist of architecture, I understand the importance of the mural to both the residents of Venice and admirers of WPA-era art.”

The Mural
Abbot Kinney and the Story of Venice traces the history of Venice, California, from 1905, when the seaside resort was built, to the early 1940s. The three-part composition centers on a portrait of Venice founder Abbot Kinney, framed within a rounded arch that is reminiscent of the colonnades found along the façades of local commercial buildings in Venice. In the background, Biberman depicts Kinney’s grandiose vision for a West Coast cultural destination with Venetian- style gondolas navigating canals bordered by vacation bungalows. On either side of this utopian vista loom scenes portraying the eventual fate of the town decades later: at left, the bustling beach boardwalk and its amusement park attractions on the Venice pier, and at right, the encroaching oil fields with towering oil derricks and tanks marring the natural coastal environment. The artist drew inspiration from historical documents, such as the photographs on display in the exhibition, that echo the imagery in his mural. Following its presentation at LACMA, Abbot Kinney and the Story of Venice will be housed in the headquarters of Silver Pictures, formerly the United States Post Office of Venice, California.

The Artist
Edward Biberman studied painting at the Pennsylvania Academy of the Fine Arts in Philadelphia. He traveled to Europe in 1926, where he lived primarily in Paris, successfully exhibiting in salons and in a solo show at Galerie Zak. Biberman returned to New York in 1929 and began to develop his ideas of relating painting to architecture, entering his first competition. His encounters with “Los Tres Grandes”—the Mexican muralists Diego Rivera, David Alfaro Siqueiros, and José Clemente Orozco—furthered Biberman’s interest in public art.

In 1936 Biberman settled in Los Angeles, where he continued painting portraits and urban landscapes as well as entering mural competitions. By 1941, when he painted the work for the Venice Post Office, Biberman had been designing murals for over a decade. The Depression gave rise to government-subsidized art programs, such as the Public Works of Art Project (PWAP, 1933–34) and the Works Progress Administration’s Federal Art Project (WPA/FAP, 1935– 43), which were created in large part as welfare to support unemployed artists. The main mission of the Treasury Department’s Section of Painting and Sculpture, which supported Abbot Kinney and the Story of Venice , however, was to commission high-quality art for federal buildings. In the mid-1930s, Biberman participated in over a half dozen Section of Fine Arts competitions. He was awarded several contracts for murals at post offices, including the downtown Los Angeles branch in 1937 and the Venice branch in 1940. In addition, he was a member of the selection committee for the Social Security building mural in Washington, DC, executed by Ben Shahn in 1940.





Today's News

August 1, 2014

Oldest continually operating signals intelligence station in the world celebrates centenary

'Hofmann by Hofmann' on view at the Berkeley Art Museum & Pacific Film Archive

Alexander Calder, Barbara Hepworth and Jackson Pollock are among the highlights for 2015 at Tate

Global leader in the arts Edward Dolman joins Phillips as Chairman and Chief Executive Officer

Richard Avedon's revealing portraits unveiled at Art Gallery of Western Australia

Garage Museum exhibition explores relationship between globalization and art in the 1990s

Huntington Library acquires rare book of 17th-century Chinese woodblock prints

South Africa shantytown forces anti-apartheid Red Location Museum to close

Hoyland painting returns to The Fitzwilliam Museum by popular demand

One hundred years of British wedding dresses to go on display at the Gallery of Costume, Platt Hall

LACMA exhibits recently conservated mural 'Abbot Kinney and the Story of Venice'

New exhibition features dynamic installations of the works of Stanley Tigerman and Zago Architecture

Moments in a Stream: Ewerdt Hilgemann's 'Implosion' sculptures on view at Park Avenue

'Kazumi Tanaka: Mother and Child Reunion' opens at the Fabric Workshop and Museum

Counterpoint: Talbot Rice Gallery plays host to a range of diverse installation works

Artist Charlotte Kruk puts a twist on the idea of eye candy

'Jeremy Thomas: Ditching the Cardigan' opens at Charlotte Jackson Fine Art in Santa Fe

Special exhibition at Toledo Museum of Art marks 50th anniversary of Civil Rights Act

'Generation: 25 Years of Contemporary Art in Scotland' opens at Stills

The Studio Museum in Harlem presents 'Charles Gaines: Gridwork 1974-1989'

Material Collaborations: Mindy Solomon Gallery presents the work of David Hicks & Alejandro Contreras

'Multiplicity: City as subject/matter' opens at Invisible Exports

Most Popular Last Seven Days



1.- Sotheby's to sell one of Vilhelm Hammershøi's most beguiling interiors: 'Interior, Strandgade 30'

2.- German police find Hitler's lost horse sculptures that vanished the year Berlin Wall fell

3.- New Chief Curator and Deputy Director for Art and Education appointed at the Virginia Museum of Fine Arts

4.- Chrysler Museum mourns passing of Curator of Modern and Contemporary Art Amy Brandt

5.- How Iraqi friar Najeeb Michaeel saved ancient Christian manuscripts from Islamic State

6.- Anish Kapoor sculpture 'Blood Mirror' surprises with surface and sound effects

7.- Sotheby's to offer the first painting to be sold from Cornelius Gurlitt's trove of art

8.- Descendants of art collector Peggy Guggenheim go head to head in a French appeals court

9.- Vandalized statues from parks, gardens and public spaces restored at Argentine 'hospital'

10.- Unique 17th century portrait by British artist Mary Beale discovered at McMaster Museum of Art



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez
Social Network Manager and Translator: Norma Cristina Pérez Ayala Cano
Special Contributor: Liz Gangemi - Marketing: Carla Gutiérrez
Contributing Editor: Carolina Farias - Special Advisor: Carlos Amador

Royalville Communications, Inc
produces:

ignaciovillarreal.org theavemaria.org juncodelavega.org facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site