NEW YORK, NY.- Acquavella Galleries
presents Dubuffet | Barceló, an exhibition of paintings by French postwar painter Jean Dubuffet and acclaimed Spanish artist Miquel Barceló, on view from June 30 to September 19, 2014. The exhibition features distinct bodies of work from each artist several of Barcelós recent white paintings and dark bleach portraits are being shown alongside a selection of Dubuffets landscapes and portraits. Since he was a teenager, Barceló has been drawn to Dubuffets poetic writings and unconventional aesthetic. In juxtaposing portraits and landscapes by both artists, this exhibition aims to highlight their thematic and material affinities.
Dubuffet employed various techniques to represent soil in his series of Texturologies from the 1950s. Acting as an inventory of various types of terrain, these paintings celebrate the nuances of material. Dubuffet initially intended to create the series as an assemblage evocative of earths expanse that could be endlessly extended; however, his attachment to these initial paintings prevented him from producing this assemblage, and they remain as individual works. With their encrusted, tactile surfaces, Dubuffets Texturologies evoke the textures of the earth. This obsession with formlessness extends to Dubuffets portraits, several of which are included in this exhibition. His methods of rendering the human figure reflect his fascination with primitive and naive art practices.
Barcelós most recent series of white paintings also pay tribute to boundless terrain. An artistic nomad, he has traveled widely, relying on cultural and geographic diversity for inspiration. Earthly textures sand or waves of the ocean, for example have long influenced his painting practice. Several heavily impastoed canvases, in particular, pay tribute to the coastal terrain of his native Majorca. The intensely textured Huitres II recalls Barcelós travels across the arid, rugged terrain of the Sahara. This work is simultaneously devoid of and brimming with color indicating the heat, light, and texture of the desert. Barcelós recent portraits are similarly personal. These paintings, made with bleach, chalk, and charcoal on dark canvas, present ethereal renderings of the artists colleagues and friends.
Jean Dubuffet (1901 1985) was born in Le Havre, France. In 1918 he moved to Paris to study at the Académie Julian, which he left after six months to study independently. After abandoning painting to work at his familys wine business for several years, Dubuffet fully committed himself to being an artist in 1942. His fascination with Hans Prinzhorn's Artistry of the Mentally Ill deeply influenced his artistic practice, and led to his coining of the term Art Brut. For Dubuffet, the raw and uninhibited expression of Art Brut provided a fresh and alternative direction to what he saw as the stifling decorum and conformity of French culture and the Western tradition. Painting in a deliberately crude manner, Dubuffet developed a technique of thick impasto, called haute pâte, and frequently incorporated unorthodox materials ranging from cement and gravel to leaves, dust, and even butterfly wings into his works. His controversial materials and mark-making solidified his legacy as an iconoclastic figure in the canon of postwar European painting. His work has been exhibited in and collected by major public and private institutions across the world.
Miquel Barceló (b. 1957) was born in Felanitx, Majorca and divides his time between Majorca, Paris, and Mali. The youngest artist to ever show at the Musée du Louvre, Barceló represented Spain at the 53rd Venice Biennale and drew wide acclaim for his participation in Documenta VII in Kassel, Germany. He has had retrospectives at renowned institutions, including the Centre Pompidou, Paris; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museo Rufino Tamayo, Mexico; and the Guggenheim Museum, Bilbao, Spain. His work is included in many esteemed public and private collections worldwide.