The First Art Newspaper on the Net Established in 1996 United States Sunday, September 21, 2014


Photo from world's largest pinhole camera on display at the National Air and Space Museum
Volunteers lift the muslin cloth into place. "The Great Picture" will be on view at the Steven F. Udvar-Hazy Center April 26 through November 2014. Photo by Jacques Garnier.
WASHINGTON, DC.- The Smithsonian’s National Air and Space Museum will exhibit “The Great Picture” at its Steven F. Udvar-Hazy Center in Chantilly, Va., beginning this spring. The 3,375-square-foot photograph of an abandoned Marine Corps air station in Southern California was taken by the largest pinhole camera in the world. Visitors can see the photograph from April 26 through November.

“The Great Picture” is a unique camera obscura black-and-white, gelatin silver, photograph 31 feet high and 107 feet wide. This single mammoth photograph was created in 2006 by a group of six artists—Jerry Burchfield, Mark Chamberlain, Jacques Garnier, Rob Johnson, Douglas McCulloh and Clayton Spada—along with hundreds of volunteers. They transformed the abandoned F/A-18 fighter jet hangar into a gigantic pinhole camera by darkening and sealing the interior from outside light. A pinhole just under a quarter-inch in diameter was centered between the metal hangar doors to serve as the camera’s aperture. While this particular pinhole camera was recorded in the Guinness Book of World Records as the world’s largest, the “camera-obscura” technique has been known for more than 2,000 years.

Established in 1942, Marine Corps Air Station El Toro in Southern California became the largest Marine air station on the West Coast and headquarters for Marine air operations in the Pacific region during and after World War II. All U.S. presidents in the postwar era landed in Air Force One at El Toro before it was decommissioned in 1999. “The Great Picture” shows the air station’s control tower, other structures and runways, and the San Joaquin Hills in the background.

“‘The Great Picture,’ as a photograph, is distinct from almost every photograph in the world,” said McCulloh. “It remains linked to, and an integral part of, both the camera and the place by containing the information of the place within it. It also contains the process….You can’t look at it and not ask—what was the camera?”

Visitors will have a chance to meet and speak with one of the artists at the Udvar-Hazy Center Saturday, April 26, 1–3 p.m. Jacques Garnier will sign copies of The Great Picture: Making the World’s Largest Photograph, a book that documents the techniques used during this creative process.



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