The First Art Newspaper on the Net Established in 1996 United States Friday, October 24, 2014


Early 1990s works on view at NYU's Grey Art Gallery
Chris Johanson, Energy That Is All Around, 2011. Acrylic and latex on paper, 18 x 23 3/4 in. Private collection.
NEW YORK, NY.- Presenting more than 125 works by five artists who launched their careers in a gritty San Francisco neighborhood in the early 1990s, ENERGY THAT IS ALL AROUND/Mission School is the first East Coast museum exhibition to highlight these artworks that have achieved cult-like status in the Bay Area and beyond. Most are never-before-seen early pieces from the artists’ own collections. On view at New York University’s Grey Art Gallery from April 15 to July 12, the show was curated by Natasha Boas and organized by the San Francisco Art Institute (SFAI), where Alicia McCarthy, Barry McGee, and Ruby Neri were students, and where they hung out with Margaret Kilgallen and Chris Johanson. ENERGY THAT IS ALL AROUND features paintings, drawings, sculptures, and installations (including a number of the artists’ classic “cluster” pieces) alongside more recent works created especially for this exhibition. Also included is an extensive selection of ephemera, such as sketches, letters, journals, scrapbooks, and cut-outs.

Johanson, Kilgallen, McCarthy, McGee, and Neri came into their own as young visual artists in San Francisco’s Mission District at a time when affordable housing and studio space was still available for those bucking the mainstream. The early 1990s also heralded a Bay Area dot-com boom, which brought an influx of young professionals, upscale shops, chic restaurants, and eviction threats to the Mission District, then a more diverse neighborhood offering cheap rent and food. As undergraduates, these artists were influenced by lowbrow visual culture—such as cartoons, signage, and folk art. All were very involved in making and promoting graffiti, and each had one or more tag names. Although each developed a distinct artistic style and philosophy, they shared a penchant for the radical and the political. They all took inspiration from Bay Area Figuration, the Beats, Funk art, and Punk. And they were all first-hand witnesses to how hard San Francisco was hit by the AIDS epidemic. They likewise railed against the decade’s creeping gentrification and rampant consumerism. “They were part of a community that responded acidly to the social and aesthetic values associated with ’80s consumer culture and corporate hegemony in the dawning of the age of the internet,” states Natasha Boas, the San Francisco–based independent curator who proposed the show to SFAI’s Walter and McBean Galleries. “With their raw, immediate, and gritty street and studio practices, these post-punk, key artists of the Mission School would soon become international icons for new generations of art students and makers.”

Operating outside the traditional art market, Johanson, Kilgallen, McCarthy, McGee, and Neri were friends, collaborating and exhibiting together at local venues such as Four Walls, The Lab, New Langton Arts, the Luggage Store, and Adobe Books. In 2002, they were retroactively dubbed the Mission School by critic Glen Helfand, who commented on the escalating attention paid to these previously obscure artists in a San Francisco Bay Guardian article, which is excerpted in the accompanying publication. In 2010, the San Francisco Museum of Modern Art canonized these high-octane, formerly underground artists in a wall text which stated that the Mission school was “the most significant art movement to emerge out of San Francisco in the late twentieth century.”

“ENERGY THAT IS ALL AROUND does not purport to be a definitive survey, nor did these artists set out to create a ‘school,’” observes Lynn Gumpert, director of NYU’s Grey Art Gallery. “Instead, they worked within a close-knit community to critique society by employing aesthetic concerns normally associated with craft, street, and folk art, literally standing our culture’s notion of ‘high art’ on its head.” Indeed, the exhibition intentionally questions what constitutes a “school.” In her essay in the exhibition catalogue, Dina Pugh notes: “More expansively, Mission Schoolcould be understood not as a ‘movement’ but as a shared ethos, and then it can extend to countless others who are similarly engaged in the art of resistance.” “We are very pleased to have organized ENERGY THAT IS ALL AROUND,” states Hesse McGraw, vice president for exhibitions and public programs at SFAI. “Through their various formal and informal affiliations with the San Francisco Art Institute, Chris, Margaret, Barry, Alicia, and Ruby have changed the language of this institution. ENERGY provides a raffish and spirited introduction to the idiosyncrasies and human legacy of this particular art school.”

All five artists display an affinity for cheap and/or discarded materials, a devotion to community, and a decidedly anti-consumerist stance. Chris Johanson (b. 1968), is perhaps best known for his cityscapes painted on found board or canvas, filled with everyman stick figures speaking universal truths from cartoon bubbles. His triptych Life is Shit (1997) exemplifies the kind of sped-up, angsty, ironic, rebellious representation one could find on storefronts and mailboxes in the early ’90s. Alicia McCarthy (b. 1969) employs the tags “Fancy” and “Probe,” and, like her contemporaries, often uses recycled materials, dumpster-diving for supplies and obliquely commenting on the environmental damage caused by rampant consumerism. Along with Neri and Kilgallen, she channels a feminist sensibility. Ruby Neri (b. 1970; aka “Reminisce”), has developed a reputation for her bold, expressive hand-modelled sculptures and brash paintings that recall the likes of Mike Kelley and Nicole Eisenmann. Margaret Kilgallen (1967–2001; aka “Meta”) revered American folk art and hobo culture. Referencing it frequently in her studio work and her outdoor mural paintings, she similarly often incorporated signage typography. Her untimely death at age 34 marked a huge loss for the art world. Over the years, Barry McGee (b. 1966; aka “Twist” and “Fong,” among other monikers) is perhaps the Mission School’s most recognized member. Employing discarded objects and graffiti in a wide range of media, McGee has effectively brought the street into the museum. His Untitled (1990–2013), commissioned for the show, is composed of a damaged panel from a found Mission District storefront painted and tagged over with words and images from the wide range of motifs he has employed from 1990 until now.

These five Mission School artists share essential formal and thematic concerns but, at the same time, have devised their own personal styles. As Boas notes, their collective and individual work evokes a paradox: it appears to be unfinished but is actually highly considered and resolved. All move easily between representation and abstraction. Their installations combine mural painting, sculpture, drawing, found objects, and multimedia. Johanson, McCarthy, McGee, and Neri remain friends and continue to collaborate. Foregrounding their aesthetic contributions as well as subversions, ENERGY THAT IS ALL AROUND brings the decidedly lowbrow and defiant early work of some of California’s current influential and innovative artists to New York and the tri-state area.





Today's News

April 15, 2014

"Hogarth, Reynolds, Turner: British Painting and the Rise of Modernity" opens in Rome

Art Gallery of South Australia secures major Impressionist painting by Camille Pissarro

Woodblock prints by Japan's first Modern artist debut at the Smithsonian's Sackler Gallery

Sotheby's to sell the only known marine work by Danish artist Vilhelm Hammershøi

Magnificent jewels at Sotheby's to feature singular colored gemstones & jewels owned by Eydie Gorme

Irene Leache memorial gifts to Chrysler Museum strengthen collection, bridge past with future

Hillwood appoints curator of 19th-century art; Re-dates Faberge imperial Easter egg

Photographer Mario Testino named President of World Monuments Fund Peru

New to the auction market: Images of boats at sea by Ireland's leading artists offered at Bonhams

Opteres to hold Modern art unveiling and sale on eve of Art Basel Hong Kong

Beautiful Bentleys and a 'Rambo Lambo' amongst highlights for sale at Bonhams

Original watercolor illustrations by James Warhola on view at the Demuth Museum

Record-setting capsule, pressure suit and parachute donated to the Smithsonian

Exhibition at Art Institute of Chicago examines the city's architectural legacy and future potential

Tiffany Kashmir sapphire gold ring may bring $175,000 at Heritage Auctions in New York

Jeffrey S. Evans auction of Palmer Collection shows strength of southern decorative arts market

The Estate of Ray Frost Fleming, owner of Robert Kidd Gallery, highlights Heritage Auctions sale

Nazi memorabilia sale stopped after Jewish protests

First UK retrospective of visionary French artist Chris Marker opens at the Whitechapel Gallery

Early 1990s works on view at NYU's Grey Art Gallery

Viking Adventures from the British Museum to screen at cinemas across the UK

Exhibition of new works by Dutch artist Berndnaut Smilde opens at Ronchini Gallery

Most Popular Last Seven Days



1.- Image of a Christ without a beard, short hair and wearing a toga unearthed in Spain

2.- Giant mosaic unearthed in mysterious tomb in Amphipolis in northern Macedonia

3.- Bonhams sale of 18th century French decorative arts to benefit Fine Arts Museums of San Francisco

4.- Paris flustered by erection of 'sex-toy' sculpture; Paul McCarthy slapped by a passer-by

5.- High art or vile pornography? Marquis de Sade explored in Orsay museum exhibition

6.- 'Cubism: The Leonard A. Lauder Collection' opens at the Metropolitan Museum of Art

7.- Greek culture minister says Elgin Marbles return a matter of 'global heritage'

8.- Vandals deflate Paris 'sex-toy' sculpture by American artist Paul McCarthy after outrage

9.- Exhibition at National Gallery in London explores Rembrandt's final years of painting

10.- 'Hans Memling: A Flemish Renaissance' opens at the Scuderie del Quirinale in Rome



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher: Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez - Marketing: Carla Gutiérrez
Special Contributor: Liz Gangemi - Special Advisor: Carlos Amador
Contributing Editor: Carolina Farias

Royalville Communications, Inc
produces:

ignaciovillarreal.org theavemaria.org juncodelavega.org facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site