|The First Art Newspaper on the Net
||Established in 1996
|| Tuesday, June 27, 2017
|The Katonah Museum of Art presents "Jasper Johns & John Lund: Masters in the Print Studio"|
Untitled, 1998. Etching and aquatint in four colors on Hahnemühle Copperplate paper, 41.75 x 81. Edition of 44. Published by Universal Limited Art Editions. Courtesy of Universal Limited Art Editions. Art © Jasper Johns and ULAE/Licensed by VAGA, New York, NY.
KATONAH, NY.- An extraordinary, little-known story unfolds in the exhibition Jasper Johns & John Lund: Masters in the Print Studio. Over the past 30 years Johns and Lund have forged a rare artistic collaboration: side-by-side, master printer Lund has helped one of Americas foremost living artists achieve precisely the desired effect he seeks in his prints, 47 of which are featured in the exhibition. This is the first museum exhibition to explore these two masters working relationship.
Johns is one of the most prominent and prolific printmakers of the 20th and 21st centuries. While he has collaborated with several master printers during his long career, his relationship with Lund is unique due to the exclusive nature of their working process. Johns and Lund first worked together in 1973 at Universal Limited Art Editions (ULAE), the fine art print publisher, where Lund was a lithography printer, working with art world luminaries including Robert Rauschenberg, Larry Rivers, and James Rosenquist. A decade later Lund became integral to Johnss printmaking process as the sole printer to work on the artists intaglio prints. In 1996 Lund and his family moved into a home on Johnss rural Connecticut property, establishing a private print studio and becoming his on-site master printer.
Together they have created over 70 editions, the vast majority of which are made with intaglio techniques, including etching and aquatint. The imagery in the prints is often related to paintings Johns is in the process of creating or has just completed. There are two layers of singular ability involved in making these printsthe technical and the artistic. Lunds expert skill is a means by which Johns achieves his creative vision. The exhibitions chronological installation includes the seminal series The Seasons (1987); Flag on Orange (1998), the first edition published under Johnss own Low Road Studio imprint; and the Shrinky Dink series (2011-12), which references elements from The Seasons while featuring new imagery.
This one-on-one relationship is uncommon in the print world. Says Lund, Its more solitary and concentrated but, hopefully, the result is an instinctual feel for the intention of the artist, knowing what the artist is looking at and what I can do to make it all happen.
The luxury of having his own print studio permits Johns the freedom of extended experimentation and exploration. Says Lund, Weve made spontaneous monoprints, worked out what if issues, used printmaking elements that end up as drawings, used equipment and/or print techniques in his paintingsit can be very fluid since Im just down the hall. In between projects or even in the middle of a print, I never know what Jasper might walk in and ask for.... Johnss print and painting studios are housed in the same converted carriage barn; their proximity permits the artists effortless movement between the different techniques. The exhibition offers an exclusive glimpse into Johns private print studio through a selection of recent photographs.
This is a story thats never been publicly told, says exhibition curator Ellen Keiter. While many of the works featured in Jasper Johns & John Lund: Masters in the Print Studio have been included in other museum and gallery exhibitions, they have not been viewed through the lens of these two masters working relationship. Process is explored in proofs and plates, and Lunds personal photographs of Johns at work are also on display. Mr. Johns is a famously private person, says Keiter. I believe it is out of respect for Lund and his untold contributions that Mr. Johns has granted us open access to his print studio. Interim Executive Director Belinda Roth adds: We are delighted to bring this new perspective to Jasper Johns scholarship. The works on display form a telling representation of the second half of his printmaking career. Were equally proud to recognize John Lund and his singular role in contemporary printmaking.
March 29, 2014
Largest exhibition of Mike Kelley's work opens at The Museum of Contemporary Art in L.A.
Alte Nationalgalerie Berlin opens first major museum exhibition of the work of Rembrandt Bugatti
Works by three Modern masters to lead Sotheby's Impressionist & Modern Art Evening Sale
The Katonah Museum of Art presents "Jasper Johns & John Lund: Masters in the Print Studio"
Jim Campbell receives his first solo museum exhibition in New York at the Museum of the Moving Image
Sotheby's announces Arts of the Islamic World: Rare and precious works of art spanning 1000 years
Rare work by Artemisia Gentileschi acquired by Wadsworth Atheneum Museum of Art
Isabella Stewart Gardner Museum appoints Dr. Christina Nielsen as William and Lia Poorvu Curator
Australia's first banknote, issued in 1817 by the Bank of New South Wales, fetches US$310,000
Exhibition of work by an idiosyncratic artist Edwin G. Lucas opens at Bourne Fine Art
Knights! Exhibition takes new approach to examining arms and armor throughout history
Henry Moore prints sell for top prices at Dreweatts & Bloomsbury Auctions in London
I.M. Chait March 23 Post-Asia Week Auction in Beverly Hills tops $2.3 million, led by $350K bronze
Finalists for the Rijksstudio Award have been announced
Installation of monumental new addition to the Olympic Sculpture Park begins
Exhibition features the printing press as artistic practice at the Kentucky Museum of Art and Craft
Early gold from The Bently Collection raises nearly $9 million to launch Bently Foundation in San Francisco
"Graphic Design: Now in Production" opens at the RISD Museum
Fantasy visions by Starewitch, Švankmajer and the Quay Brothers" on view at CCCB in Barcelona
Centro de Arte Contemporáneo de Málaga presents Kaws's monumental sculptures
IMMA and IADT present an exhibition, 474: document / work / space, in the Drawing Project, DúnLaoghaire
Most Popular Last Seven Days
1.- Art community remains divided over Caravaggio found in French attic
2.- Stedelijk Museum presents a snapshot of Rineke Dijkstra's photographic and video work
3.- Hillwood Estate, Museum & Gardens mourns death of Dina Merrill
4.- Exhibition of new paintings by Gerhard Richter opens at Albertinum in Dresden
5.- 18th-century French paintings from across America on view at National Gallery of Art
6.- Major retrospective of Robert Rauschenberg opens at the Museum of Modern Art
7.- Canaletto exhibition reunites two of the Venetian master's greatest series of paintings
8.- King Tutankhamun's bed, chariot paraded through Cairo to new home
9.- Junk sale diamond ring bought for £10 worth a fortune
10.- Exhibition sheds light on one of the most pressing issues of the 21st century: What will we eat in the future?
Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .
|Royalville Communications, Inc|
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.