The First Art Newspaper on the Net Established in 1996 United States Thursday, April 24, 2014


Places of Transition exhibition opens at the MuseumsQuartier Wien
Libia Castro & Ólafur Ólafsson. Photograph from the series Demolitions and Excavations, 2002.
VIENNA.- In search of various forms of contemporary models for living, the exhibition „Places of Transition“ at freiraum quartier21 INTERNATIONAL shows a selection of international works that examine the visual and discursive possibilities of location-specific transition. On the basis of predominantly photo and video installations, the exhibition explores processes of transformation and in narrative form addresses some of the global changes we have experienced in recent years and decades.

"Places of Transition‘ marks the beginning of the exhibition year at freiraum quartier21 INTERNATIONAL, which will feature three major exhibitions organized in cooperation with the Federal Ministry for European and International Affairs. I look forward to having another opportunity to present visitors with a variety of artistic perspectives in response to current issues,“ says Dr. Christian Strasser, director of the MuseumsQuartier Wien.

The diversity of our approaches to transnational issues through shared forms of interaction calls for an examination of global power structures. While the East/West problem in Europe is gradually disappearing, the power struggles in the Middle East have undermined the promise of the Arab Spring and triggered a debate on an international level about politics in transition.

In this respect, the exhibition focuses on the problems faced by various territories and the question of how they can be linked on the basis of a joint criticism of politically dominant narratives and regulations. In addition, various levels of lived experiences of the self are reflected and own and other conventions of seeing analyzed. The participating artists often treat the individual themes in terms of the situation in their own countries, which allows the exhibition to engage in various points of view from a political perspective.

"Art has to radically challenge society to promote real change,“ say exhibition curators Gülsen Bal and Walter Seidl.

The exhibition also poses the question how artists deal with certain traditions in their home countries. Despite a personal tendency toward laicist models, many artists examine country-specific models and radically deconstruct them in their works. This results in critical statements about the past, present, and future that have the potential to effect new approaches to thinking.

The video installation by Oliver Ressler is a good example. The film „Socialism Failed, Capitalism Is Bankrupt: What Comes Next?" was shot in 2010 in the largest bazaar of Yerevan, called “Bangladesh.” In the film, merchants at the market tell about their battle for survival in the crisis of a post-socialist state in which the majority of all of the factories from the Soviet era have been shut down and the social security network was dissolved.

The video and photo piece by Milica Tomić also refers to a very personal situation. "Portrait of My Mother” (1999) was produced in the days after the Nato bombardments of Belgrade. Tomić examines the complex relationship between the trauma of the lost Yugoslavian modernity and the new identity policies of the Milosević years.

Akram Zaatari’s video “Tomorrow Everything Will Be Alright,” in turn, examines forms of transition on a very personal level. Two former lovers have a conversation after separating ten years earlier and confess to each other that they have a desire to see each other again. But the words they exchange are written on an old fashioned typewriter, which invites viewers to voyeuristically partake in this very personal and poetic conversation.

In his multimedia installation “Monika Ertl’s Pistol,” Marco Poloni refers to historic circumstances. Underground fighter Monika Ertl is alleged to have murdered consul Roberto Quintanilla Pereira in 1971 at the Bolivian Consulate General in Hamburg. The murder was committed with a pistol belonging to Italian publisher Giangiacomo Feltrinelli, who was also known under the code name Osvaldo.

Libia Castro and Ólafur Ólafsson are showing a seven-meter-long neon sign installation with the phrase: “Your country does not exist.” With this statement, they are making reference to present-day migration movements prompted by political, economic, or professional conditions. The dissolution of nationalist governments due to the advent of global, neoliberal structures challenges country-specific structures and at the same time calls for a pluralism informed by ethnic and cultural awareness.

Santiago Sierra is showing his video “Burned Word” in which the word “Future” is
publicly burned. The video was produced in 2012 in El Cabanyal, a historic district and
fishing quarter in Valencia threatened by the potential development of a new roadway
crossing through the area.

Aslı Çavuşoğlu’s audiovisual installation “191/205” refers to the fact that in 1985 the General Directorate of the Turkish Radio and Television Corporation TRT banned the use of 205 words in television and radio broadcasts because they allegedly had nothing to do with the Turkish language or did not correspond with the general Turkish standard.

In his video “Untitled” from 2004, Köken Ergun reacts on a specifi c situation in Turkey, when the Republic Day Ball took place in the Presidential Palace. The president sent oneperson invitations to the members of Parliament, the majority of whom were Islamic democrats. This was his strategy to prevent their wives, who would wear headscarves, from attending the night. The video performance thus resulted in a cross-dressing parody.

Some of the participating artists are artists-in-residence of quartier21/MuseumsQuartier in connection with the exhibition. For instance, Bulgarian artist Vikenti Komitski will be producing a new piece on location. In Vikenti Komitski’s installation “Pop-Up Wall” (2014), which he developed during his residency at the MQ, the artist addresses how borders are still drawn up to protect the “Fortress Europe.” His work refers to Bulgaria’s current attempt to build a 30-kilometer-long border between Turkey and the Bulgarian towns of Lesovo and Kraynovo by February 2014 in order to prevent Syrian refugees from entering the country.



Today's News

January 24, 2014

Archaeologists discover a major church with a splendid mosaic from the Byzantine period

"Elysian Plain + Early Works by Keith Sonnier" opens at Pace Gallery New York

Piero della Francesca's devotional paintings brought together for the first time

Antoine de Saint-Exupéry's The Little Prince is the subject of a major exhibition at the Morgan

Premier selection of galleries to participate in Art Basel's second edition in Hong Kong

History Unfolding: Bonhams New York to offer select treasures from the Caren Archive

Holburne Museum's Dr Alexander Sturgis appointed Director of Ashmolean Museum

Exhibition of new paintings by Daniel Rich opens at Peter Blum Gallery in New York

Sean Kelly Gallery announces representation of London-based painter James White

Photography a key attraction at Arte Fiera Bologna as it broadens the scope of exhibitors

First book devoted to the early years of the Institute of Contemporary Arts published

PIASA's Sale of 20th Century Design, including the Interior of a Paris apartment, totals 1,150,000 euros

Gavin Kenyon's first solo-presentation in Los Angeles opens at Blum & Poe in Los Angeles

Exhibition of of Abstract Expressionist sculptures Seymour Lipton on view at Driscoll Babcock Galleries

Places of Transition exhibition opens at the MuseumsQuartier Wien

"Pinar Yoldas: An Ecosystem of Excess" opens at the Ernst Schering Foundation

Jean Meisel's paintings demonstrate mastery of form, color and light

Photographers Pablo Pro and Encarna Marín join the project "ef Collections" from Espaciofoto Gallery

Gwangju Biennale Foundation announce theme for the 10th Gwangju Biennale

Major solo exhibition of new works by Diarmuid Kelley opens at Offer Waterman

Most Popular Last Seven Days



1.- Newly discovered Imperial Fabergé Easter egg: A critical note from a Fabergé collector

2.- Tate opens most comprehensive exhibition ever devoted to Matisse's paper cut-outs

3.- First North American survey of the work of Ai Weiwei opens at Brooklyn Museum

4.- The importance of sky studies in landscape art is the subject of the first exhibition in a new Morgan series

5.- Beautiful Bentleys and a 'Rambo Lambo' amongst highlights for sale at Bonhams

6.- Retrospective is the first to encompass Sigmar Polke's works across all mediums

7.- Exhibition presents 100 top-class masterpieces from the collection of the Albertina

8.- Lost treasure found after almost 100 years: Wartski exhibits missing Fabergé egg

9.- Getty Research Institute in Los Angeles acquires a rare 16th century "Book of Friends"

10.- Exhibition of masterpieces from the Austrian Habsburg dynasty brings imperial splendor to the U.S.



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher: Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Rmz. - Marketing: Carla Gutiérrez
Special Contributor: Liz Gangemi - Special Advisor: Carlos Amador
Contributing Editor: Carolina Farias

Royalville Communications, Inc
produces:

ignaciovillarreal.org theavemaria.org juncodelavega.org facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site