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Ryerson Image Centre focuses on documentary photography with four new exhibitions
Robert Burley, View of Building 7 and 11 from the roof of Building 9, Kodak Canada, Toronto, Canada, 2006. Pigment print mounted on dibond © Robert Burley. Reproduction courtesy the artist and the Ryerson Image Centre.
TORONTO, ON.- The Ryerson Image Centre marks its 2014 winter season with the opening of four exhibitions: Robert Burley: The Disappearance of Darkness, Phil Bergerson: Emblems and Remnants of the American Dream, Pierre Tremblay – Black Star Subject: Canada and Elisa Julia Gilmour: Something in Someone's Eye. Through the use of documentary photography and film, each exhibition examines a transforming cultural landscape. The public opening reception takes place on January 22, 2014, 6 – 8 pm.

Curated by Dr. Gaëlle Morel, Robert Burley: The Disappearance of Darkness speaks to what Maclean's describes as "an elegy for the strange death of film," and includes images that record "a world that dissolved in a swirl of ironies and incidents..." Burley's large-format colour prints record the abrupt breakdown of the film photography industry and allude to the major economic impact caused by the shift from analogue photography to digital technology. His work strikes a subtle balance between the commemoration of now obsolete film-based photography materials and the celebration of cutting-edge visual technology, including the re-appropriation of videos and photographs found on the Internet. The exhibition is generously supported by the Canada Council for the Arts.

To complement Robert Burley: The Disappearance of Darkness, Dr. Mohamed Lachemi, Provost and Vice-President, Academic of Ryerson University, was invited to make a selection of objects from the Kodak Canada Corporate Archives and Heritage Collection. This selection is on view in the RIC Great Hall vitrines as an installment in the ongoing series, From the Archive, and is co-presented with Special Collections, Ryerson University Library & Archives.

Guest curated by David Harris, Phil Bergerson: Emblems and Remnants of the American Dream features photographs taken during dozens of extended road-trips across the United States, in search of the 'American Dream.' Drawing upon the social landscape tradition, Bergerson found his material amid the melancholic detritus of the contemporary city; in modest store window displays, hand-painted murals, graffiti, and crudely-made signs. The sumptuous colour photographs elicit a sense of both wonderment and disquiet, and ultimately a yearning for order and meaning.

Guest curated by Don Snyder, Pierre Tremblay – Black Star Subject: Canada displays every one of the 1,853 photographs filed under "Canada" in the Black Star Collection. This includes images of agriculture, mining and industry, of every province and all major cities, images of Prime Ministers from Mackenzie King to John Turner; images of a nation undergoing unprecedented growth, defining itself in an era that led inevitably to globalization.

All exhibitions will be on view at the RIC from January 22 to April 13, 2014.

Elisa Julia Gilmour: Something in Someone's Eye presents a series of cinematic portraits alternating between subtle movement and photographic stillness. With the use of the now-discontinued colour reversal Kodak Ektachrome film stock as source material, the transient nature of celluloid film mirrors the ephemeral nature of the subject's gaze. Through the progressive destruction of the film as it continues to play, the work brings life to a subject matter that will eventually cease to exist. This exhibition will be on view until March 2, 2014.





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