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The Mosaic Rooms in London opens two exhibitions
Mona R. Kriegler, Pain & Memory, 2012. Photo: Digital photograph © Louzioti.
LONDON.- The Mosaic Rooms presents a two-part exhibition featuring paintings by Iraqi artist Hanoos Hanoos in the main space, and a selection of art books and broadsheets from the project Al-Mutanabbi Street Starts Here in the lower gallery.

Hanoos Hanoos was born in Iraq in 1958, where he studied at the Institute of Fine Arts in Baghdad. He moved to Madrid, Spain, in 1984 where he obtained his PhD and has lived ever since.

The paintings in Threads of Light are made up of layers of textured colour, using Modernist flatness and the legacy of collage to conjure contemporary chaos. Indeed, Hanoos Hanoos’ international education and experience has prompted work that intertwines Western and Arab aesthetic traditions. Calligraphy is a key influence, particularly Kufic script’s virtuosic abstraction.

Threads of Light references a poem of the same name by the pioneering Iraqi poet Abdel-Wahab al-Bayati, whom Hanoos Hanoos met in Madrid in the early 1980s and whom he cites as a “spiritual influence” upon his artistic practice. While Hanoos Hanoos’ work has previously engaged with “the need as an Iraqi and as a painter to reflect the horror and death that (were) happening in my country” during the occupation, this new series engages with the universal. It seeks to celebrate and introduce contemporary audiences to the cultural work of previous generations in order to inspire the next. As al-Bayati writes in his poem Thread of Light: “I saw him: stretched out from generation to the next, a thread of light / In a world of chaos.”

Hanoos Hanoos’ investment in the power of poetry and script and their relationship to memory chimes with Al-Mutanabbi Street Starts Here, a project that collated hundreds of visual and textual responses by artists and writers to the tragic 2007 bombing that destroyed Baghdad’s cultural and intellectual hub: Al-Mutanabbi Street. In July 2010, the poet Beau Beausoleil and artist Sarah Bodman put out a call for book artists to join An Inventory Of Al-Mutanabbi Street, to reassemble and honour the vast breadth of reading material which previously mingled on the street. The coalition asked each artist to create three books (or other paper material) over the course of a year. These works reflect both the strength and fragility of printed matter, and the endurance of the ideas within them, using Al-Mutanabbi and its printers, writers, booksellers, and readers as a touchstone.

Just as Hanoos Hanoos draws upon “a language which, through a tightly-woven network, connects and interweaves spaces and places…revealing this complex spiral of competing perspectives,” the Al-Mutanabbi Street Project unites myriad international voices. A commemoration of the singular power of words, it hopes to make visible the literary bridge that connects us all, relating the Baghdad space to similar sites the world over, the common ground of the bookstore at its core.

A complete set of all the books will be donated to the Iraq National Library in Baghdad. This will be the first stop in London for the project during its international exhibition tour, and will feature a selection of both art books and broadsheets. Having exhibited predominantly in Spain, this exhibition is also the first opportunity for UK audiences to see Hanoos Hanoos’ work.



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