LOS ANGELES, CA.- The Los Angeles County Museum of Art
presents See the LightPhotography, Perception, Cognition: The Marjorie and Leonard Vernon Collection, an exhibition celebrating an extraordinary collection and exploring parallels between photography and the science of vision. Since the invention of photography in the late 1830s, the medium has evolved in relation to theories about vision, perception, and cognition. The exhibition takes a historical perspective, identifying correlations between photography and the science of vision during four chronological periods. See the Light is comprised of 220 works by more than 150 artists, including Ansel Adams, Julia Margaret Cameron, Imogen Cunningham, William Henry Fox Talbot, Edward Steichen, Edward Weston, Minor White, and many more.
The exhibition draws entirely from the Marjorie and Leonard Vernon Collection, a key collection within LACMAs Wallis Annenberg Photography Department. Acquired in 2008, the collection represents the diversity of photographic processes from the mediums invention in 1839 to the 21st century. See the Light is accompanied by a free mobile-phone multimedia tour featured on mobile.lacma.org with commentary by the Vernons daughter, Carol Vernon; curator Britt Salvesen; artist James Welling; expert in computational vision Pietro Perona; and others. A 208-page catalogue, published by LACMA and DelMonico Books/Prestel, includes an essay by Britt Salvesen with contributions from Todd Cronan, Antonio Damasio, Alan Gilchrist, Pietro Perona, Barbara Maria Stafford, and James Welling. A new web page features excerpts from LACMAs Vernon Oral History Project, an ongoing series of interviews with prominent artists, curators, dealers, and scholars who worked closely with the Vernons.
Photography is often approached from either the artistic or the technological point of view, but these two aspects of the medium have been intertwined since its invention, said Britt Salvesen, Department Head and Curator of the Wallis Annenberg Photography Department. As a scientific instrument, the camera operates as an infallible eye, augmenting physiological vision, and as an artists tool, it channels the imagination, recording creative vision. The Marjorie and Leonard Vernon Collection offers unparalleled scope to the spirit of both science and art.
Designed by Frederick Fisher and Partners, See the Light marks the third exhibition collaboration between LACMA and the architecture firm, following the success of Bodies and Shadows: Caravaggio and His Legacy (2012) and Hans Richter: Encounters (2012).
The Marjorie and Leonard Vernon Collection
Through a groundbreaking gift from Wallis Annenberg and the Annenberg Foundation, and with the support of Carol Vernon and Robert Turbin, LACMA acquired the Marjorie and Leonard Vernon Collection in 2008. Comprising of more than 3,600 prints by almost 700 artists, the Marjorie and Leonard Vernon Collection at LACMA constitutes one of the finest collections of photography spanning the 19th and 20th centuries. LACMAs acquisition of this collection makes it possible for the museum to represent photographys breadth in the context of its encyclopedic collections. Concurrent with the exhibition See the Light, prints from the Vernon Collection are on view in Little Boxes: Photography and the Suburbs (through December 1, 2013); Down to Earth: Modern Artists and the Land, before Land Art and Talk of the Town: Portraits by Edward Steichen (both through December 8, 2013); Compass for Surveyors: 19th-Century American Landscapes (through December 31, 2013); Masterworks of German Expressionism: The Golem and Its Avatars (through January 19, 2014); and Under the Mexican Sky: Gabriel FigueroaArt and Film (through February 2, 2014).
Marjorie and Leonard Vernon were avid collectors in the Los Angeles and Southern California communities. The Vernons built their collection beginning around 1975, cultivating a group of works with global significance, with a special emphasis on West Coast photography of the early and mid-20th century. The collection grew over the years to include works by international photographers, with the earliest photographs dating from the 1840s and the latest to 2001.