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With Paul Schimmel as new partner, Hauser & Wirth plans Los Angeles art space
Paul Schimmel joins Hauser & Wirth as partner.
NEW YORK, NY.- Hauser & Wirth announced that internationally acclaimed curator and scholar Paul Schimmel has been named a partner of the gallery. Schimmel joins Iwan Wirth, Manuela Wirth and Marc Payot in leading an enterprise founded over 20 years ago. Described by The Financial Times as 'a marketplace of ideas', Hauser & Wirth has locations in Zurich, London and New York. Its program focuses upon significant contemporary artists and includes historical surveys and thematic group exhibitions that advance new dialogues about art. The gallery represents over 50 established and emerging contemporary artists, as well as the estates of Eva Hesse, Allan Kaprow, Josephsohn, Lee Lozano, Jason Rhoades, Dieter Roth, Philippe Vandenberg and the Henry Moore Family Collection.

Over the course of the past three decades, Paul Schimmel has become known as one of the most influential curators of his generation. Formerly chief curator of the Museum of Contemporary Art, Los Angeles (MOCA), and recently a co-director of the Mike Kelley Foundation for the Arts, Schimmel is credited with playing a pivotal role in establishing southern California's unique contemporary art scene as a potent force on the global cultural stage. He is a scholar of the art of the 1950s; has created ambitious thematic exhibitions that have shaped recent art history; and has organized defining retrospectives for significant artists ranging from Willem de Kooning to Charles Ray, among many others.

As partner in Hauser & Wirth, Mr. Schimmel will help the gallery develop and will run a new Los Angeles arts space called Hauser Wirth & Schimmel. Envisioned as a museum-like destination for experiencing art in context, the new venue is expected to open in 2015 and will offer three to five major exhibitions per year. Hauser Wirth & Schimmel will place significant emphasis upon education and public programs, offering an array of on-going events and activities inspired both by its exhibitions and the local culture. Like Hauser & Wirth Somerset, the exhibition and outdoor art facility scheduled to open in 2014 on the historic 100-acre Durslade Farm at the edge of the ancient town of Bruton in southwest England, Hauser Wirth & Schimmel will be shaped as a cultural center. It will provide a platform for the substantial group of exceptional Los Angeles artists represented by the gallery; introduce Los Angeles to the work of artists from around the world through solo exhibitions and rigorously organised historical shows; invite leading scholars, curators and writers to participate in programs seeking new and compelling connections between history and the present day; and prioritize community engagement and lingering visits.

Hauser & Wirth will announce additional details about the location, design and programs of Hauser Wirth & Schimmel in early 2014.

'Los Angeles has been an essential part of Hauser & Wirth's history from the very beginning,' Iwan Wirth commented. 'In 1992, our first year in business, I saw Paul Schimmel's MOCA exhibition 'Helter Skelter', and for me it was a revelation. Los Angeles is a place of breakthroughs. Dieter Roth's first exhibition in the United States took place in Los Angeles. The work of pivotal figures we represent – Allan Kaprow, Richard Jackson, Paul McCarthy and Jason Rhoades – would be unimaginable without the impact of Los Angeles upon their thinking and practices. And now younger generation artists like Diana Thater, Thomas Houseago, Sterling Ruby and Rachel Khedoori are extending our relationship with this amazing city. We have long dreamt of opening a space in Los Angeles and making a contribution to the community that means so much to our artists and to us personally. We are honored and delighted to have Paul Schimmel as our partner in realizing that dream'.

'Each of Hauser & Wirth's locations reflects the distinct character of its city,' said Marc Payot. 'The buildings we occupy in Zurich, London and New York all have colorful histories, the local communities have very specific cultures, and these things influence our thinking about our program. With Paul Schimmel leading our Los Angeles initiative, the gallery's West Coast destination is guaranteed to have a fantastic sense of place, a great complement and counterpoint to our presence on the East Coast and in Europe'.

'It is a great honor to join Hauser & Wirth,' said Paul Schimmel. 'The gallery has a profound dedication to artists, a consistent commitment to scholarship and a strong sense of community in an increasingly globalized world. The partners, directors, staff and artists of the gallery are an extraordinary extended family'.

Born and raised in New York and educated at Syracuse University and the Institute of Fine Arts at New York University, Paul Schimmel has resided in Los Angeles for thirty years. He has spent much of his career examining the artists who have defined that city. Schimmel began his career at the Contemporary Arts Museum, Houston TX, where he was a curator from 1975 to 1977 and senior curator from 1977 to 1978. He served as the chief curator of the Newport Harbor Art Museum, Newport Beach CA from 1981 to 1989. In 1990, he became chief curator of the Museum of Contemporary Art, Los Angeles (MOCA), a position he held until 2012. At MOCA, Schimmel mounted many of the institution's most ambitious and effecting exhibitions. In addition to 'Helter Skelter: L.A. Art in the 1990s', these included 'Hand-Painted Pop: American Art in Transition, 1955 – 1962'; 'Out of Actions: Between Performance and the Object, 1949 – 1979'; 'Destroy the Picture: Painting the Void, 1949 – 1962'; and 'Under the Big Black Sun: California Art, 1974 – 1981', the most comprehensive survey ever organized to examine the fertility and diversity of art practice in California during a unique period in American history when artists' and institutions' societal roles were re-examined dramatically. Schimmel's monographic exhibitions included shows devoted to Chris Burden, Willem de Kooning, Takashi Murakami, Sigmar Polke, Robert Rauschenberg and Charles Ray. He has won numerous honors and awards, including two awards from the Association of Art Museum Curators (AAMC), seven awards from the International Association of Art Critics (AICA), and the Award for Curatorial Excellence given by The Center for Curatorial Studies at Bard College (2001). Mr. Schimmel has recently served on the Committee for the Preservation of the White House and the La Caixa Contemporary Art Collection Acquisition Committee. He has been co-chairman of the Mike Kelley Foundation for the Arts. In spring 2013 he received an honorary doctorate from the San Francisco Art Institute.






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