This spring Foam
3h premieres Memento, the latest series by Lara Dhondt. In her work, Dhondt documents forgotten and found objects, materials and locations in the urban landscape. She does this in an effort to give marginal places a human dimension or dignity. Dhondt's interventions seem casual and are often nearly invisible. If one looks very closely, however, the care and precision with which the interventions are constructed become clear. The exhibition in Foam features black-and-white images from the Memento series, printed on rusted steel, cardboard and wood - materials that change over the course of time by reacting to their physical circumstances. Three-dimensional work from the Primary Stages series (2012), a map and Antropomorphe (2012), the 8-mm projection that she made in collaboration with Portuguese artist André Catalão, is being shown.
Dhondt's method of working is intensive and comprises various stages of documentation. Via Google Maps she marks places where she leaves her sculptures in public spaces. The locations of both her creations and her photography can be traced through the coordinates via internet and physical maps. Her consistent and methodical way of working, along with the creative process that takes place exclusively in the outdoor space as well as the documenting of that process is firmly rooted in movements such as Land Art and conceptual art of the 1960s and 70s.
Dhondt's work is a kind of monument to temporariness. The constructions are based on the dimensions of personal space. These spatial demarcations and primary sculptures become altered into nomadic symbols, so to speak, and function as poetic podia for resistance. Dhondt is resisting the current financial and, above all, moral crisis with a call for humaneness and a search for meaning.
Lara Dhondt (Turnhout, 1979) lives in Antwerp and works with the urban landscape. She makes use of various media in her work, such as photography, installation, video, typography and performance.