The First Art Newspaper on the Net   Established in 1996 United States Tuesday, May 22, 2018

Nadav Kander's Prix Pictet award-winning photographic series debut in New York at Flowers Gallery
Old feng Du II (Looking at New Feng Du) 2006. Chromogenic Color Print, 38 x 48¼ in Edition 5.

NEW YORK, NY.- Flowers Gallery announces the New York debut of Nadav Kander’s Prix Pictet award-winning photographic series, Yangtze —The Long River. For this body of work, Kander traveled the nearly 4,000-mile long Yangtze River, from mouth to source, photographing the landscape and the people living along its shores. Yangtze — The Long River is a body of work that captures the dramatic effects of a nation at the precipice of enormous industrial and economic change and considers the history and folklore of the waterway that runs through the blood of the people. The exhibition will run from October 19th through November 24th, with a reception for the artist on October 18th, from 6-8pm.

Flowing for a distance of 3,988 miles, the Yangtze is the longest river in Asia and the third longest river in the world. Roughly bisecting the country of China from West to East, the edges of this watercourse are home to a population larger than America’s. One in every eighteen people on the planet lives along its shores. Over a period of three years, Nadav Kander made five trips to the banks of the Yangtze,traveling up-stream from mouth to source. Using the river as a metaphor for a world in flux, Kander attempted to relate and reflect the implications of modern-day China’s incomprehensible and seemingly unnatural pace of development. Kander’s China is a country both at the beginning of a new era and at odds with itself. With the accelerated clip at which China’s economy continues to grow, this body of work examines how progress can dramatically affect the way the physical world shapes our perception of reality and our understanding of ourselves. Kander says in a statement about this body of work:

“China is a nation that appears to be severing its roots by destroying its past. Demolition and construction were everywhere on such a scale that I was unsure if what I was seeing was being built or destroyed, destroyed or built.”

Viewers of this exhibition are taken on a meditative and meandering path beginning at the river’s coastal estuary, where thousands of ships leave and enter each day. Imagery of man-made evolutionary progress abounds: the renowned suicide bridges, coalmines and the largest dam in the world – The Three Gorges Dam. Further inland we encounter Chongqing - the fastest-growing urban center on the planet. In the upper areas of the Yangtze, towards its source on the Tibetan Plane, the dense architecture gives way to the mountains—a sparsely populated area where the stream, in its most glacial form, is mostly broken ice.

The human figures in these pictures are colorful wisps, often overshadowed by the monochromatic elements of industrial infrastructure and a climate that appears muted by humid weather and pollution. In his statement about the work, Kander draws references to John Martin’s and Casper David Friedrich’s paintings “…where humans are dwarfed against the might of nature and God” and J.M.W. Turner’s paintings, “…where tiny figures are lost in the seething violence of nature suggesting the ultimate defeat of all endeavor, the fallacy of hope.” Kander continues, “I felt the smallness of man pitted against huge ideas, the insignificance of man compared to the state.” These bright figures, so stunted in size by their encroaching habitats still manage to anchor Kander’s compositions, and provoke the viewer’s imagination about what the flow of life must be like at a time of accelerated progression. In speaking about his work, Kander relates a friend’s personal narrative: A Chinese friend I made whilst working on the project reiterated what many Chinese people feel: “Why do we have to destroy to develop?”...many of us can revisit where we were brought up and it will be much the same—it will remind us of our families and upbringing. In China that is virtually impossible. The scaleof development has left most places unrecognizable. “Nothing is the same. We can’t revisit where we came from because it no longer exists.”

Born in Tel Aviv, Israel in 1961, Nadav Kander currently lives and works in London. His work forms part of some of the major collections in the world. In 2009, Kander received the prestigious Prix Pictet photographic award for a selection of photographs from Yangtze – The Long River. He is a regular contributor to many international publications, including The New York Times Magazine, for whom he photographed ‘Obama’s People’, a portfolio of 54 portraits of the Obama administration.

Today's News

October 18, 2012

Archaeologists find twelve burials thought to be 1000 years old in the State of Nayarit

"The Body Beautiful in Ancient Greece" on view at the Portland Art Museum

Dutch police investigating art heist probe tips; heist was more "smash and grab" than "Ocean's 11"

Klimt sketches lead Bonhams Impressionist & Modern Art Sale in London

First ever exhibition on Henry, Prince of Wales opens at the National Portrait Gallery

FIAC 2012 brings together around 180 galleries from 24 countries at the Grand Palais

Exhibition of new paintings by painter Linda Stojak opens at Stephen Haller Gallery

New paintings by Roberto Bernardi and new cityscapes by Raphaella Spence at Bernarducci Meisel Gallery

Nadav Kander's Prix Pictet award-winning photographic series debut in New York at Flowers Gallery

Hyde Collection exhibition pays tribute to Romare Bearden on his centennial celebration

Brazilian architect Oscar Niemeyer, designer of Brazil's futuristic capital, Brasilia, hospitalized

Exhibition of new paintings by New York-based artist Valerie Jaudon opens at Von Lintel Gallery

Rare Qatar and Dubai banknotes sell way above estimate at Bonhams in London

National Museum Wales acquires two new paintings of Margam House

Pair of majestic Duesenbergs top RM's $10.7 million Hershey sale

Power and status, transience and mortality are themes in new exhibition at Museum Van Loon

Rare Luger pistol to be offered at Gavin Gardiner Ltd's auction in December

Jessie Willcox Smith, Gil Elvgren and N.C. Wyeth top Heritage Auction's $3.3+ million Illustration Art Event

Bonhams to offer stellar line up of works by Impressionist and Modern masters in New York

RISD Museum names Elizabeth A. Williams new Curator of Decorative Arts and Design

Most Popular Last Seven Days

1.- Boy and an amateur archaeologist unearth legendary Danish king's trove in Germany

2.- Exhibition at The Met illustrates what visitors encountered at The palace of Versailles

3.- Philadelphia Museum of Art opens "Modern Times: American Art 1910-1950"

4.- Exhibition at Michael Hoppen Gallery presents a cross-section of works from Thomas Mailaender's career

5.- New York's Chelsea Hotel celebrity door auction raises $400,000

6.- Stevie Ray Vaughan's first guitar drives Entertainment & Music Memorabilia Auction to nearly $2.9 million

7.- Lichtenstein's Nude with Blue Hair tops $2.4 million sale of Modern & Contemporary Prints & Multiples

8.- $6.7 million Fancy Intense Blue Diamond sets auction record at Sotheby's New York

9.- Mexico court blocks sales of controversial Frida Kahlo Barbie doll

10.- Dutch museums to conduct new research on the paintings of Pieter de Hooch

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful