The First Art Newspaper on the Net   Established in 1996 United States Thursday, June 30, 2016


Circa 1963 celebrates 50th anniversary year of Harvard University's Carpenter Center
George Sugarman, Three Forms on a Pole, 1962. Polychromed wood, 40 1/4 x 57 x 21 1/2 in. Harvard Art Museums/Fogg Museum, Gift of Arden Sugarman and Peter Capurso, 2007.97. Photo: Imaging Department © President and Fellows of Harvard College.
CAMBRIDGE, MA.- The Carpenter Center for the Visual Arts at Harvard University is Le Corbusier's only building in North America, and one of the last to be completed during his lifetime. In May 2013, the Carpenter Center for the Visual Arts will celebrate its 50th anniversary as an architectural and artistic landmark.

Programming throughout Fall 2012 and Spring 2013 will showcase the Carpenter Center's vibrant history in diverse and creative ways that highlight the uniqueness of the building and its contributions to the artistic life of the University while celebrating Le Corbusier's inventive synthesis of art and architecture.

The exhibition circa 1963 opens the anniversary year with iconic works from the early to mid-1960s, on view in the Sert Gallery from August 30–October 7, 2012.

Le Corbusier designed the Carpenter Center to be a laboratory for creative and critical thinking. Its open and interconnecting spaces are meant not only to encourage experimentation, but also to create opportunities for interdisciplinary conversations and collaborations. circa 1963 frames the history of the building critically and historically, and sets the cultural and artistic context for the 50th anniversary exhibitions and programming that will follow. Drawing on works in diverse media, circa 1963 thus presents an eclectic picture of what "contemporaneity" meant in the years of the building's beginnings. The exhibition includes artists who taught or were associated with the Carpenter Center in its formative years, many of whom contributed to a vision of "Cambridge Modernism" as a new extension of Bauhaus ideals of experimentation and abstraction, and cross-media explorations of the visual arts. The works featured in this exhibition each present creative and conceptual investigations of color, form, and design so as to open new perceptual relationships between drawing, painting, sculpture, and photography and their social environments.

Organized by David Rodowick, director of the Carpenter Center, the exhibition presents selections from the collection of the Harvard Art Museums/Fogg Museum, the Addison Gallery of American Art, and the Estate of Peter Moore including works by Josef Albers, Albert Alcalay, Eduardo Chillida, Dmitri Hadzi, György Kepes, Sol LeWitt, Roy Lichtenstein, Morris Louis, George Maciunas, Peter Moore, Yoko Ono, Bridget Riley, Ben Shahn, Aaron Siskind and George Sugarman.





Today's News

August 31, 2012

Exhibition dedicated to the moving image in the François Pinault Collection opens in Venice

The J. Paul Getty Museum acquires 29 photographs by prolific artist Cy Twombly

Over 500 valuable loans from Greece on view at Martin-Gropius-Bau in "Olympia: Myth-Cult-Games"

Christie's announces private sale exhibition featuring about 40 paintings from the 1970s

Re-discover Australia's best observer of landscape at the Art Gallery of South Australia

Circa 1963 celebrates 50th anniversary year of Harvard University's Carpenter Center

"Venice Takeaway: Ideas to Change British Architecture" opens at Venice Biennale

Exhibition of new works by British-Brazilian artist Alexandre da Cunha opens at Thomas Dane Gallery

New and daring works by eight international artists on view at Ballroom Marfa

Royal Institute of British Architects announces Rem Koolhaas to receive 2012 Jencks Award

Poland hopes to identify remains of Auschwitz hero found at the edge of Warsaw's Powazki Military Cemetery

Winterthur announces major grant from the National Endowment for the Humanities

Cheap Trick guitarist Rick Nielsen's exhibit opens to sell out crowd in hometown

Countdown to John Moores: Five prize winners shortlisted for the UK's biggest painting prize

Drawings and portraits by architect Álvaro Siza on view in collateral event at Venice Biennale

Merseyside Maritime Museum displays Olympic fakes

Triple bill of Burgundy, Vega Sicilia and Italian wines in Sotheby's London September Wine Sale

Eisenhower Memorial to include high-tech features

Yale Professor and Students Create Major Project for Architecture Biennale

Most Popular Last Seven Days



1.- Newly discovered Van Gogh sketchbook to be published

2.- Portraits of the Duchess of Cambridge from British Vogue centenary issue acquired by National Portrait Gallery

3.- Foam presents spectacular exhibition of work by Helmut Newton

4.- After 30 years "hidden in plain sight," still life painting is identified as a Gauguin; artwork is highlight of sale

5.- Smithsonian releases Learning Lab for everyone to use museum resources

6.- Angst and deep pockets show state of art market in 47th edition of Art Basel

7.- Christo exhibition falls victim to own success

8.- Sotheby's London Impressionist & Modern Art Evening Sale totals $151.9 million

9.- The National Gallery explores great paintings from a unique perspective

10.- Thyssen-Bornemisza Museum explores Caravaggio and the painters of the north



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 

Founder:
Ignacio Villarreal
Editor & Publisher:Jose Villarreal - Consultant: Ignacio Villarreal Jr.
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org theavemariasound.org juncodelavega.org facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful