The First Art Newspaper on the Net   Established in 1996 United States Thursday, August 22, 2019

Winter in art from the Renaissance to Impressionism opens at Kunsthaus Zurich
A visitor stands in front of the painting 'The Ice Birds (1891)' by Belgian painter Emile Claus during the press preview of the exhibition 'Winter Tales - Winter in Art from Renaissance to Impressionism' at the Kunsthaus in Zurich, Switzerland. The exhibition runs from 10 February to 29 April. EPA/STEFFEN SCHMIDT.

ZURICH.- From 10 February to 29 April 2012 the Kunsthaus Zürich is staging a thematic exhibition focusing on depictions of winter from the Renaissance to Impressionism. Entitled ‘Winter Tales,’ it includes some 120 works by artists such Pieter Brueghel the Younger, Jacob van Ruisdael, Francisco de Goya, Kazimir Malevich, Claude Monet, Edvard Munch and many other European painters. For the first time in a Swiss art museum, it brings together the hand-carved, opulently gilded sleighs of Austria’s ruling family and sumptuous Flemish tapestries.

The creation myths of most great civilizations generally agree that winter came into the world as a punishment and a plague. Until the Middle Ages, its arrival imperilled food supplies and health in a predominantly agrarian society that was at the mercy of nature. Since then, social and technological progress have combined to progressively mitigate winter's impact. The Kunsthaus Zürich exhibition also highlights the pleasurable aspects of the season, and its timing has been deliberately chosen to herald the arrival of spring.

Having fallen out of fashion after the Renaissance, the winter landscape was rediscovered by artists in the late 18th century. Initially, the harsh season is romanticized; later, artists turn their attention to the subtle palette of winter colours. The display in the large exhibition gallery of the Kunsthaus Zürich ranges from large-format depictions of Napoleon’s army stranded amid the ice and snow – the very picture of misery and suffering – to frozen ponds and rivers, magnificent still lives and the pleasures of ice skating.

Kunsthaus Director Christoph Becker and guest curator Ronald de Leeuw present a wide-ranging, eclectic and international selection of more than 120 works of art from various genres created in Western Europe between 1450 and the 1920s. They include Dutch painting, a wealth of landscapes and Impressionist works together with Dutch allegories of the months, scenes of winter festivities and folk customs as well as still lives. Portraits and interiors offer an insight into the changing winter fashions and furnishings with which people sought to shield themselves from the cold and damp.

The selection of paintings, arranged by genres and schools, is complemented by a number of superb objects: large-format tapestries and a magnificent sleigh pulled by life-size horses, cups and goblets, delicate porcelain figures and vessels cut from semi-precious stones offer a captivating illustration of the exquisite craftsmanship deployed by supreme practitioners to satisfy their clients.

The many loans successfully negotiated over a three-year period in cooperation with the Kunsthistorisches Museum Vienna are drawn from some of the world’s leading museums, including the Musée d’Orsay and Musée du Louvre (Paris), the Metropolitan Museum of Art (New York), the National Gallery (London), Rijksmuseum (Amsterdam) as well as private collections and the museums’ own holdings.

Paintings by Pieter Brueghel the Younger hang side by side with works by Jacob van Ruisdael, Hendrick Avercamp, Jan van Goyen, Aert van der Neer, Francisco de Goya, Kazimir Malevich, Claude Monet, Alfred Sisley, Camille Pissarro and Edvard Munch.

In addition to these celebrated artists, the exhibition also presents painters whose work is rarely shown outside their country of birth; for some they will be a revelation, for others a chance to renew old acquaintances. Often they feature surprising motifs that are unique in the context of the exhibition. They include the monumental, part-frozen Niagara Falls (‘Chutes du niagara en hiver,’ 1857) by Hippolyte-Victor-Valentin Sebron and the autumn painting in the Japanese style by the Finnish artist Akseli Gallen Kallela entitled ‘L’automne’ (1902). Edouard Alexandre Odier’s painting depicts an episode in Napoleon’s retreat from Moscow, while Pierre-Maximilien Delafontaine portrays an ice skater in triumphant pose. From the serenity of German Romantic Carl Friedrich Lessing’s ‘Monastery Courtyard in the Snow,’ around 1829, visitors are thrust into the turbulent world of Roman carnival in around 1650, as depicted by Johannes Lingelbach.

‘Winter Tales’ begins in the Renaissance and guides visitors through 400 years of social and cultural history, through bad times and good, before finally emerging into the spring awakening of Impressionism.

Today's News

February 13, 2012

Winter in art from the Renaissance to Impressionism opens at Kunsthaus Zurich

Impressionism: Pastels, watercolors and drawings on view at Albertina in Vienna

Turner, Monet, Twombly: Later paintings on view at the Staatsgalerie in Stuttgart

Eija-Liisa Ahtila's exhibition "Parallel Worlds" opens at the Moderna Museet in Stockholm

Major Gerhard Richter retrospective celebrating his 80th birthday opens at Neue Nationalgalerie in Berlin

Exhibition at Lehmann Maupin Gallery highlights three recent series by Juergen Teller

Alon Zakaim launches new gallery featuring Impressionist, Modern and 19th Century masters

Valencian Institute for Modern Art shows a retrospective of Spanish painter Menchu Gal

Bertoia's March 23-24 'Made to Be Played' auction features 1,400-lot cavalcade of toys

Accidental Genius highlights major gift to Milwaukee Art Museum, redefines genre

Museum Folkwang partners with leading electricity and gas company for new exhibition

Peabody Essex Museum presents retrospective of pioneering photographer Jerry Uelsmann

Monumental black and white tapestries from Craigie Horsfield's Circus series at Marvelli Gallery

Turn your smart phone into an art phone: Download the Art + Soul of the South free iPhone app

Dutch writer Arnon Grunberg presents Les vacances de Monsieur Grunberg at Foam in Amsterdam

Michael Brand appointed Director of the Art Gallery of New South Wales

AOA New York 2012 Tribal Art Fair attracts world's leading specialists

Kupferstichkabinett in Basel presents a first survey of Róza El-Hassan's graphic work

David Datuna's portrait of supermodel Natalia Vodianova sells for $790,000

Most Popular Last Seven Days

1.- Conservation reveals Wellington Collection work was painted by Titian's Workshop

2.- New dinosaur discovered after lying misidentified in university's vaults for over 30 years

3.- Unseen Texas Chainsaw Massacre outtakes and stills sold for a combined $26,880

4.- National gallery reveals conserved Italian altarpiece by Giovanni Martini da Udine

5.- London's Tate Modern evacuated after child falls, teen arrested

6.- Bavarian State Minister of the Arts restitutes nine works of art

7.- Boy thrown from London's Tate Modern is French tourist visiting UK

8.- Child thrown from London gallery has broken spine, legs and arm

9.- £10 million Turner masterpiece may leave British shores

10.- Tourists banned from sitting on Rome's Spanish Steps

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
Founder's Site. The most varied versions
of this beautiful prayer.
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful