Sotheby's to offer 13 works from the Forbes Collection depicting the Franco-Prussian War
The First Art Newspaper on the Net    Established in 1996 Friday, August 21, 2026


Sotheby's to offer 13 works from the Forbes Collection depicting the Franco-Prussian War
douard Detaille, Champigny; dcembre 1870. Est. $70/100,000. Photo: Sotheby's.



NEW YORK, NY.- Sotheby’s 27 January 2012 sale of Old Master & 19th Century European Art will feature a group of 13 works from The Forbes Collection that depict the Battle of Champigny, one of the final engagements of the Franco-Prussian War in 1870. The group comprises douard Detaille’s celebrated composition Champigny; dcembre 1870 (est. $70/100,00*); a total of four preparatory works – two each by Detaille and Alphonse de Neuville – for the popular Panorama de Champigny that opened Paris’s Panorama National in November, 1882; and eight fragments cut from the impressive panorama itself. The sale will be on exhibition in Sotheby’s York Avenue galleries beginning 21 January, alongside additional Old Masters Week auctions including Important Old Master Paintings & Sculpture and Old Master Drawings.

The effects of the Franco-Prussian War and its military engagements had a profound impact on the French national psyche, and in the years following the end of German occupation in 1873 many artists turned toward the war as an evocative subject for painting, often focusing on heroic battles in which the French faced overwhelming odds – such as the Battle of Champigny in December of 1870. douard Detaille exhibited the primary version of his work Champigny; dcembre 1870 in the Salon of 1879. Detaille’s first version of this composition is in the collection of The Metropolitan Museum of Art in New York, and Sotheby’s January auction will include another version from The Forbes Collection.

Detaille expanded Champigny; dcembre 1870 in scale for the first exhibition at the new Panorama National in Paris, a building expressly designed to house enormous paintings in the round. To construct this monumental design and to capture its evocative details, the artist worked with Alphonse de Neuville to study the battle and develop the overall composition. Together they decided to capture the exact moment of 11:00am on 2 December 1870; Detaille was to paint the action from Champigny to Villiers, and de Neuville from Bry to Paris.

The two artists made sketches on the sites where fighting first took place, later finishing them in the studio. Four of these sketches from The Forbes Collection will be offered in January, including de Neuville’s Le Four Chaux (est. $18/25,000). The final preparatory works were squared, photographed and projected by use of a special lantern onto the canvas, itself ten times larger than the studies. The projection was traced with charcoal and then completed in oils, with the landscape and sky rendered by five assistants, and the figures done by Detaille and de Neuville. Weighing over three tons, the massive, finished work was nearly 50 feet high and 400 feet long.

Visitors to the Panorama National viewed the work from a raised platform in the center of the building, which was meant to be Signal Hill where the morning’s battle commenced. The artists designed the expansive format of their composition to surround and to visually and psychologically involve the viewer. A diorama by de Neuville of the inside of a house in Champigny was placed between the viewers and the panorama as an additional special effect. An intaglio print from the exhibition pamphlet, sold to viewers of the original Panorama de Champigny that identifies 40 points of interest, will be sold with Detaille’s preparatory sketch, La Bataille de Champigny (est. $20/30,000),

The Panorama de Champigny was a tremendous success and was soon followed by Detaille and de Neuville’s Panorama de Rezonville, featuring another military campaign in the Franco-Prussian War. The public entertainment provided by panoramas proved hugely popular for the remainder of the 1880s, but the fad began to fade during the following decade, as visitor numbers decreased and the expense and logistics of such huge displays became less financially viable. As such, the Panorama de Champigny was cut up into pieces for auction in 1892 and 1896, where they were widely dispersed in private collections. Eight of these fragments entered The Forbes Collection over several decades. The January exhibition and sale of the fragments will be a rare opportunity to experience the powerful effect of the Panorama de Champigny, a testament to Detaille and de Neuville’s popular and historical achievements.

*Estimates do not include buyer’s premium


Today's News

January 19, 2012

A selection of treasures from the Khalili Collection to be shown at the British Museum

Exhibition of recent work by Spanish artist Juan Genovs at Marlborough Gallery

Some of the oldest known corncobs, husks, stalks and tassels discovered in Peru

Sotheby's to offer 13 works from the Forbes Collection depicting the Franco-Prussian War

Largest and most colourful lithographs ever made by David Hockney at Alan Cristea Gallery

Nelson-Atkins Museum of Art and Detroit Institute of Arts collaborate with shared curatorial expertise

Exhibition of photographs by Paul Strand and Henri Cartier-Bresson opens in Paris

Hotel in Australia offers its guests the chance to try and steal a work of art by Banksy

America's leading art galleries to exhibit 30 solo-artist booths and 42 thematic installations

Tate appoints Jos Roca as Estrellita B. Brodsky Adjunct Curator of Latin American Art

Breach: An exhibition at Rod Barton Gallery in London focuses on four young artists

Artpace in San Antonio announces curator Regine Basha as new Executive Director

Valencian Institute of Modern Art opens exhibition of the sculpture of Arturo Berned

A seductive collection of portraits and nudes from the iconic Herb Ritts to be published by The Getty

Canadian museum partnership prepares Haida exhibition for European tour

Ray doubted jury would believe an MLK conspiracy

Impulses II: A solo show by Jordanian artist Hilda Hiary at Ayyam Gallery Beirut

La Salle University Art Museum presents the work of Philadelphia-based artist Jane Irish

Private collection of Morgans to sell at Bonhams flagship February car sale

The Nancy Graves Foundation appoints Christina Hunter as New Director




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



The OnlineCasinosSpelen editors have years of experience with everything related to online gambling providers and reliable online casinos Nederland. If you have any questions about casino bonuses and, please contact the team directly.


sports betting sites not on GamStop

Abogado de Accidentes



Founder:
Ignacio Villarreal
(1941 - 2019)


Editor: Ofelia Zurbia Betancourt

Art Director: Juan José Sepúlveda Ramírez


Royalville Communications, Inc
produces:

ignaciovillarreal facundocabral-elfinal.org
Founder's Site. Hommage
       
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful