NEW YORK, NY.- Yerba Buena Center for the Arts
announced that, after an extensive nationwide search, leading Bay Area performing artist, activist and educator, Marc Bamuthi Joseph, has been selected as YBCAs director of performing arts. Since 1999, Joseph has been the founding program director and artistic director of Youth Speaks, Inc. in San Francisco, the leading nonprofit presenter of spoken-word education and youth development programs in the country. Joseph also developed the Living Word Project, Youth Speaks renowned resident theater program that centers on cutting-edge, verse-based work, and, in 2001, started the organizations Living World Festival, which takes place annually in the Bay Area and features new co-commissioned performance works, live music and outreach activities. In addition, he is the co-founder of Life is Living, a national series of one-day festivals designed to activate under-resourced parks and affirm peaceful urban life through hip-hop arts and focused environmental action. Participating cities have included Oakland, Calif., Chicago, Houston, New York and San Francisco.
A nationally acclaimed educator and essayist, Joseph has lectured at more than 200 colleges and universities and has held adjunct professorships at Stanford University, Lehigh University, Mills College and the University of Wisconsin. He has served as the artistic director of Russell Simmons Presents Brave New Voices, a seven-part documentary for HBO and is a popular speaker on National Public Radio. His numerous accolades include being named one of Smithsonian magazines Americas Top Young Innovators in the Arts, being the inaugural recipient of the United States Artists Rockefeller Fellowship, which annually recognizes 50 of the countrys greatest living artists, and receiving the 2011 Alpert Award in Theater.
Marc has a particularly unique perspective on performing arts that will be very invigorating for us, said Kenneth Foster, YBCAs executive director. YBCA has a huge commitment to diverse points of view, and Marcs outlook will create a vital and vibrant mix of thoughts, opinions and ideas about the artistic trajectory of the organization.
Another one of Marcs strengths is his deep relationship with the community, continued Foster. Hes absolutely committed to the Bay Area and has developed his national and international reputation as a Bay Area artist. He is an extraordinary individual and were thrilled to have him join us.
After appearing on Broadway as a young actor, Joseph developed several poetically based works for the stage that toured across the United States, Europe and Africa. These included Word Becomes Flesh, Scourge, and the break/s, which co-premiered at the Humana Festival of New American Plays and the Walker Art Center in the spring of 2008. Josephs Word Becomes Flesh was re-mounted in December 2010 as part of the National Endowment for the Arts' American Masterpieces series, and will tour throughout North America and Hawaii through 2013. In addition, Joseph wrote the commissioned libretto, Home in 7 for the Atlanta Ballet in 2011, and is directing Dennis Kim's Tree City Legends at Intersection for the Arts in 2012. His work has been described as everything from electrifying (The Houston Chronicle), to ever-elegant (The Washington Post) and compelled The Seattle Times to name him their cutting-edge performer of the year in 2003. In their recent review of Word Becomes Flesh, The New York Times declared his work to be eloquent. . .seamless. . .and remarkable.
In October 2011, Joseph presented his original piece red, black & GREEN: a blues, at YBCA to rave reviews, selling out all performances. The production was highlighted in The San Francisco Chronicles top 10 list of Bay Area theater productions for 2011, with theater critic Robert Hurwitt declaring, A thing of great beauty, with a heart and mind to match, Marc Bamuthi Josephs text, Tommy Shepherds soulful blues and co-performers Traci Tolmaire and Theaster Gates create a work of shared, vital passion and provocative ideas at the rocky interface of environmental activism and inner-city needs.
I couldn't be more excited to expand the risk-taking mandate and community-building mission of Yerba Buena Center for the Arts, said Joseph. I believe deeply in the elegance and aesthetic capacity of the local arts ecology, and I'm dedicated to integrating the local arts agenda within a global presenting sphere. I think by hiring me as the director of performing arts, YBCA is making a bold statement about the relationship between arts practice and arts curation, and I hope to re-mold my performance literacies in the shape of an inclusive, engaging and provocative creative ecosystem. After 12 years of working with the brilliant staff at Youth Speaks Inc., I'm also confident about my advocacy for youth, urban and socially marginalized voices, and I hope to institute an undercurrent of activism in our pedagogical voice here at YBCA.
Joseph, who is currently performing with his production of Word Becomes Flesh at The Public Theater in New York, will start at YBCA in February. He replaces Angela Mattox, who recently joined the Portland Institute for Contemporary Art (PICA) as their artistic director.