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Renaissance Painters of Passion and Power from the Kunsthistorisches Museum at the de Young Museum
Jacopo Robusti, called Tintoretto. Susanna and the Elders. ca. 1555-1556. Oil on canvas. Gemäldegalerie of the Kunsthistorisches Museum, Vienna.


SAN FRANCISCO, CA.- The de Young Museum in San Francisco is showing a global exclusive exhibition, Masters of Venice: Renaissance Painters of Passion and Power From the Kunsthistorisches Museum, Vienna, which opened on October 29, 2011 and runs through February 12, 2012. The exhibition features 50 magnificent paintings by artists such as Titian, Giorgione, Veronese, Mantegna, and Tintoretto, representing the height of Venetian Renassaince painting. Loaned by the Gemäldegalerie (Picture Gallery) of the Kunsthistorisches Museum in Vienna, these works are among the museum’s most celebrated holdings from art collections built over centuries by the emperors and archdukes of the royal house of Habsburg.

“When the Fine Arts Museums learned that the collection of Venetian paintings would be deinstalled temporarily to make way for a special exhibition, we moved rapidly to seize this once-in-a-lifetime opportunity to introduce such exquisite and canonical artwork to American audiences. Many of these paintings have been unseen on these shores until now,” explains John E. Buchanan, Jr., director of museums for the Fine Arts Museums of San Francisco.

Masters of Venice is the first exhibition of Italian art at FAMSF since the presentation of Treasures from the Basilica of Saint Francis of Assisi in 1999–2000. The Museums’ history of showcasing masterworks from the Italian Renaissance dates back to 1938, when the Legion of Honor presented Venetian Paintings from the 15th Century Through the 18th Century, America’s first major exhibition of Venetian Renaissance paintings.

One of the singular movements in the evolution of Western Art, the Venetian Renaissance forged an artistic vocabulary that took full advantage of the poetic potential of rich atmospheric effects, lustrous color and the sensuous beauty observed in nature. Venetian painters of the cinquecento transcended the spatial, textural and respresentational realism of their predecessors to create works unsurpassed in their emotional and sensual depictions, velvety surfaces and glorious treatment of light.

Artists in this exhibition such as Giorgione, Titian, Veronese and Tintoretto were legends in their own time and their paintings were highly prized by discerning collectors across Europe. Works by painters such as Palma Vecchio, Bordone and Bassano demonstrate the full range of Venetian accomplishment in the Renaissance era.

Among the highlights of the exhibition are:
• Saint Sebastian (ca.1457–1459) by Andrea Mantegna, represents early Renaissance painting and is the first of three paintings on this subject by the artist. In this work Mantegna incorporates details of ancient sculpture and architecture which organizes the pictorial space through linear perspective.

• Four rare works by the enigmatic painter Giorgio da Castelfranco, known as Giorgione. The Three Philosophers (ca. 1477–1510), one of the most celebrated works of the 16th century, uses an innovative integration of the figures within the spatial continuum of nature which marks a dramatic advance in the evolution of Western representation imagery. Also featured in the exhibition is his beautiful Portrait of a Young Woman (Laura) (1506) and pensive Youth with an Arrow (ca. 1508–1510).

• More than a dozen works by Tiziano Vecellio, know as Titian, once Giorgione’s assistant, whose talent soon rivaled his master’s. His work is synonymous with the Venetian style — lustrous pigments, sharply graduated light and shadows delineating robust forms such as his sumptuous Danaë (1560s) and the mysterious and moody Bravo (The Assassin) (ca.1515–1520).

• The tapestry-like, shimmering and sensuously colored works by Paolo Caliari, known as Veronese including the grand scaled Annointing of David (ca. 1555), and the dishonored heroine Lucretia (1528–1588), whose creamy skin and sumptuous fabrics divert the viewer’s eye from her suicide blade.





Today's News

November 10, 2011

Clyfford Still masterpieces soar in Sotheby's contemporary art evening sale in New York

J. Paul Getty Museum acquires seventy-two photographs by Andreas Feininger

Christie's New York, Post War and Contemporary art evening sale realizes $247,597,000

A centennial celebration of Roberto Matta's work opens at The Pace Gallery

Paul Noble: 15 year drawing series presented in London for first time in 7 years

Modern masterpieces from Brazil and Mexico lead the Autumn Latin American sale at Christie's New York

Renaissance Painters of Passion and Power from the Kunsthistorisches Museum at the de Young Museum

Taylor Wessing Photographic Portrait Prize 2011 winners announced in London

Sundaram Tagore New York presents "Written Images: Contemporary Calligraphy from the Middle East"

McNay Art Museum announces "Andy Warhol: Fame and Misfortune" to open in February 2012

New report shows Chinese contemporary art market confidence higher than US & Europe

Bonhams breaks world records for Inro and Netsuke sold at auction in Japanese sale

Yale University Press announces publishing of new book on American folk art

Art Dealers Association of America announces 2012 Art Show

Journey through memories and fantasies at Vizcaya with Jungle Sweat, Roseate by Naomi Fisher

Exhibition deals with socialization and the current state of people and behavior

Solo shows by Allan Sekula and Dan Perjovschi at Galerie Michel Rein in Paris

W.R. Leigh's Home, Sweet Home (1932) sets record with $1.195 million price at Heritage Auctions

Royal Academy of Arts presents new environmental sculpture installation by John Maine RA

Studio Museum invites one hundred artists to create new works of art inspired by Romare Bearden

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