The First Art Newspaper on the Net   Established in 1996 United States Monday, August 19, 2019


Drawn to Art: French artists and arts lovers in 18th century Rome at the National Gallery of Canada
Hubert Robert, Garden of an Italian Villa, 1764. National Gallery of Canada, Ottawa (39760). Photo © NGC.


OTTAWA, ON.- Since the Renaissance, Rome has attracted generations of painters and sculptors. Eighteenth–century Rome was a main crossroads for the European community and a major source of cultural influences. It was a favoured destination, not only for French artists, but for art lovers and connoisseurs. Until 2 January 2012, the National Gallery of Canada, in collaboration with France 's Musée des beaux-arts de Caen , presents Drawn to Art: French Artists and Art Lovers in 18th Century Rome . This exhibition will allow visitors to discover the Eternal City 's influence on the work of French artists during a period in which artists, patrons, politicians and other members of the elite lived at close quarters, united in their love of art.

"Rome has always been a special place for artists from all over the world, and the artists of 18th century France were no exception," said NGC director Marc Mayer. "The cultural hub of Europe, the Eternal City gave early impetus to the careers of a number of celebrated French artists such as Hubert Robert, Jean-Honoré Fragonard, and Jacques-Louis David, who brought back from their sojourns indelible images whose power still operates today. We’re pleased to announce that this exhibition will also be seen at the Musée des beaux-arts de Caen , a major partner in the enterprise and whose collection includes some fine examples of this period."

Drawn to Art brings together some 134 works – drawings, prints and paintings – divided into five themes: Academic Training, Art Lovers, Patrons and Artists, The Landscape of Rome and its Surroundings, Rediscovering Antiquity, and Celebrations and Festivities. Many of these exceptional works, which come from leading North American and European institutions, have never been shown in North America . The exhibition includes 25 works from the NGC collection as well, including twenty or so outstanding works by Hubert Robert, Jean-Honoré Fragonard and Joseph Vernet.

Special care for fragile objects
The exhibition also includes many rare albums, which are shown in vitrines due to their fragility. Thanks to HP Canada's TouchSmart technology, visitors can "flip through" electronic versions of five of these albums on a multi-touch screen, including an album of drawings by Joseph-Marie Vien, a collection of engravings by Jean Barbault (Les plus beaux monuments de Rome ancienne,1761), and Recueil d’antiquités égyptiennes, étrusques, grecques et romaines (1752-1767), a collection of prints grouped together by Anne-Claude-Philippe de Tubières, Comte de Caylus. The NGC wishes to thank HP Canada for its generous contribution, which has made this interactive experience possible.

A rich period
With the founding of the Académie de France à Rome in 1666, Rome became a mandatory destination for any serious young artist. The tradition continued in the 18th century, with several students of the Académie royale de peinture et de sculpture receiving the Grand Prix de Rome and attaining the status of pensionnaire of the Académie romaine, where they stayed for approximately four years. Instruction was primary based on copying the old masters and antiquities, but also on drawing in situ, both nudes and surrounding landscapes.

This period produced many drawings of various techniques, prints and fascinating paintings. "The variety of techniques used by the artists shows how they were trained to master their art during their stay in Rome ," Sonia Couturier, exhibition curator and NGC associate curator, writes in her article in the fall issue of the NGC's magazine, Vernissage.

The Roman countryside: A constant source of inspiration
The Roman countryside was a constant source of inspiration to painters and draughtsmen looking for picturesque scenery. This attraction was expressed in different ways by these artists. While the idyllic, pastoral vision of Jean-Honoré Fragonard or Hubert Robert is evident, others looked more objectively at the area's geography and inhabitants. At the same time, the work of some, such as Adrien Manglard, Claude-Joseph Vernet and Pierre-Henri de Valenciennes, was influenced by atmospheric studies and gave new impetus to landscape art.

Patrons and artists
Many exhibition works point to the presence of French art tourists in Rome . For this reason, Drawn to Art explores certain aspects of the social and cultural network through which artists, patrons and knowledgeable art lovers mixed. There was a constant influx of foreigners, including many French art lovers, wishing to round off their education. The Marquis of Vandières (future Marquis of Marigny and director general of the Bâtiments du Roi), the Abbé de Saint-Non, Claude-Henri Watelet and Bergeret de Grandcourt stand out among this community of visiting art lovers which gave life to the most promising talents of the day.

Rediscovering antiquity
In this setting, rediscovering antiquity was one of the main preoccupations of these travelling dilettanti, drawn by the latest developments in archaeology.

Thus, Rome became a breeding ground for the neo-classicism which flourished during the final decades of the 18th century across Europe . While many artists were drawn at times to the faithful reproduction of established classical motifs, there was nevertheless a desire to transcend these same models. This approach towards classical art lead to the creation of a new imaginative vision evident among many, including Clérisseau, Robert and Saly.

Celebrations and festivities
The French artists in 18th century Rome enjoyed a certain visibility in this particulary cosmopolitan environment. Of note are the extraordinary festivities held by the pensionnaires of the Académie, Turkish or Chinese masquerades, depicted in the drawings and paintings of Jean Barbault or the respective engravings of Joseph Marie Vien and Jean-Baptiste Marie Pierre. In a completely different vein, the eager involvement of the French artists in preparing and depicting the Chinea, celebrated annually since the reign of Pope Clement IV (in 1265) to mark the subordination of the kingdom of Naples to the papacy, should also be mentioned. Prints by Jacques-Louis Le Lorrain or Pierre Parrocel show set pieces from this sumptuous feast illuminated by fireworks.

Exhibition curator
NGC associate curator, European Art, Sonia Couturier has been involved in the care and development of the Gallery's drawing and print collections since 2001. She received her PhD from Concordia University in Montreal and has studied the participation of French art lovers in 18th century intellectual circles. She is responsible for the acquisition of many drawings and prints (pre-1800, from all schools), particularly from the 17th and 18th century French School . In addition to writing articles on the collection's drawings for the National Gallery of Canada Review and contributing to the Drawing Attention catalogue (Art Gallery of Ontario, 2008), she wrote the catalogue for the exhibition French Drawings from Canadian Collections (2004). She is curator of the exhibition Drawn to Art: French Artists and Art Lovers in 18th Century Rome (NGC, Ottawa , 2011; MBA Caen, France, 2012), for which she edited the catalogue.





Today's News

October 21, 2011

Short on shocks, Turner art prize leaves London for BALTIC Centre for Contemporary Art

Mathematics: A Beautiful Elsewhere at Fondation Cartier pour l'art contemporain

Imprinting the Divine: Byzantine and Russian icons from Houston's Menil Collection

Illuminated Islamic manuscripts and handwritten Qur'ans to be shown at The Morgan

Indianapolis Museum of Art's Maxwell Anderson appointed as Dallas Museum of Art Director

Massachusetts Institute of Technology's List Visual Arts Center presents Otto Piene: Lichtballett

Doyle New York to auction rare books, autographs and a selection of Americana

Drawn to Art: French artists and arts lovers in 18th century Rome at the National Gallery of Canada

Cinematographic project "1395 Days without Red" at the Museu d’Art Contemporani de Barcelona

Photographer Barry Feinstein, who captured rock's golden age and iconic album covers, dies at 80

UK premiere of work by Polish artist Magdalena Abakanowicz at Yorkshire Sculpture Park

Bonhams offers 113yr old car, the last of its kind, among a superb selection of veteran cars

Northwestern's Block Museum announces Lisa Graziose Corrin as new Director

Exhibition at Royal Ontario Museum showcases some of the biggest names in its collection

Ming emperor's carpet and imperial artefacts provide serious Chinese collecting interest at Bonhams

Images of Sophiatown, the town that would not die, by South Africa's leading black artist, Sekoto

Pavilion of Art & Design London: Dealers sell to new collectors

Augusta's Morris Museum of Art notes death of artist Janos Enyedi

Out of Nowhere is a visual feast at the Royal Cornwall Museum

Kevorkian's estate, Mass. museum feud over artwork

Most Popular Last Seven Days



1.- Conservation reveals Wellington Collection work was painted by Titian's Workshop

2.- New dinosaur discovered after lying misidentified in university's vaults for over 30 years

3.- Unseen Texas Chainsaw Massacre outtakes and stills sold for a combined $26,880

4.- National gallery reveals conserved Italian altarpiece by Giovanni Martini da Udine

5.- London's Tate Modern evacuated after child falls, teen arrested

6.- Bavarian State Minister of the Arts restitutes nine works of art

7.- Boy thrown from London's Tate Modern is French tourist visiting UK

8.- Child thrown from London gallery has broken spine, legs and arm

9.- £10 million Turner masterpiece may leave British shores

10.- Tourists banned from sitting on Rome's Spanish Steps



Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful