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Saturday, May 16, 2026 |
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The Brooklyn Museum presents North American debut of Iris van Herpen: Sculpting the Senses |
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Installation view.
BROOKLYN, NY.- The groundbreaking exhibition Iris van Herpen: Sculpting the Senses pays tribute to one of todays most revolutionary fashion designers working at the intersection of art and science. A pioneer in her use of cutting-edge technologies, Iris van Herpen defies the limits of conventional fashion while embracing both traditional couture craftsmanship and innovative materials and techniques. Furthering the Brooklyn Museums legacy of landmark fashion exhibitions and its commitment to championing trailblazing women in art and design, Sculpting the Senses marks Van Herpens first major New York exhibition. Debuting in 2023 at the Musée des Arts Décoratifs in Paris, the exhibition has since traveled to Queensland Art Gallery | Gallery of Modern Art (QAGOMA), Singapores ArtScience Museum, and Kunsthal Rotterdam. It will make its North American debut at the Brooklyn Museum on May 16, 2026, timed with the Museums annual Brooklyn Artists Ball, where Van Herpen will be hon ... More |
The Best Photos of the Day
| Kentucky hosts its first major exhibition of women Abstract Expressionists |
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Mussolini's extravagant gold-embellished hat topped Milestone's Premier Military & Edged Weapons Auction |
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Sarah Moon brings three decades of poetic photography to new solo exhibition |

Grace Hartigan, Cedar Bar, 1951. Oil on canvas, 39 x 31 ¾ in. Courtesy of Grace Hartigan Estate and the American Federation of Arts (from the Levett Collection and FAMM). Photo: Fraser Marr.
LOUISVILLE, KY.- What does it mean to experience a painting not just with your eyes but with your whole self? Abstract Expressionists: The Women (May 16August 30, 2026) invites Museum guests into a powerful encounter with art that stirs emotion, ignites curiosity, and shifts perception. For the first tine in Kentucky, visitors can see a major exhibition devoted to Abstract Expressionism. This presentation brings together nearly 50 significant paintings by more than 30 women artists between 1936 and 1977, including artists such as Elaine de Kooning, Helen Frankenthaler, Grace Hartigan, Lee Krasner, and Joan Mitchell, as well as Bernice Bing, Howardena Pindell, and Alma Thonas, among many others. Together, these works demonstrate how women artists reshaped Abstract Expressionism through innovation, risk-taking, and profound engagement with the human experience, offering a more expansive and inclusive account of the movements history. These artists werent simply mak ... More |
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WWI Imperial German 2nd Garde Uhlan Regiment generals tschapka. Sold above high estimate, for $4,428
WILLOUGHBY, OHIO.- Milestones April 18 Premier Military & Edged Weapons Auction paid tribute to US armed forces and their engagements over the centuries, from the American Revolution through modern times. The 723-lot selection included US uniforms, helmets and headgear; medals, flags, insignia and photos, as well as hundreds of British, German, Japanese and other World War II relics and articles of memorabilia. A multitude of edged weapons kept specialty collectors busy as they bid on fine swords, knives, katanas and daggers. At days end, Milestones co-founder and principal auctioneer brought the hammer down on the final lot and closed the books at a buoyant $810,000, inclusive of buyers premium. The top lot of the day was intimately connected to one of the most infamous characters of World War II: fascist dictator Benito Mussolini. During the war, Il Duce (The Leader), as he was known, assumed the honorary title of Marshal of the Empire following Italys imperial ... More |
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Sarah Moon, Yue pour Dior, 2019. Color pigment transfer print. Paper size: 72 x 56 cm. Signed and titled in pencil by the artist verso. Edition 3/15.
LONDON.- Michael Hoppen is presenting its fifth solo exhibition of work by the inimitable Sarah Moon, marking over thirty years of collaboration. The exhibition brings together a selection of new colour and black-and-white photographs from 2003 to the present. A key figure in the history of female photography, Sarah Moon first established her career as a model in the 1960s before moving behind the camera in the early 1970s. She developed her distinctive visual language that challenged the conventions of fashion photography, introducing a poetic and narrative sensibility that has influenced generations of image-makers. Her work is instantly recognisable: poetic, elusive, and deeply narrative. Moon is, above all, a storyteller. Her photographs unfold like fragments of memory, suspended between dream and disappearance. Whether working in fashion, the natural world, or architecture her images resist the literal and invite interpretation. This can be clearly seen in recent work created in dialogue w ... More |
| Rosa Barba brings a vibrant kinetic installation to Portugal for first major exhibition |
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Paul Thiebaud Gallery presents a multi-generational dialogue on Black art and memory |
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Olney Gleason presents Objects at Hand, a new solo exhibition by Daniel Gordon |

Rosa Barba. Photo © Saskia Uppenkamp.
LISBON.- For her first large-scale exhibition in Portugal, Rosa Barba presents a new site-specific, choreographed installation, drawing on and expanding a range of conceptual threads she has explored over the years. With Drawing Vocabularies, Rosa Barba is the third artist to be offered a carte blanche to intervene in the Nave space and to select works from the CAM Collection. This speculative engagement with histories, storage spaces and memory underlines the artists longstanding interest in archival possibilities and places where fact and fiction meet to foster new stories and hidden conversations. The exhibition also explores how archives can construct nonlinear experiences of time. Through site-specific installation, performance, film, and sound, Barba reshapes and reimagines these structures, effectively redrawing their vocabularies. The title Drawing Vocabularies suggests unstable and open-ended processes. It evokes sustained explorations of liminal spaces an ... More |
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John Moore, Red Charm, 1998. Mixed media on canvas, 10 5/8 x 7 7/8 inches © 2026 Estate of John Moore.
SAN FRANCISCO, CA.- Paul Thiebaud Gallery announced the opening of Along the Way, continued
Artworks by John Moore and MYL3Z on Saturday, May 16th, from 3-5pm, with remarks at 3:30pm. On view will be paintings and mixed media constructions by John Moore and sculptural assemblages and acrylic prints on woven leather by MYL3Z. Inspired by the everyday moments of their lives, the artworks of John Moore and MYL3Z draw upon memory, urban storytelling, and the rhythms of African American culture and community as the source for their creation. The exhibition will be on view through July 2, 2026. Selected from the final four decades of his career, Along the Way, continued
stands as a memorial exhibition for the late John Moore (1938-2025) who made work for over 60 years. Rarely seen except by friends and family who visited his home, Moores works ... More |
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Portrait of Daniel Gordon. Photo: Charlie Rubin. Courtesy of the artist and Olney Gleason, New York.
NEW YORK, NY.- Olney Gleason is presenting Objects at Hand, an exhibition of new photographs by Daniel Gordon (b. 1980, Boston). On view from May 7 through June 6, 2026, the exhibition coincides with the release of the artist's fifth monograph, published by Radius Books, with an essay by Kevin Moore and a conversation between Gordon and artist Lucas Blalock. From June 5, 2026 through January 10, 2027, Gordon will be included in the exhibition Guggenheim Pop: 1960 to Now at the Solomon R. Guggenheim Museum, New York, a focused exhibition exploring the museums holdings of Pop art and the movements enduring influence on artists working around the world today. Gordon's working method is by now well established: images captured by the artist or sourced from the internet are printed, cut, and assembled into three-dimensional paper constructions that approximate the form of the original object. The seams remain ... More |
| Isabella Kirkland uses 17th-century Dutch painting techniques to document the Anthropocene |
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Ayyam Gallery presents The Eye: An Aperture Into the Soul by Safwan Dahoul |
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Clyfford Still Museum to launch multisensory 'Still in Sound' exhibition |

Isabella Kirkland, Crassola sericea, 2026, oil and alkyd on panel, 8 x 8 inches.
SAN FRANCISCO, CA.- Isabella Kirkland uses the techniques developed by 17th century Dutch still life artists to make paintings that explore the environmental train wreck that is the Anthropocene. Extinct, endangered, recovering or invasive, her meticulous renderings of species are an effort to document and preserve organisms in a moment of rapid climatic and ecological change. Paintings whose subject matter ranges from succulents in their habitats to trays of preserved butterflies, chrysalis, and collections of seashells, allude to scientific study, the human propensity to collect, the desire to preserve, and the unwitting menace we pose to nature in spite of our best intent. Three monumental paintings celebrate the historical connection between science and art as well the artist's personal experience of teaching herself to paint. Isabella Kirkland was born in Connecticut and studied at the San Francisco Art Institute in the late 1970s. Her work is in major museum ... More |
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Safwan Dahoul, Dream 246, 2025, Mixed media on wood, 17 x 13 x 5 cm.
DUBAI.- Ayyam Gallery presents The Eye: An Aperture Into the Soul, a solo exhibition featuring Safwan Dahouls most recent body of work, continuing his Dream series and including experimental works shown in the UAE for the first time following their presentation at Dahoul's first institutional show in China. For much of the past three decades, Safwan Dahouls work has consistently taken shape within the same austere interior: a sparse, almost anonymous, monochromatic room, most often empty of any narrational or descriptive detail. Within this pared-down room, different phases and events of life consistently emerge at its center, coalescing into the focal point of a silent interior that is otherwise emptied of any distraction, only for this movement to disperse and return, thus rendering the room itself a quiet axis around which life, in all of its stagesits challenges and its celebrations alikecontinuously circles and returns. Yet, within the very movement that it permits ... More |
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Co-curators Bailey Placzek and Ben Coleman in the Clyfford Still Museum galleries.
DENVER, CO.- The Clyfford Still Museum will open the new multisensory exhibition Still in Sound on May 16. Co-curated by Bailey Placzek, the Museums curator of collections, and Ben Coleman, a British multidisciplinary artist, Still in Sound explores how visitors may experience abstract visual language through sound in the Museums six largest galleries. Additionally, the Museum will open a special-feature exhibition, Celebrating 15 Years: 15 New Paintings in 15 Months, in the first gallery, and a chronological display of Stills works in the first three galleries. The Still in Sound curators engaged contemporary artists who work with sound in their practice, including Maria Chávez, Maya Dunietz, Kalyn Heffernan, Matana Roberts, and Michael Schumacher. After brief Museum residencies, each artist selected an abstract Clyfford Still artwork and composed an original, sonic interpretation in response. Their selections and resulting compositions set the tone for each gallery, then Placzek ... More |
| Julian V.L. Gaines confronts the tensions of Black experience in new New York show |
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August Muth brings the extraordinary physics of holography to Los Angeles |
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Exhibition explores the scars and resilience of contemporary Vietnam |

Julian V.L. Gaines, Birth of a Nation, 2025. Taxidermy donkey, baby carriage, American flag, hand-picked rocks, railroad spikes, acrylic paint, 30 x 19 x 38 13/16 inches (76.2 x 48.3 x 98.6 cm).
NEW YORK, NY.- Cristin Tierney Gallery is presenting Fly in the Sugar Bowl, a solo exhibition of new and recent works by Julian V.L. Gaines. This is the artist's first solo show with the gallery. Spanning painting, sculpture, and assemblage, Gainess work examines the tensions between Black experience and the structures of systemic inequality in the United States. Fly in the Sugar Bowl takes its title from multiple sources, including Thomas J. Laxs essay in Among Others: Blackness at MoMA (2019), Greg Tates Flyboy in the Buttermilk (1992), and a line from the traditional American folk song and singing game Skip to My Lou. It serves as a central metaphor for the exclusion and exploitation of Black accomplishment within a white-dominant society. To be a "fly in the sugar bowlat most literal, a dark speck against a sea of whiteis to exist as an insider and an outsider at once: influential ... More |
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August Muth, Ether, 2026. Holographic light etchings on glass. 15-3/4 x 13-1/4 inches.
LOS ANGELES, CA.- parrasch heijnen presents August Muth: Material Light, the gallerys first solo exhibition with Santa Fe, NM-based artist August Muth (b. 1955, Albuquerque, NM). August Muth has spent his life cultivating the delicate techniques and nuances within the medium of holography. He has strived to capture light in a tangible form, creating works observed as fields of energy, and directing the eye and the body to reimagine the pictorial field. The artists fluid constellations of geometric forms shift, overlap, and disperse in relation to viewer perspective. Using uniquely created light sensitive emulsions on glass, Muth is able to shape radiant color fields that draw the viewer in and expand the sense of space and time. Evolving his vision from the perspective of geometric abstraction artists such as Frederick Hammersley and John McLaughlin, Muth creates groundbreaking dichromatic holograms which archive patterns of photons and electromagnetic ... More |
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Bui Thanh Tam, The Value of Freedom II, 2026. Hang Trong, Kim Hoang, Dong Ho folk paintings, acrylic on canvas, 71 x 49 inches (180 x 125 cm).
NEW YORK, NY.- Eli Klein Gallery presents "Bùi Thanh Tâm: Here on and after, the Hanoi-based artist's first solo exhibition in the U.S. and with the gallery, featuring 13 new and recent paintings. The title reflects the artists exploration of the after of Vietnams colonial historythe afterlife of war, the persistence of memory, and the continual reshaping of cultural identity. Tâm is widely regarded as one of the most important Vietnamese painters of the postwar generation. This exhibition marks a significant evolution in his visual lexicon, extending the depth and complexity of the language he has developed over decades of practice. Through layering, collaging, recoloring, and reshaping, the artist treats Đông Hồ, Hàng Trống, and Kim Hoàng, traditional Vietnamese folk woodblock prints commonly used during Lunar New Year celebrations, as living forms of inheritance. Tâm transplants these woodblock motifs into different visual soils ... More |
Quote There are more valid facts and details in works of art than there are in history books. Chaplin |
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British artist Hannah Perry debuts first Belgian solo exhibition at TICK TACK
ANTWERP.- TICK TACK presents Hard Love, a solo exhibition by British artist Hannah Perry (Chester, 1984). Working across sculpture, sound, moving image and installation, Perry develops immersive environments in which industrial materials, bodily forms and emotional states intersect. Her practice synthesises personal histories and dreamlike fragments into installations that explore the architectures of construction, labour and intimacy. Starting from a deeply subjective perspective, Perry interrogates themes such as gender, social background and the relationship between body and mind. The work opens onto a visual and sonic landscape that fluctuates between joy and melancholy, where shared emotional experience resonates through material form. For Hard Love, Perry has developed a new site-specific installation that unfolds across the three floors of TICK TACKs ... More
New exhibition reimagines the Lyman Allyn Art Museum's collection
NEW LONDON, CONN.- The Lyman Allyn presents A Tin Can on a String: Conversations from the Collection, a collaborative exhibition by artists and lifelong friends Kat Murphy and Heidi Johnson. On view from May 16 through Aug. 9, the exhibition reimagines the Museums collection through a contemporary lens, inviting visitors into an intimate exchange between past and present. Working both onsite and within the Museums digital archives, Murphy and Johnson engage in a dynamic creative dialogue with historical objects. Drawing inspiration from forms, textures, and narratives found in the collection, the artists translate their discoveries into new works spanning painting, collage, and sculpture. The result is a vibrant body of work that reflects an ongoing conversation, one that bridges time, material, and artistic perspective. A Tin Can on a String captures ... More
Maria Stabio celebrates Philippine culture and landscape in new New York show
NEW YORK, NY.- Kristen Lorello presents Maria Stabios second solo exhibition at the gallery featuring paintings on canvas that celebrate the culture and landscape of the Philippines through the artists unique, diasporic lens. The exhibition unfolds in the two main rooms of the gallery. The viewing room features a related group presentation entitled Local Color, with six works by six artistsincluding Stabiowho meet regularly to study color. Stabios paintings are accretions of cropped figurative, landscape, and atmospheric elements, animated by vivacious colors and multidirectional patterning. Her works express the joy of exploring ones own cultural identity through travel, research, and relationships at home and abroad. Born in San Francisco, educated in Boston and New York, and now living and working in northeastern Pennsylvania, Stabio makes frequent ... More
ROM abuzz with the fascinating lives of bees this summer
TORONTO.- Royal Ontario Museum is buzzing this summer with a new immersive exhibition that reveals the world of bees like never before. The product of 120 million years of evolution and with 20,000 known species, bees are vital to our planets ecosystems and essential to human existence. A fusion of art, science and technology, the exhibition invites visitors to step into the heart of a larger-than-life hive-like structure and get up close and personal with this small but mighty insect from May 16 to October 18, 2026. BEES: A Story of Survival offers an engaging multimedia experience and new ways to marvel at one of natures most incredible creatures the bee. Debuting in North America at ROM, BEES: A Story of Survival was developed by National Museums Liverpool, in partnership with award-winning U.K. artist and sculptor Wolfgang Buttress, and is presented ... More
New Britain Museum of American Art opens 'John Hitchcock: We are Defined by the Beat'
NEW BRITAIN, CT.- The New Britain Museum of American Art presents John Hitchcock: We are Defined by the Beat, from May 16 through November 29, 2026, the artists first mid-career retrospective. For over three decades, John Hitchcock (b. 1967) has transformed the sonic and cultural rhythms of his homeland into a distinct visual language. An enrolled member of the Kiowa Tribe of Oklahoma with Comanche and Northern European ancestry, Hitchcock merges personal expression with references to intertribal powwows, the Wichita Mountain landscape of his youth, and the symbols and languages of Great Plains Native populations. Working across printmaking, neon, textiles, sound, video, and installation, Hitchcock merges traditional and contemporary art forms to pay homage to his ancestors, confront histories of Indigenous displacement and trauma, and celebrate ... More
Plug In ICA announces new Executive Director/Curator
Plug In Institute of Contemporary Art announced the appointment of our new Executive Director/Curator, Nadja Pelkey. After a careful and considered search that attracted national and international candidates, Pelkey was selected by the search committee for her collaborative, critical, relationship-centered, and research-driven approach to curatorial, strategic, and community-based work. Nadja Pelkey is an Artist and Curator based in Waawiyatanong (Windsor, ON across the river from Detroit, MI). She holds an MFA from the University of Guelph, and brings over 15 years of experience in the arts including academic and leadership positions. Recently, Pelkey worked in curatorial, programming, and community-engaged roles at Art Windsor-Essex, collaborating across departments to lead digital strategy, cross‑sector collaborations, public art initiatives, research, ... More
New New York exhibition traces Joseph Kosuth's conceptual dialogue with Sigmund Freud
NEW YORK, NY.- Castelli Gallery is presenting Joseph Kosuth: I shall offer it to you as a ready made product, opening at 24 West 40th Street in New York. The title of the exhibition comes from the neon work 'C.S. #31', 1987, in which Kosuth appropriated a sentence from Anxiety and Instinctual Life, a lecture by Sigmund Freud published in 1933. In this work, Kosuth cancels Freud's sentence with a line, leading to what the artist called "a negated presence and positive absence."1 Kosuth's appropriation of Freud's sentence is part of a larger dialogue with Freud that the artist described "as a kind of conceptual 'architecture'- a readymade order that, while anchored to the world, provides a theoretical object, a dynamic system."2 In 1981, Kosuth began a decade long investigation into the life and writing of Freud. 'Fetishism (Corrected)', 1987, consists of a reproduction ... More
Tuan Andrew Nguyen resurrects a destroyed Bamiyan Buddha for the High Line
NEW YORK, NY.- For the fifth High Line Plinth commission, Tuan Andrew Nguyen presents The Light That Shines Through the Universe, a monument to cultural loss and enduring spirit. Carved in Vietnam, the sculpture is installed on the High Line in New York City over the intersection of 10th Avenue and 30th Streets, on view through fall 2027. The towering sculpture reinvisages, in 27 feet of sandstone, one of the two Bamiyan Buddhas, the monumental statues hewn more than a millennium ago in a cliff in Afghanistan, and destroyed by the Taliban in an act of iconoclasm 25 years ago. Now a UNESCO World Heritage Site, all that is left are two empty niches carved out of the mountain where the statues once stood. Prior to their destruction, the Bamiyan Buddhas held deep significance across different cultures and religions, even as Afghanistan shifted to become an entirely ... More
Rago/Wright achieves record-breaking $7.8 million in dual auction offering
NEW YORK, NY.- Rago/Wright announced landmark results from its May 14, 2026 dual auction offering, which achieved a combined total of $7,822,453the highest in the firms history. The sale was headlined by a world auction record for Brazilian Surrealist sculptor Maria Martins, whose 1946 bronze Impossible sold for $3,170,000 shattering the artists previous auction benchmark of $329,000 and announcing her rightful place among the great sculptors of the twentieth century. The result, achieved against a pre-sale estimate of $150,000200,000, represents one of the most dramatic auction revaluations in recent memory for a modernist master, and stands as a defining moment in the critical and market reassessment of Surrealisms overlooked voices. Believed to be the earliest of three known casts, Impossible was created during Martinss pivotal ... More
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Atelier Van Lieshout | Nikè
Flashback
On a day like today, American artist Jasper Johns was born
May 15, 1930. Jasper Johns (May 15, 1930) was the American painter, sculptor, draftsman, and printmaker who changed the direction of postwar art by turning familiar signs into profound visual questions. Emerging in New York in the 1950s, Johns made flags, targets, numbers, maps, and letters newly strange through encaustic surfaces, layered newspaper, and a cool intelligence that challenged the emotional gesture of Abstract Expressionism. His work became a bridge toward Neo-Dada, Pop art, Conceptual art, and later forms of appropriation, while his printmaking opened another major chapter in American graphic art. With works such as Flag, Target with Four Faces, and Three Flags, Johns helped redefine what an image could mean when it was both a thing and a symbol. Jasper Johns, Two Flags, 1985 Ink on plastic 26 3/4 x 22 inches Whitney Museum of American Art, New York Gift of The American Contemporary Art Foundation, Inc., Leonard A. Lauder, President.
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