Ofer Josef, Bandida Fait Sa Toilette, Ink on paper, 8.3 x 11.7 in. (21.0 × 29.7 cm), 2023.
NEW YORK, NY.-Didier Aaron Gallery is pleased to present Teatro Grottesco - Drawings by Ofer Josef, the celebrated artist's first ever solo exhibition in New York, and the United States. Josef's body of work is a mesmerizing mixture: macabre and chaotic blooms of dark ink are punctuated by madcap tangles of evocative line-work, often illuminated by a single spotlight, to present staged tableaus that nakedly expose the full spectrum of the bawdy human spectacle. The forsaken worlds of Goya, Hugo, Redon, Dix, and Baudelaire reverberate throughout. Born in Tel Aviv in 1965, Josef moved to France at sixteen, where he shortly thereafter became one of the youngest students admitted to the École de Beaux-Art. After periods spent living and working in Berlin and Lisbon, Josef settled in Brazil, where he has resided since 1993. ... More
WASHINGTON, DC.- In 1976, the year of the U.S. bicentennial, the National Portrait Gallery expanded its collecting mandate to include photography. Without photographs, it was difficult—if not impossible—to feature likenesses of many of the individuals who shaped the nation’s history but never posed for a painted or sculpted portrait. Timed with the U.S. semiquincentennial, the Portrait Gallery celebrates the 50th anniversary of its photographs collection, which now accounts for nearly half of the museum’s total holdings. To mark this milestone, the museum presents “Photographic Memory: Fifty Years of Collecting,” an exhibition that features more than 120 photographic portraits and explores the evolution of the artistic medium and its use in reflecting U.S. history and culture throughout the decades. On view are photographic portraits from the Daguerreian era to today’s digital age, including never-before-exhibited works and historic treasures from the museum’s wi ... More
PARIS.- Peter Freeman, Inc. is presenting Ellsworth Kelly: Paris–Amsterdam, 1950–1954, the artist’s second solo show with the gallery and the first at our Paris location. This exhibition is curated by Éric de Chassey, who writes: “When Peter Freeman told me he wanted to organize an Ellsworth Kelly exhibition in his Paris gallery, I thought that the best would be to show works that had been made in Paris and decided to present paintings from 1950–1951, some of which had been shown in 1951 in Kelly's first solo exhibition at Galerie Arnaud in Paris, and only shown one more time since then, on the occasion of Kelly's 1992 groundbreaking exhibition at the Jeu de Paume in Paris and the National Gallery of Art in Washington, DC (Ellsworth Kelly: The Years in France, 1948–1954). Although based on anti-compositional strategies such as transfer and chance, they visually recall works from the pioneers of abstract painting, such as Mondrian or Taeuber-Arp. When Kelly returne ... More
Ellsworth Kelly, Pink Rectangle 1950. Oil on canvas, 21 3/4 x 18 1/8 inches (55.2 x 46 cm) EK26 7149
PARIS.- Peter Freeman, Inc. is presenting Ellsworth Kelly: Paris–Amsterdam, 1950–1954, the artist’s second solo show with the gallery and the first at the Paris location. This exhibition is curated by Éric de Chassey, who writes: “When Peter Freeman told me he wanted to organize an Ellsworth Kelly exhibition in his Paris gallery, I thought that the best would be to show works that had been made in Paris and decided to present paintings from 1950–1951, some of which had been shown in 1951 in Kelly's first solo exhibition at Galerie Arnaud in Paris, and only shown one more time since then, on the occasion of Kelly's 1992 groundbreaking exhibition at the Jeu de Paume in Paris and the National Gallery of Art in Washington, DC (Ellsworth Kelly: The Years in France, 1948–1954). Although based on anti-compositional strategies such as transfer and chance, they visually recall works from the pioneers of abstract painting, ... More
NEW YORK, NY.- This November, in collaboration with the Mike Kelley Foundation for the Arts, Hauser & Wirth presents 'Mike Kelley: Jerry Meandering,' an exhibition focused on the artist's works on paper, some of which are being shown publicly for the first time. Bringing together prints, mixed-media drawings and collages created during Kelley's undergraduate years at the University of Michigan, Ann Arbor (1972 – 1976), the exhibition—which takes its name from a suggestive print of Gerald Ford and his wife made in 1976—offers a rare look at his earliest experimentations with form, material and the unstable meanings our culture assigns to images. The presentation also features a selection of Kelley's Untitled (Collages 1974 – 2011) works, a series he revisited and altered near the end of his life, reflecting his enduring interest in memory, repression ... More
Portrait of Sophie Calle, Paris, 2026. Photo: Claire Dorn. Courtesy of the artist and Perrotin.
BERLIN.- Sophie Calle is presenting her first solo exhibition in Berlin for over 20 years at Hamburger Bahnhof – Nationalgalerie der Gegenwart. In her art, Calle explores the effects of memory, loss and history. Six groups of works spanning three decades, comprising photography, text, installation and video, showcase the French conceptual artist's diverse use of media. The exhibition also traces Calle's long-standing connection to Berlin: from 'Detachment' – a work on the dismantling of GDR monuments, created in 1996, the year the museum was founded – to a new work on the history of the Berlin Palace in Mitte, which Calle created to mark the 30th anniversary of Hamburger Bahnhof. Visitors to the exhibition 'Sophie Calle. Is It Better?' at Hamburger Bahnhof read Berliners' memories of distant monuments from the former German Democratic Republic (GDR), look for traces of experience in the faces of people seeing the sea for the first time, or encounter the ghosts from Sophie Calle's ... More
Thomas Schütte, One Man House III, 2005, Wood, mixed media, 283 x 123 x 188 cm, Photo: Wilfried Petzi.
DUSSELDORF.- From November 14, 2026, the Kunstsammlung Nordrhein-Westfalen will host a comprehensive solo exhibition dedicated to the internationally renowned, Düsseldorf-based artist Thomas Schütte (b. 1954). Organized in close collaboration with the artist, the exhibition pays tribute to an oeuvre that has been a defining position in international contemporary art for five decades. Following the highly acclaimed exhibitions at the Museum of Modern Art (MoMA) in New York and the Punta della Dogana (Pinault Collection) in Venice, the Kunstsammlung Nordrhein-Westfalen is making a further significant contribution to the exploration of Schütte's multifaceted work. Alongside his well-known sculptures such as Vater Staat (Father State) and Mutter Erde (Mother Earth), the exhibition will present Schütte's architectural models, offering, for the first time, a comprehensive overview of this central group of works. Spanning the entire K21 building, the exhibition will offer a new engagement with K21's space ... More
Jitish Kallat, Conjectures on a Paper Sky, 2023–25. Mixed media on linen, suite of 10 paintings, 396 x 198 cm. Photo: Akik Rahaman.
MUMBAI.- What happens when humanity’s earthly histories are viewed against the vastness of the cosmos? Jitish Kallat: Conjectures on a Paper Sky brings this question into focus through an ambitious exhibition exploring the intersections of science, political power, technological ambition and human precarity. Presented by the Dr Bhau Daji Lad Museum (BDLM) and the Kiran Nadar Museum of Art (KNMA), the major solo exhibition is curated by scholar and curator Dr Alexandra Munroe, with curatorial advisor Tasneem Zakaria Mehta of BDLM. Opening in Mumbai on November 13, 2026, the exhibition is supported by the Saat Saath Arts Foundation and Nature Morte. First presented at the Centre for Contemporary Art, Bikaner House, New Delhi, in February 2026, Conjectures on a Paper Sky arrives in Mumbai in an extended and reconfigured form. Conceived by Kallat and Munroe as an evolving exhibition, ... More
Josef Hoffmann (Austrian, 1870–1956), Tobacco case acquired by Otto Primavesi, 1912, Execution: Wiener Werkstätte, gold; amber, coral, garnet, lapis lazuli, mother-of-pearl, opal, quartz, rhodochrosite, tourmaline, and turquoise. Private Collection. Photo: Hulya Kolabas.
NEW YORK, NY.- Neue Galerie New York debuts “25th Anniversary Exhibition: Masterworks from the Neue Galerie,” a celebratory installation of Austrian and German fine and decorative arts drawn primarily from the permanent collection. The opening offers visitors access to the galleries for the first time following a successful restoration project on the museum's historic building. On view through January 11, 2027, the “25th Anniversary Exhibition” underscores the museum’s unique mission: to bring a sense of perspective back to Germanic culture of the early twentieth century, and to make the best of this work available to American and other audiences for both scholarly and aesthetic inquiry. Key works from the collection, including Gustav Klimt's Portrait of Adele Bloch-Bauer I (1907), as well as selected recent acquisitions, ... More
BERLIN.- The more we are immersed in our own time, the more we are subject to its prejudices and influence. Forms flow, swell, sink or transform into one another, but not everyone has the eye to notice. This thought serves as the starting point for an extensive reflection on the reception of art, and the role of the artist, since the advent of modernism. Early modernism's crisis of language, where inherited words failed to capture the new experiences of modern life, inevitably spilled over into how art was received and interpreted. It is this field of tension that Thomas Scheibitz's Figuren unter Einfluss ("Figures Under Influence") navigates, an exhibition that, in the broadest terms, conceives of us as figures under the influence of our environments and their effects. Historically, the contest over who holds the authority to interpret words and images is particularly visible in 19th-century discourse. While Victor Hugo emphatically proclaimed art to be "for progress's sake," Charles Baudelair ... More
Push and Pull. Reinvention von Allan Kaprow, mumok 2026. Photo: kunst-dokumentation.com / Manuel Carreon Lopez.
VIENNA.- The exhibition Push and Pull takes its title from a 1963 work by the American artist Allan Kaprow and invites the public to approach the museum as a place where things can not only be viewed, but also activated and transformed. By encouraging visitors to touch the works and physically engage with them, Push and Pull extends this year's program focus on forms of attention. Other facets, such as acts of looking or listening, are at the heart of the exhibition Terminal Piece and, from December onwards, Verena Paravel's exhibition Exuviae. For Allan Kaprow, who is considered the founder of happenings as an art form, the event character of everyday life was of central importance. His work Push and Pull: A Furniture Comedy for Hans Hofmann is the center of gravity for an exhibition that deliberately brings together works distinguished by the way they hover in a kind of limbo: Artwork or everyday object? To look at or to use? A disruption or an invitation The exhibition ... More
STAVANGER.- Stavanger Art Museum announced the opening of Cory Arcangel: Family Office, the artist’s first solo exhibition in Norway, which brings together works from the past ten years of his career. With an education in music and roots in the hacker milieus of the early Internet age, Cory Arcangel (b. 1978, Buffalo, New York) creates works that span performance, music, and video, as well as painting, drawing, and printmaking. He applies strategies from the historical avant-garde in his treatment of digital material and, in accordance with Internet’s amalgamation of cultural expressions, mixes elements from so-called high culture with popular culture phenomena. Artistic collaboration is an integral part of his practice, on a par with self-publication, open access, and genre transgression. In 2015, Cory Arcangel moved from New York City to Stavanger in Norway. Since then, he has incorporated local aspects in his work, both when it comes to the production of artworks and regarding his cho ... More
Greer Lankton portrait. Courtesy of The Greer Lankton Collection at Mattress Factory.
PITTSBURGH, PA.- Mattress Factory presents Greer Lankton: Could It Be Love. Curated by Francis Schichtel and Jordan Weitzman, the exhibition features rarely seen photographs created by Lankton (1958–1996), newly printed for the first time from the artist's original slides, prints, and negatives. The show offers a new perspective on the pioneering trans artist whose visceral dolls were central to her explorations of a fraught relationship with the human body. Her photographs are presented alongside ephemera from the Greer Lankton Collection at Mattress Factory, and the exhibition is accompanied by a new essay from the scholar and poet S. Brook Corfman. Greer Lankton: Could It Be Love celebrates Lankton's work as a completely original image-maker whose lens captured a world of oddballs, queer icons, and doll-like doppelgängers. Her works are located within a history of transfeminism, avant-garde performance and pop-art, while equally situated within a neo-punk canon and the Trash Trilogy of John Wat ... More
Quote Landscape painting is the obvious reasource of misanthropy. Hazlitt
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Cao Shu traces hidden connections across history and technology in new exhibition at Tank Shanghai SHANGHAI.- Across many mythological traditions, the River Lethe is imagined as a river of oblivion, whose waters erase all memory. Even the word lethargy derives from the same root. Lethe can also be understood as the hidden current beneath linear time: a subterranean river into which all things dissolve back into indistinction, before they are permitted to return as singular beings. Lightning on the Upper Reaches of the Lethe seeks to seize those fleeting instants when the chaos of history is briefly illuminated—when seemingly unrelated things suddenly become connected, and obscure constellations of relation momentarily conduct once more. Cao Shu's works trace a series of unsettling synchronisms across modern history: nineteenth-century colonial surveys attempting to prove that two differently named rivers shared a single origin; the ghostly overlap ... More
International artists install public artworks across Tokyo's historic harbor parks TOKYO.- The TOKYO ATLAS International Art Exhibition aims to create a platform where art fosters new ways of seeing, thinking, and interacting, grounded in Tokyo as a city shaped by intersecting international cultural currents. The waterfront area that serves as the venue quite literally represents a global city open to the sea, making it a setting that aligns closely with the exhibition’s intent. A defining feature of this exhibition is its decision to place diverse art projects outside of dedicated art venues such as museums. Instead, they are deliberately situated within urban spaces where civic life unfolds, allowing the works to exist alongside the city’s everyday rhythms and sights. The ATLAS in the title refers both to Atlas, the mythological figure who upholds the world, and to an atlas as a book of maps. As visitors move through the city and come across works installed ... More
Paul Thiebaud Gallery presents recent still-life paintings by Ray Kleinlein SAN FRANCISCO, CA.- Paul Thiebaud Gallery is presenting Ray Kleinlein: Recent Paintings. On view are eleven oil paintings of Kleinlein’s recent body of work where he explores the visual possibilities of everyday objects, arranging and stacking them into compositions that balance color, geometry, wit, and orchestrated tension. The exhibition will be on view through January 9, 2027. At first glance, it is color that beckons the viewer to these vibrantly paintings. Vivid hues, contrasting tones, and the tactile forms of book covers create an immediate visual attraction. Yet, upon closer examination, the paintings reveal a more deliberate and intriguing sensibility. Each book has been positioned, tilted, stacked, or balanced, transforming otherwise ordinary objects into carefully choreographed arrangements. In talking about his approach to painting, Kleinlein ... More
Hayal Pozanti conjures new worlds in first Vermont solo exhibition BRATTLEBORO, VT.- Six years after moving to Vermont, Turkish-born artist Hayal Pozanti is bringing the extraordinary world of color and form inspired by her adopted home to the Brattleboro Museum & Art Center (BMAC). "Hayal Pozanti: The World Sang Through Me," Pozanti’s first solo exhibition in the state, opens Saturday, November 14, 2026, and remains on view through February 14, 2027. Curated by BMAC Director of Exhibitions Sarah Freeman, the exhibition brings together paintings, studies, and sculptural seating in the museum’s expansive Wolf Kahn & Emily Mason Gallery. Several works have never been exhibited before, including a new painting measuring 10 feet across. Pozanti’s paintings are filled with rich, luminous colors and fluid, overlapping forms that seem to pulse and move across the canvas. Some suggest unfurling flower petals, leaves, ... More
Design duo Muller Van Severen reimagines pianos as functional sculptures ROME.- Tim Van Laere Gallery presents Pianos, its second solo exhibition by Muller Van Severen. The exhibition features seven unique, high-gloss lacquered volumes that occupy a space between furniture, sculpture, and musical instrument. Their silhouettes evoke the piano, yet none can be played. Stripped of their original function, they take on new lives as cabinets, tables, benches, and wall-mounted objects. “We have long been fascinated by the piano as an object: its deep, glossy lacquer, its curves and sharp transitions, its almost architectural presence in a space. Even in silence, a piano possesses a particular monumentality. And yet, something strange happens when no one can play it: it becomes a beautiful sculpture designed around a function that remains inaccessible to many.” — Muller Van Severen In Pianos, this tension becomes the point ... More
Exhibition at Institut Suédois explores contemporary photography across Sweden and France PARIS.- What does it mean to turn our attention towards the world today? Bringing together photographers from different generations and contexts in Sweden and France, the exhibition approaches attention as a movement, in which our own position may change. This movement begins in intimate spaces and personal histories. Iris Millot turns our attention to her great-aunt Hélène, a former activist in the Women’s Liberation Movement. The traces she left are shown alongside an anonymous archival image from one of her notebooks. Hélène is never fully visible; instead, her life takes shape through the objects, rooms and everyday details, forming a portrait through her absence. Ela Polkowska brings her attention to the body which is approached indirectly through objects that take on the qualities of skin: vulnerable, tactile and marked by contact. ... More
Galerie Peter Kilchmann presents Paul Mpagi Sepuya's third solo exhibition ZURICH.- Galerie Peter Kilchmann presents Sessions and Intervals, the third solo exhibition of Paul Mpagi Sepuya at the gallery. Following the artist’s highly successful museum exhibitions at the Fotomuseum Winterthur (28 February to 14 June 2026) and the Sprengel Museum Hannover (1 July to 4 October 2026), the gallery shows new works that offer a concentrated insight into two decades of his practice. With Sessions and Intervals, Sepuya looks back on the many sessions and cycles of intervals, on the processes, repetitions, and gradual experiments and changes that have shaped the interconnected bodies of work of Dark Room from 2016 to 2025. The museum exhibitions offered a moment of reflection and, at the same time, marked the point at which to begin a new chapter and leave his previous studio behind. At the center of the exhibition ... More
GfZK Leipzig presents first German survey of artist Sara Sejin Chang LEIPZIG.- The GfZK presents the first survey exhibition in Germany devoted to Korean-Dutch artist Sara Sejin Chang (Sara van der Heide). In a poetic body of works, she explores aspects of Eurocentric thinking and lays bare the colonial structures that continue to shape the world today. Through film, installation, and painting, she develops tongue-in-cheek, enchanting forms of healing that extend beyond the individual to address society as a whole. She draws on knowledge such as shamanism, as seen in her film installation Dismemberment, which also lends its title to the exhibition. The term describes a symbolic, spiritual process in which an existing identity is taken apart and reassembled. This process opens up not only new perspectives, but also the possibility of profound transformation. The exhibition brings together works from the past 15 years, in which ... More
RM Sotheby's returns to Munich with exceptional offering of fine cars LONDON.- An exceptional selection of collector cars, led by a highly desirable 1963 Mercedes-Benz 300 SL Roadster, will be offered at RM Sotheby’s Munich Auction on 20 November 2026. At the heart of Germany’s collector car market, RM Sotheby’s Munich Auction returns to Motorworld for its fifth year, further establishing its position on the European auction calendar. Renowned for exceptional individual automobiles and significant single-owner collections, this year’s sale brings together some of the finest examples of German engineering alongside coveted marques from around the world. Leading the sale is a 1963 Mercedes-Benz 300 SL Roadster. Representing the final and most developed iteration of the legendary model, this late-production example boasts a particularly desirable specification, including four-wheel disc brakes and the lightweight ... More
Why Claude Monet's 'Champ d’avoine et coquelicots' Matters
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On a day like today, American painter and educator Georgia O'Keeffe was born
November 15, 1887. Georgia Totto O'Keeffe (November 15, 1887 - March 6, 1986) was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements. Called the "Mother of American modernism", O'Keeffe gained international recognition for her paintings of natural forms, particularly flowers, hills and desert-inspired landscapes, which were often drawn from and related to places and environments in which she lived. In this image: Still life formed an important theme within O’Keeffe’s work, most notably in her representations and abstractions of flowers.
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