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Exhibition of Works with Lens-Based Mediaphotography, Video and Film by Berni Searle
Berni Searle, Snow White, 2001 : Double vidéo projection. Production Forum for African Arts, pour l’exposition Authentic, Ex-centric, 49ème Biennale de Venise (2001) © L’artiste.
METZ.- Berni Searle works with lens-based media—photography, video, and film —to stage narratives connected to history, memory, and place. While her work is intertwined with South African history that has emerged from a “life apart” (apartheid), her poetic and abstract imagery transcends the specific to address ideas about belonging and displacement in various contexts. The exhibition is on view from May 20th until September 18th, 2011 at Frac Lorraine, Metz, France.

She questions tirelessly the self and the other, examining the elements of her own identity shaped by successive cross-fertilizations: a “composite identity” based on “creolization”―a notion dear to Edouard Glissant’s heart. Begun in the early 1990s, Searle’s work (installations, videos, and photographs) is poetically political. Nourished by personal mythologies, it questions memories and memory (About to forget, 2005), underscoring the dynamics of human relations, the dissolution of family ties, and the arbitrary character of racial, religious, and gender categories.

Searle often works with her own body, upon which experiences and memories are inscribed and expressed (Snow White, 2001; Mute, 2008). Violence and suffering are rarely shown outright. Rather, they burst forth from the sumptuous image whose lyrical and esthetic qualities are imbued with dramatic intensity (Vapour, 2004; Moonlight, 2010).

Without ever slipping into pathos, Berni Searle creates a polysemic, disturbing, intimately personal, and profoundly universal work――an ode to humanity in which everyone is what she or he has built.

Berni Searle was born in 1964 in Cape Town, South Africa, where she continues to live and work. She graduated from the Cape Town University in 1995. Since 1999, her work has been featured in numerous solo and collective exhibitions in South Africa, the U.S., and Europe, including the Museum of Modern Art and the Venice Biennales of 2001 and 2005.






Today's News

June 5, 2011

Golden Lion Award in Venice for Best National Participation for the German Pavilion

Julian Schnabel: Permanently Becoming and the Architecture of Seeing at the Museo Correr

First Major Exhibition of the Work of Canadian Artist Evan Penny Opens at Kunsthalle Tübingen

LACMA Presents Groundbreaking International Exhibition of Islamic Art, Gifts of the Sultan

Film Celebrates the Remarkable Nine Decade Career of Legendary Cinematographer Jack Cardiff

Mike and Doug Starn's Big Bambú on View in the Courtyard of Casa Artom on the Grand Canal

ArtSway's New Forest Pavilion at the 54th International Art Exhibition - la Biennale di Venezia

Canadian Artist Kathleen Munn Receives Homecoming Exhibition at Art Gallery of Ontario

Declaration of Independence Stone Facsimile on View at the National Gallery of Art

Exceptional Complete Prints Portfolio, Unité, by Le Corbusier Offered for Sale on artnet

Edward Cella Art + Architecture Shows a Solo Exhibition by Contemporary Artist Brad Miller

Palladio and His Legacy: A Transatlantic Journey at Notre Dame's Snite Museum of Art

New Exhibition Features Miniature Propliners from the Collection of Anthony J. Lawler

Exhibition of Works with Lens-Based Mediaphotography, Video and Film by Berni Searle

Daniel Buren to Create Permanent Artwork at Tottenham Court Road Tube Station

Ornamentum Gallery: Contemporary Jewelry Exhibition at Design Miami/ Basel 2011

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Ancient World Dictionary Finished - After 90 Years

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