CLEVELAND, OH.- Manet & Morisot is the first ever major exhibition dedicated to the artistic exchange between Édouard Manet, often referred to as the father of modern painting, and Berthe Morisot, the only woman among the founding members of the Impressionist movement. Through comparisons of related works made between the late 1860s and the late 1880s, this exhibition traces the evolution of a singular friendship between two groundbreaking artists. Described as “a marvelous exhibition” by The Washington Post and “a mind-meld, merging the spirits and sensibilities of Édouard Manet and Berthe Morisot” by The New York Times, this exhibition comes to the Cleveland Museum of Art (CMA) following record-breaking attendance at the Legion of Honor in San Francisco. Manet and Morisot met around 1868 and were close colleagues—and at times competitors—for 15 years until Manet’s death. More than just friends, they became family members when Morisot married Manet’s younger br ... More
TÜBINGEN.- Alex Katz’s long pursuit of capturing the energy of the present moment is now on full display. Dancing with Reality, a major exhibition at the Kunsthalle Tübingen, has officially opened, offering a rare and expansive look at the artist’s late work. Running through September 13, 2026, the exhibition brings together 40 large-scale paintings that feel as immediate as they are timeless. Developed in close collaboration with Katz himself, the show spans works from the 1990s to today, including several pieces being presented in Europe for the very first time. For a painter often linked to Pop Art, Dancing with Reality reframes Katz’s legacy. “He is a transcendental realist,” says curator and Kunsthalle director Dr. Nicole Fritz, highlighting his decades-long commitment to translating perception into painting. At nearly 99 years old, Katz remains deeply ... More
Anne Truitt. Pioneer of Minimal Art, Exhibition view, Kunstsammlung Nordrhein-Westfalen, 2026, Photo: Achim Kukulies
DUSSELDORF.- The Kunstsammlung Nordrhein-Westfalen presents the first European retrospective of the US artist and writer Anne Truitt (1921 – 2004). Bringing together around 120 works spanning more than four decades, the exhibition delivers long-overdue European recognition to Truitt, who for decades has been acknowledged in the
United States as a leading figure of what would come to be known as Minimal Art. Featuring Truitt’s landmark sculptures of the early 1960s, her luminous works on paper, the radical white-on-white Arundel paintings, and the deep black Piths— among the final works she produced—the exhibition traces the full breadth of her practice. Seen through Truitt’s work, Minimal Art is recalibrated—no longer purely rigorous or detached, but revealed as poetic, intimate, and profoundly sensuous. At its core is her deeply embodied use of paint, through ... More
Installation view.
DESSAU-ROßLAU.- The Bauhaus Dessau Foundation officially opened the two main exhibitions of its anniversary programme “To the Core. Bauhaus Dessau 100” today, Saturday 28 March at 11 am. The opening is followed this weekend by an extensive programme of events for the public – featuring exhibitions, curator-led tours, short talks on the historic Bauhaus stage and a “Metallic Dance Club” in the evening. Admission to the Bauhaus Building and the former Zeeck department store is free this weekend. The focus is on the two exhibitions “Glass | Concrete | Metal” (until 10 January 2027) in the historic workshop wing of the Bauhaus Building and “Algae | Debris | CO2” (until 27 September 2026) in the former Zeeck department store, not far from the Bauhaus Museum. In addition, there are three further presentations at historic Bauhaus sites in Dessau, which extend the anniversary programme into the urban space. One hundred years after the Bauhaus moved ... More
Installation view at Copenhagen Contemporary 2026. Photo: Photo: Jacopo La Forgia.
COPENHAGEN.- Copenhagen Contemporary invites audiences into Kengo Kuma/KKAA’s sensorial architectural universe. For the first time, internationally acclaimed Japanese architect and studio Kengo Kuma & Associates present an exhibition at an art center in Denmark as Copenhagen Contemporary opens a new chapter in its exhibition series “CCreate” on March 28 with a site-specific installation by Kengo Kuma/KKAA. The exhibition Earth / Tree transforms Hall 4 into a poetic architectural landscape where visitors are invited to experience architecture through body and senses. The exhibition is rooted in Kengo Kuma’s philosophy of “gentle architecture” – an architecture that emerges in dialogue with nature, place, and people. Kengo Kuma/KKAA is world-renowned for their sensitive approach to materials. Drawing on the fundamental elements of earth and wood, the installation explores architecture’s most ... More
Mimi Chen Ting (1946-2022), Tangles and Ties 7, 2006.Acrylic on canvas, 54 x 48 inches; 137.2 x 121.9 centimeters.
LOS ANGELES, CA.- Louis Stern Fine Arts is presenting Mimi Chen Ting: Ties Unbound. This exhibition traces the stylistic evolution of Chinese American artist Mimi Chen Ting (1946-2022) from semi-autobiographical figuration to fluently expressive abstract painting. The artist’s reflections on her experiences as an immigrant, woman, and creative spirit remained a recurring theme as her approach shifted from the early 1990s to late 2000s. Ting visualized the conflicting obligations and enmeshments of identity, duty, and longing in the form of sinuous, intertwined cords. They evoke blood vessels or bindings, weaving throughout her paintings with equal capacity to strengthen, connect, or confine. Ting felt a profound connection with her Chinese grandmother, whose bound feet shrunk her world as much as Ting’s audacious spirit broadened her own. In her ... More
Installation view.
ROME.- Palazzo Bonaparte in Rome hosts an exhibition of exceptional importance: the largest exhibition ever held in Italy dedicated to Katsushika Hokusai (1760–1849), the most famous Japanese artist and one of the most powerful and influential figures in global visual culture. Hokusai is the leading figure of the artistic season of the Edo period (1603–1868), an extraordinary era in which the culture of the “Floating World,” Ukiyo-e, flourished – destined to profoundly transform the Japanese imagination and, later, the Western one. A prolific painter and printmaker, visionary and tireless, Hokusai is known worldwide above all for his celebrated Ukiyo-e prints, in which nature, the movement of water, landscapes, human figures, and everyday life in Japan are transformed into images of striking poetic power and modernity. Visitors will journey through timeless masterpieces and extraordinary visual inventions: from the Fifty-three Stations of the Tōkaidō to the ... More
Installation view 'Computer Art', collection Stedelijk Museum Amsterdam.
AMSTERDAM.- New stories about abstraction, spirituality, and women in art. The Stedelijk has redesigned its presentation of art from 1950 to 1980 to feature works unseen for decades paired with new acquisitions making their debut. In Everyday, Someday and Other Stories the museum empowers and shares underrepresented stories by combining familiar and lesser-known works from the collection. The presentation opens with a room dedicated to feminist art that delves into themes such as freedom, power, and the female body. In Untitled (Facial Hair Transplants), 1972, a young Ana Mendieta challenges notions of gender by gluing a fellow student’s beard onto her own face. In the same room, the monumental work Vêtement Noir (Black Garment), 1968, by Magdalena Abakanowicz has returned following her major solo show at Tate Modern. Flanking these pieces are works by Lee Bontecou, Nan Hoover, VALIE EXPORT, and Martha Rosler. In a rehang of the American Abstract Expressionism presentation, Helen Frankenthale ... More
Hannah Levy, “Untitled”, 2025, Stainless steel, glass, 78.7 × 93.9 × 40.6 cm. 31 × 37 × 16 inches, Courtesy of the artist and MASSIMODECARLO, Photography Adam Reich.
ORANI.- Museo Nivola presents Blue Blooded – Sangue blu, the first solo exhibition in Italy by Hannah Levy. Curated by Giuliana Altea, Antonella Camarda, and Luca Cheri, the exhibition brings together a group of new sculptures inspired by the horseshoe crab, or limulus: an uncanny-looking marine arthropod that has survived for hundreds of millions of years and whose blue blood is now widely used to ensure the safety of vaccines and medical devices. Levy’s sculptures combine polished metal with translucent silicone and glass, generating sinuous forms that - echoing a Surrealist-inflected imagery - recall animals, insects, and organic morphologies while subtly alluding to the elegance of Art Nouveau and Modernist design. Positioning herself within a lineage that includes artists such as Meret Oppenheim, Louise Bourgeois, and Robert Gober, Levy merges industrial aesthetics and natural imagery to evoke presences that are both seductive and unsettling. ... More
PARIS.- Gagosian announced Ellen Gallagher: Fast-Fish and Loose-Fish, on view through May 23 at the rue de Ponthieu gallery. The exhibition features a cycle of three large-scale paintings titled Fast-Fish and Loose-Fish that Gallagher produced between 2023 and 2026. Among these is a work featured in Gallagher’s exhibition All of No Man’s Land Is Ours at the Stedelijk Museum, Amsterdam (2023–24). Built upon canvas-mounted sheets of ruled, gridded paper that are stained in a vibrant pink hue, then layered with brilliantly colored, thickly impastoed pigment and incised palladium leaf, each of the Fast-Fish and Loose-Fish paintings employs a material abundance from which Gallagher’s playful meditations emerge. She takes a sculptural approach to her process, often working paintings from multiple positions. Exploding their compositional grids into groupings of vibrant lines and biomorphic shapes, she melds Post-Minimalist abstraction with imagined ocean-floor ... More
Wardell Milan, Amerika 30, 2026. Graphite, pastel, oil pastel, color pencil, gold metal leaf, china marker on hand dyed paper, 24 x 20 inches (61 x 50.8 cm).
NEW YORK, NY.- Sikkema Malloy Jenkins is presenting More Action! More Excitement! More Everything! AMERIKA!, a solo exhibition of new work by Wardell Milan. On view from March 27 through May 2, 2026, More Action!... marks Milan’s second solo presentation at the gallery. Building upon a conceptual foundation in photography, Wardell Milan’s multimedia practice explores the inherent dualisms of desire and violence, fantasy and history, and marginalization and freedom. Recombining photographic elements with paint, graphite, and oil pastel, Milan’s subjects position the human form as a site of vulnerability and transformation. More Action!... presents an ongoing body of work that addresses the dynamic and increasingly disorienting landscape of contemporary American society. Oscillating between personal examination and universal experience, Milan captures the present moment as a constant negotiation of emotional and societal extremes. ... More
COLOGNE.- Zander Galerie is presenting American Arbor, an exhibition of large-scale photographs by Mitch Epstein spanning the last two decades. Bringing together images of trees from American Power, Hoh Rain Forest, and his most recent series Old Growth, the show traces Epstein’s sustained exploration of the relationship between landscape and culture in the United States. In these series, Epstein photographs trees near energy production sites and in New Orleans in the aftermath of Hurricane Katrina, in the moss-covered Olympic National Park in Washington and in ancient forests across the country. These towering works illuminate how trees are indicators of environmental vulnerability yet also powerful symbols of endurance. Across three seminal series, Epstein establishes a dialogue between the environment, human society and time. To do this, he traces a line from America’s industrial systems to its most ancient, enduring natural wonders. In American Power, ... More
Franco Vaccari, Esposizione in tempo reale n. 21, Bar Code—Code Bar, 1993. Courtesy of the artist’s archive.
BOLZANO.- Museion presents Feedback. The Environments of Franco Vaccari, a major exhibition dedicated to one of the most distinctive figures in postwar and conceptual Italian art. Bringing together photographic works, videos, artist’s books, and archival material, the exhibition is the first comprehensive institutional exploration of Vaccari’s environments as the core of his artistic practice. Designed to celebrate what would have been the artist’s 90th birthday, the exhibition also marks the first major presentation of his work since his death in December 2025. Although widely associated with photography, Franco Vaccari developed a radically expanded artistic practice that foregrounds the artwork as a social construct, formed through participation, context, and collective behavior, rather than as a fixed or autonomous object. Trained as a physicist, and only turning to art in the late 1960s, Vaccari introduced the concept of “Esposizione in tempo reale” (Real-time exhib ... More
Quote Making art is the closest I get to God. Rhonda Zwillinger
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UB Art Galleries celebrates Robert Creeley's centenary through collaborative art BUFFALO, NY.- UB Art Galleries announced the exhibition Robert Creeley: Active Complement. Drawn from the UB Poetry Collection and UB Art Galleries Collection in celebration of Creeley’s centenary year, this exhibition explores Robert Creeley’s various approaches to collaborative artmaking, and its central focus in his creative and poetic practice. The earliest artist books are known as “livre d’artiste” pairings of artistic and poetic output using existing works by both artists and writers. But Robert Creeley engaged in a distinct collaborative process with each artist he worked with. Creeley’s poems sometimes responded to visual art, sometimes prompted the creation of new art, and sometimes were created in simultaneous dialogue with an artist. His approach was elastic, modified to fit the needs and interests of each collaboration. This elasticity is especially notable ... More
Art Gallery of Western Australia unveils Cranky Pants - A space for designing new identities PERTH.- The Art Gallery of Western Australia opened Cranky Pants, a bold new interactive exhibition, created in collaboration with UK artist Bruce Asbestos. This vibrant pop art playground invites visitors of all ages to embrace the full spectrum of human emotion, especially the cranky, chaotic and delightfully disobedient parts we’re usually encouraged to hide. Stepping into AGWA’s Gallery 09, families and individuals of all ages are invited to design hyper-couture costumes and accessories. Visitors then reveal their new identities on a pop-up catwalk flanked by four larger than life wooden sculptures combining a riot of colour, character and monster energy that dare audiences to play. Cranky Pants celebrates creativity and design through frustration, silliness and contradiction. The exhibition gives people permission to be expressive, imperfect and a little bit ridiculous. The result ... More
The visual language of hypocrisy: Julia Wachtel confronts the "widening gulf" at von ammon WASHINGTON, DC.- von ammon announced the opening of and, a solo exhibition by New York based artist Julia Wachtel. This is Wachtel’s third exhibition with the gallery. In the press release for Wachtel’s previous solo show with the gallery was a brief aside about hypocrisy; it makes sense that Wachtel, whose distinct style serves to dissect and analyze media and culture images, would use her third show with the gallery to focus intensely—and thus expand—on this theme, by way of an aggressively concise installation of just two panoramic paintings. Among the multiple modern definitions of hypocrisy is dissembling: Wachtel’s paintings are, literally speaking, usually made of several separate but conjoined canvases—metaphorically speaking, they are always, somehow, about disguising or concealing one’s own true motives or feelings under a thin membrane ... More
Florentina Holzinger unveils 'CRASH PIPE' in the streets of Hannover HANNOVER.- With CRASH PIPE (2026), the Austrian choreographer and performance artist Florentina Holzinger realizes a new halfpipe installation in the public space of Hannover. The work is developed in collaboration with the architectural collective raumlaborberlin and was initiated by Kunstverein Hannover. Constructed from around eight tons of metal, the halfpipe has first been installed on Sophienstraße in the Kulturdreieck, in front of Künstlerhaus Hannover, and will subsequently continue on Raschplatz Hannover. The installation understands itself as a form of temporary architecture and, at the same time, as a performative instrument: a rideable structure that enables movement, encounter, and use in public space. Skaters are invited to appropriate the halfpipe and use it for two months in the heart of the city. The metal construction, supported by ... More
TBA21-Academy presents Repatriates Collective: Tide of Returns at Ocean Space VENICE.- Marking the beginning of the 2026 Ocean Space exhibition season, TBA21–Academy presents Tide of Returns, an exhibition based on the artistic research of the Repatriates Collective, initiated by artist Khadija von Zinnenburg Carroll and formed of artists from Australia’s Pacific North, South, and West Africa, Europe, and Latin America. Continuing TBA21–Academy’s long-term commitment to fostering critical ocean literacy and intercultural dialogue, Tide of Returns explores cultural repatriation as a living, relational process in which art and water become vehicles for memory, continuity, and reconnection between communities and territories. There is a growing international movement advocating for the repatriation of art taken by colonial powers and subsequently stored in Europe’s museums. Indigenous communities in Australia, Namibia, and many ... More
MBAL explores the versatile future of graphic arts LE LOCLE.- For the Spring 2026 season, the MBAL hosts the exhibition Pour tout faire, il faut une fleur (To do everything, you need a flower). The project, conceived by Swiss artist, graphic designer, and educator Nicolas Polli, offers a fresh reflection on the intersections between photography, graphic design, and hybrid artistic practices. The exhibition brings together a constellation of Swiss and international creators from diverse disciplines, united by a shared desire to blur traditional boundaries between artistic fields. The exhibition stems from a need to understand how different areas of the graphic arts interconnect. It will explore the ambivalence of our time—an era defined both by professional hyper-specialization and by an increasing demand for versatility—a tension that lies at the heart of Nicolas Polli’s own career as a photographer, designer, publisher, and teacher. Through a dynamic and immersive scenography, the exhibition will spotlight a generation of artists ... More
Eric Firestone Gallery unveils 'Couples' featuring 26 artist pairs NEW YORK, NY.- Eric Firestone Gallery is presenting Couples, an exhibition of work by 26 artist partners. A throughline in the exhibition is artwork that visualizes component parts, distinct but coming together into a whole. This aesthetic becomes a metaphor for connection, partnership, and individuals belonging to a larger community and consciousness. Many of these abstract paintings and sculptures suggest the bridging of spaces between personhood, the digital world, and the cosmos. Historic work by three artist-couples associated with American Surrealism are included: Jeanne Reynal and Thomas Sills; Luchita Hurtado and Lee Mullican; Madge Knight and Charles Houghton Howard. Hurtado’s work fuses abstraction, landscape, and the body. Reynal used individual hand-cut mosaic tiles to create topographic and resonant surfaces – a parallel to Mullican’s vibratory ... More
Between possibility and catastrophe: Nevada Museum of Art debuts 'Into the Time Horizon' RENO, NEV.- This spring, the Nevada Museum of Art debuts Into the Time Horizon, a groundbreaking exhibition that transforms the museum’s entire 120,000-square-foot building through diverse, thematic sections. One of the most expansive exhibitions to survey environmental art in a US institution, the project brings together 193 artists from around the globe to consider how humanity can reimagine its relationship with the Earth at a moment of accelerating ecological and social change. Into the Time Horizon will be on view in its entirety from March 28 to September 20, 2026, with some sections remaining on view until early 2027. Through a wide range of media, the exhibition confronts the climate crisis while also proposing pathways forward grounded in care and collective responsibility. A series of commissions for the robust catalogue unveils over 100 “Proposals for the Future” ... More
From a Kentish cabin to Compton Verney: The great re-discovery of textile visionary Elizabeth Allen COMPTON VERNEY.- From a cabin in a Kentish forest to Hollywood, and then obscurity – the story of Elizabeth Allen’s life and work mirrors her creations in its unconventionality. Now, 60 years after her debut exhibition, her absurd, bitterly funny and often boldly prophetic creations are being re-discovered, and Compton Verney will display 12 of her textiles, including ones never seen in public before. These will be displayed alongside works by other visionary artists, creatives who have made work in similar ways as Allen. These artists are also interested in the supernatural and religion, and who take elements of real world and make it strange through their work. Troublemakers and Prophets: Elizabeth Allen and Other Visionary Artists will display these works over four rooms, where visitors will experience the topsy-turvy realm of seers gifted with sight beyond this world. ... More
The Art That Made Me: Michael Govan
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On a day like today, Dutch painter and engraver Jacob de Gheyn II died
March 29, 1629. Jacob de Gheyn II (also Jacques de Gheyn II) (c.?1565 - 29 March 1629) was a Dutch painter and engraver, whose work shows the transition from Northern Mannerism to Dutch realism over the course of his career. De Gheyn married Eva Stalpaert van der Wiele of Mechelen in 1595. His son, Jacob de Gheyn III, was born in 1596, and grew to become an engraver in his own right, as well as the subject of a portrait by Rembrandt. De Gheyn died in The Hague. In this image: Portrait of "Venus and Cupid", c.1605-1610.
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