Jean-Baptiste-Camille Corot, Landscape with Windswept Trees, c. 1870. Black conte on beige paper, 12 1/2 x 19 1/4 inches.
NEW YORK, NY.-Jill Newhouse Gallery will exhibit for the first time at the 2026 IFPDA Print Fair, April 9-12 at the Park Avenue Armory, in the Invitational section alongside The Drawing Center, The Hammer Museum and the National Gallery of Australia. The gallery will present One of a Kind, a curated selection of European and American Master Drawings of the 19th/20th centuries featuring works by the gallery’s favorite artists: J.B.C. Corot, Victor Hugo, J.F. Millet, Henri Matisse, Pierre Bonnard, and Edward Hopper. A portrait drawing by Picasso of Dora Maar and one by Welsh artist Augustus John are also on view. These works will provide a dramatic counterpoint to the editions and multiples on view at the fair. Drawings are at the very core of the creative process, and reveal how an artist journeys from observation to creation, and from creation to recreation. In the 19th and early 20th centuries, the practice of drawing shifted from bein ... More
New Hampshire tapestry, illustrated by Elizabeth Long. Courtesy of America’s Tapestry.
WILLIAMSBURG, VA.- The nation’s founding story comes together stitch by stitch in “America’s Tapestry,” on view June 19-Sept. 6 at the Muscarelle Museum of Art at William & Mary. The exhibition will commemorate America’s 250th anniversary with 13 hand-embroidered panels, one for each of the original colonies, telling unique stories drawn from each state’s Revolutionary-era history. Communally stitched by artisans from New Hampshire to Georgia, the panels weave together diverse stories — many overlooked — from the United States’ founding, revealing each colony’s struggle for independence. “The 250th anniversary of the United States is a wonderful opportunity to dig deeper into specific experiences of the American Revolution,” said David Brashear, the Muscarelle’s director. “Many people remember learning about the larger narratives of our history. But what makes ‘America’ ... More
Ilse Bing (American, b. Germany, 1899–1998), New York Street, 1936, Gelatin silver print, Gift of the Ilse Bing Estate, 2004.13.39.
NORFOLK, VA.-The Chrysler Museum of Art explores the life and legacy of a 20th-century photography pioneer in “Ilse Bing Between Paris and New York,” on view June 5-Oct. 18. Featuring approximately 40 works drawn from the Museum’s collection, the exhibition follows German Jewish artist Ilse Bing (1899-1998) on her artistic journey from expatriate to refugee, revealing how she used her camera to navigate a rapidly changing world. In 1930, Bing moved from Germany to Paris, where she joined a cosmopolitan group of artists bent on capturing the city in all its complexity. Central to her practice was the compact Leica, the first mass-produced 35mm camera, which enabled her to photograph the city from new and unusual angles. By 1931, photographer and critic Emmanuel Sougez had dubbed Bing “Queen of the Leica,” placing Bing alongside avant-garde luminaries such as André Kertész, ... More
May 9 film screening and discussion with Director Evan Goodchild—exclusively at the Vero Beach Museum of Art.
VERO BEACH, FLA.- After four years of research and production, the award-winning film The Painted Life of Gregory Gillespie arrives as the first feature-length documentary examining the life and art of Gregory Gillespie (1936–2000), the extraordinary late-20th-century painter and iconoclast. The film screening and discussion take place at the Vero Beach Museum of Art (VBMA) on Saturday, May 9, 2026, from 2 to 4 p.m., as part of the Museum’s Second Saturday free-admission program. Gillespie, who had his first solo show in 1966, became known for meticulously painted figurative paintings, landscapes, and self-portraits. Many of his early works were made by painting over photographs cut from newspapers or magazines, transforming the scenes through photographic collage, and adding imaginary elements. In his later work, Gillespie created hyper-realistic imagery, focusing ... More
Hans Op de Beeck, Danse Macabre. Photo: Dominique Provost.
LUCCA.- Associazione Culturale Dello Scompiglio presents Hans Op de Beeck’s solo exhibition entitled Danse Macabre, curated by Angel Moya Garcia and open to the public from 11 April to 25 October 2026. Hans Op de Beeck works across a wide variety of media and forms, steadily developing a versatile body of works that includes installations, sculptures, video works, texts, drawings, photography and watercolour paintings. For the past decade, Op de Beeck has also been active in theatre, opera, and contemporary dance as a playwright, stage director, scenographer, and costume designer. He is perhaps best known for his monumental, immersive, sensorial installations which are structured as enigmatic, fictional scenes frozen in time that visitors can walk through or sit within, evoking silent contemplation and moments of wonder. His distinctive body of work delves into the complex relationship between humans and the world around us, while also addressing universal questions about the invisible fr ... More
STOCKHOLM.- Brassaï is one of the most famous photographers in the history of photography. In the early 1930s, he set out with his camera on long nocturnal walks through Paris. Revolving around this treasure of images, the exhibition at Moderna Museet includes over 160 black-and-white photographs and is the first major presentation of Brassaï in Sweden. Brassaï (1899–1984) is a pseudonym for Gyula Halász, who grew up in Brassó in Transylvania, then Hungary. After studying in Budapest and Berlin, he moved to Paris at the age of twenty-five. There he became part of the Humanist Photography that emerged during the interwar period. The street and the life that unfolded on the sidewalks and cafes became typical motifs for the genre. The exhibition “Brassaï – The Secret Signs of Paris” includes more than 160 vinted gelatin silver prints, made by the photographer himself. The audience encounters three central themes in Brassaï’s photographic production: the city of Paris with its ... More
Grant Mosby, Vancouver Art Gallery’s Newly Appointed Director of Finance & Administration, Photo: Vancouver Art Gallery.
VANCOUVER, BC.- The Vancouver Art Gallery announced that Grant Mosby, CPA, CA, has joined the institution as its new Senior Director of Finance & Administration, the Gallery’s top financial role. With more than 15 years of experience across nonprofit and public‑sector finance, Grant brings a distinctive combination of commercial discipline and social‑purpose business acumen. He joins the Gallery at a defining moment to strengthen its financial and operational foundations. “Grant brings exactly the combination of strategic foresight and disciplined financial stewardship that the Gallery needs in this moment,” say Eva Respini and Sirish Rao, Interim Co-CEOs of the Vancouver Art Gallery. “As we continue to align operations with a sustainable financial framework and prepare for our next chapter, his expertise in systems modernization, enterprise risk management and capital planning will be instrumental in ensuring long-term resilience for the organization.” ... More
Anna Walinska, Herald Square EL, 1930, oil on canvas, 19.5 x 24 in.
NEW YORK, NY.- The Art Students League of New York is hosting a new exhibition, Anna Walinska and Her Circle from February 18 through May 24, at 215 W 57th St Suite 1 (Lobby Gallery) in New York City. Organized by Assistant Curator, Esther V. Moerdler, this exhibition highlights the exceptional breadth of Walinska’s work, spanning drawing, collage, painting, and a wide range of stylistic approaches from portraiture to abstraction. Presented alongside Walinska’s art are works by Art Students League artists who influenced her and were influenced by her, including Milton Avery, Chaim Gross, Louise Nevelson, and Raphael Soyer, as well as works by instructors Frank Vincent DuMondand Raymond Neilson. Walinska’s niece Rosina Rubin (archivist, curator, and standard bearer of Walinska's estate), shares “I’m excited to see Anna Walinska returning to the Art Students League where her life as an artist began ... More
Alina Zamanova, Growing up, 2026. Oil on canvas, 220 x 245 cm.
LONDON.- In Alina Zamanova’s paintings, passages of sharp focus emerge from fields of turbulent energetic brushwork, as abrupt visions amid the ceaseless influx of daily experience. Witnessing the daily aerial attacks on Kyiv, the artist documents the ways in which the ongoing war in Ukraine reshapes the human psyche and the natural landscape, tracing the deep marks that endure even in moments of perceived calm. In her paintings of children huddled together or trees bending in the wind, the stillness seems forced, the silence almost overwhelming. They are reflections on the moment after an attack – the disorienting quiet and attempts at reflection that follow the initial shock. Writing on the nature of traumatic experience, the scholar Cathy Caruth points to its constant arrival and thus its lasting impact on life: “Is the trauma the encounter with death, or the ongoing experience of having survived it?” She continues, “At the core is a double telling, the oscillation b ... More
Brilant Milazimi, Hard Teeth (detail), 2026. Oil and pen on canvas. Photo: Majlinda Hoxha. Courtesy of the artist; the Pavilion of the Republic of Kosovo; ERMES ERMES, Rome; and Isabella Ritter, Paris.
VENICE.- Brilant Milazimi will represent the Republic of Kosovo at the 61st International Venice Biennale. Known for painting psychological landscapes that oscillate between menace and dream, Milazimi’s work registers an interior climate populated by figures that dwell between harm and survival, collapse and persistence. In Venice, he will present Hard Teeth (Dhëmbë të Fortë), an immersive painting installation at the newly reopened Chiesa di Santa Maria del Pianto, curated by José Esparza Chong Cuy. Featuring a 17-meter-wide landscape painting, Milazimi depicts a line of people standing closely across mountains reminiscent of Kosovo’s rural terrain. Echoing historical and contemporary scenes of displacement, the panoramic composition features frail bodies lingering in the landscape. Presented along a self-standing ... More
LONDON.- Serpentine announced that the Mexican architecture studio LANZA atelier, founded by Isabel Abascal and Alessandro Arienzo, has been selected to design the 2026 Pavilion. Titled a serpentine, LANZA atelier’s Pavilion will be unveiled to the public at Serpentine South on 6 June 2026 with Goldman Sachs supporting the annual project for the 12th consecutive year. As the Pavilion reaches its 25th edition, Serpentine will celebrate this landmark anniversary through a special partnership with the Zaha Hadid Foundation. Throughout its history, the Serpentine Pavilion has grown into a highly anticipated showcase for emerging talents. The Pavilion has evolved over the years as a participatory public and artistic platform for Serpentine’s experimental, interdisciplinary, community and education programmes. LANZA atelier, founded in 2015 by Isabel Abascal and Alessandro ... More
1988 Dobro Model 64 “Tree of Life” Resonator.
SAN FRANCISCO, CA.- Julien’s Auctions presents Treasures From The Golden Road Featuring The Property From “Big Steve,” “Ram Rod” & Trixie Garcia, an extraordinary offering of more than 300 pieces from the inner circle of the Grateful Dead and Jerry Garcia. This once‑in‑a‑lifetime collection of Deadhead gems and road‑worn treasures will be offered live in person at The Box SF in San Francisco and online at juliensauctions.com on April 22. Sourced from the personal archives of legendary Grateful Dead crew chief and Jerry Garcia Band manager “Big” Steve Parish, longtime family associate “Ram Rod,” and Garcia’s daughter Trixie Garcia, the sale brings to light intimate artifacts that trace the band’s improvisational journey from the stage to the backstage, tour bus, and beyond. From historic guitars and personal keepsakes to rarely seen mementos, “Treasures From the Golden Road” offers fans and collectors a direct line to ... More
Michaelina Wautier, Taste, 1650. Oil on canvas. 69.5 x 61 cm. Rose-Marie and Eijk Van Otterloo Collection.
LONDON.- The Royal Academy of Arts presents the first UK exhibition of the trailblazing Baroque painter Michaelina Wautier (about 1614–1689). Active in seventeenth century Brussels, she was one of the foremost artists of the period, who transcended the usual limitations imposed on women. Yet, until the last decade, her work has been relatively forgotten, and much about her life and oeuvre remains to be uncovered. This exhibition presents the most comprehensive survey of Wautier’s work to date, bringing together approximately 25 paintings from across her career, shown alongside select works by her brother Charles Wautier and her contemporaries Peter Paul Rubens and David Teniers the Younger. Wautier produced paintings of astonishing ambition and sophistication, tackling subjects that were usually the sole domain of male painters and mastering an exceptional range ... More
Quote Classic art was the art of necessity. Ralph Waldo Emerson
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Exhibition unpacks the Czech roots of Essex's 'Bata-ville' LONDON.- A new exhibition marking 150 years since the birth of Tomáš Baťa opens this April at the Vitrínka Gallery in Notting Hill. It explores the achievements and visionary philosophy of the Czech entrepreneur, widely regarded as one of the pioneers of globalisation thanks to a business model far ahead of its time. Focusing on the British “Bata-ville” in East Tilbury, the exhibition shows how Baťa’s modernist planning integrated work with all aspects of social life to form a cohesive system. This approach not only supported factory workers and their families, but also strengthened the Baťa enterprise. The exhibition Desire to Create: Baťa’s Architecture of Belonging explores Baťa’s pioneering approach across multiple fields—from his entrepreneurial philosophy to workers’ housing, labour conditions, and innovative marketing strategies. Born in the modest Moravian ... More
Cooper Hewitt announces gala honorees to be recognized alongside the 2026 National Design Award winners NEW YORK, NY.- Cooper Hewitt, Smithsonian Design Museum today announced a new distinction to be introduced at this year’s Smithsonian National Design Awards Gala: a group of Gala Honorees recognized for their lasting contributions to the field of design. The honorees will be celebrated alongside the winners of the 2026 National Design Awards at the annual awards gala Tuesday, May 19 in New York City. Coinciding with the United States’ 250th anniversary, the 2026 Gala Honorees selected by Cooper Hewitt include both contemporary leaders and historic figures whose work has shaped American design across disciplines and generations. Contemporary Gala Honorees include Adobe, the multinational technology company; ... More
What does action look like? Project Groundswell debuts at Photo Museum Ireland DUBLIN.- Photo Museum Ireland announced the Irish premiere of Project Groundswell, a major European visual arts initiative that asks a simple question: what does climate action actually look like? The exhibition brings together work by 12 international artists whose work rejects simplified narratives of environmental change in favour of close, critical attention to what climate action actually looks like in practice. Developed through an EU-wide open call that received over 500 submissions, the heart of the exhibition displays projects by four Project Groundswell Award Winners, who have been selected for extended residencies and curatorial mentorship with partner organisations across Europe. Alongside the exhibition four bespoke limited-edition photobooks launch, showcasing the winning works and allowing these series’ to be shared globally. Alongside the gallery ... More
KING COBRA subverts the white persona in new solo exhibition NEW YORK, NY.- Sikkema Malloy Jenkins is presenting Heathens, a solo exhibition by KING COBRA, on view in the back galleries from March 27 through May 2, 2026. Heathens is COBRA’s first exhibition at the gallery. KING COBRA’s visceral sculptural and performance works confront the dimensions of consumption and perversion that underscore histories of colonial violence and racial subjugation. Utilizing synthetic and organic materials, COBRA produces corporeal forms that bear the condition of whiteness as a festering wound—one often sugarcoated or concealed but ultimately sustained through the spiritual and physical cannibalism of bodies deemed “other,” and the Black body in particular. Melding medical pathologies and abject imagery with kink culture, COBRA’s work interrogates not just how power is constructed, but also how it may be dissected, subdued, and debased. ... More
Exhibition reveals how games and sports connected global cultures across centuries TORONTO.- This spring, the Aga Khan Museum invites visitors to explore the creativity and cultural exchange found in games and sports across time and place. Opening April 3, 2026, Game On! brings together paintings, photography, historic game boards, and contemporary installations to explore how games connect people, spark creativity, and build communities. As the leading museum in North America dedicated to showcasing the arts and culture of Muslim civilizations, the Aga Khan Museum is bringing global perspectives to Toronto as the city gets ready to celebrate global soccer matches in June and July. “Games have long brought people together across cultures and centuries, creating shared experiences that connect us beyond borders, languages, and differences,” said Bita Pourvash, Curator at the Aga Khan Museum. “Whether played on boards, ... More
Ambreen Butt concludes decade-long trilogy at Gallery Wendi Norris SAN FRANCISCO, CA.- Gallery Wendi Norris presents I Bear Witness, its third solo exhibition with Ambreen Butt (b. 1969, Lahore, Pakistan). The exhibition features a series of eight new works that mark the culmination of a trilogy she began in 2015, through which Butt has rendered visible the lives, names, and stories that acts of violence erase. This final chapter builds upon her series Say My Name (2015–2023), which memorialized children lost to drone warfare, and Lay Bare My Arms (2023), which interrogated American gun culture. Throughout this new series, Butt casts the maternal figure as both subject and witness, an active vessel of testimony rather than a passive symbol of loss. Drawing on religious and cultural traditions that cast the maternal body as a bearer of memory—particularly the icon of the Madonna and Child—Butt positions witnessing as ... More
Chinese architect Xu Tiantian: Beauty in Itself Is Dangerous
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On a day like today, American painter Eastman Johnson died
April 05, 1906. Jonathan Eastman Johnson (July 29, 1824 - April 5, 1906)[1] was an American painter and co-founder of the Metropolitan Museum of Art, New York City, with his name inscribed at its entrance. He was best known for his genre paintings, paintings of scenes from everyday life, and his portraits both of everyday people and prominent Americans such as Abraham Lincoln, Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry Wadsworth Longfellow. Self-portrait of Eastman Johnson, 1863.
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