Albert Gleizes’ The Schoolboy (L’colier) (1924), in the collection of the Chazen Museum of Art at the University of Wisconsin–Madison, framed by Eli Wilner.
NEW YORK, NY.-Eli Wilner & Company has announced that all funding allocated through its museum grant program for August 2026 has been fully committed in support of reframing and frame restoration projects at museums and cultural institutions nationwide. In response to the continued demand for the program, funding partners have committed an additional $200,000 for the September 2026 funding cycle. These funds will be awarded on a first-come, first-served basis through September 30, 2026, or until the funds are fully committed. The grants are intended to offset a portion of the cost of qualifying frame restoration and reframing projects. Recipient institutions are required to participate in the cost of the project, while grant funding covers the remaining approved portion. This shared-cost approach enables museums to undertake ... More
Ralph Steadman, Mao-Miu-Min leapt, 1967, Acrylic on paper, 37 x 26.5 cm. From Little Prince and the Tiger Cat, 1967, written by Mischa Damjan.
FT. COLLINS, COLO.- “Ralph Steadman: And Another Thing” concludes its U.S. tour at the Gregory Allicar Museum of Art at Colorado State University. The exhibition, on view Aug. 26-Dec. 13, includes a catalog of 149 original artworks spanning 60 years, tracing the 90-year-old’s artistic practice from his early years as a student to his political illustrations, social commentary and activism. Sketchbooks, magazines, personal photographs and handwritten notes paint a deeply personal picture of Steadman’s works and highlight his ties to Colorado. The state is closely connected to Steadman’s legacy through his collaboration with journalist and author Hunter S. Thompson, who worked and lived in Woody Creek, Colorado. More than 30 years have passed since Steadman’s original works were last shown in Colorado. “Colorado holds such an important place in Ralph Steadman’s memories of his time with Hunter S. Thompson. ... More
Katharina Grosse, Untitled 2009. Acrylic on canvas, 201 x 135 cm | 79 1/8 x 53 1/8 in.
SEOUL.- Frieze Seoul has quickly become one of the key meeting points on the international art calendar, and White Cube is returning this September with a presentation that mixes major names, newer voices and several artists with exhibitions unfolding elsewhere around the world. The fair runs September 2–5, 2026, at COEX, where White Cube will be showing at Stand A20. Rather than building the booth around a single theme, the gallery is taking a broad approach, bringing together artists from different generations, countries and practices. The presentation includes works by figures such as Mona Hatoum, El Anatsui, Georg Baselitz, Theaster Gates, Park Seo-Bo, Marina Rheingantz and Danh Vo, alongside a wider group of artists from White Cube’s international program. For Seoul audiences, one of the most closely watched names will likely be Park Seo-Bo, whose work has become inseparable from the story of Dansaekhwa and the international rise of postwar Korean abstraction. ... More
Louise Bourgeois, Untitled, 2004, watercolor on paper, 56.5 75.2 cm (detail).
COLOGNE.- Galerie Karsten Greve Kln presents a comprehensive solo exhibition by Louise Bourgeois. On view are approximately 50 works from the artist's sculptural and graphic oeuvre, created between 1947 and 2008. Almost a decade after the last presentation of her works on paper at the Cologne gallery, the exhibition opens a dialogue with Bourgeois' sculptural practice while revealing new perspectives. The presentation continues the tradition of the long-standing collaboration between Louise Bourgeois and Karsten Greve, which began with Bourgeois' first solo exhibition at Galerie Karsten Greve in Cologne in 1990. It highlights an artistic oeuvre of undiminished relevance that has had a lasting impact on the history of art and continues to resonate to this day. Over the course of several decades, Louise Bourgeois developed a distinctive visual language in which her personal history became inseparable from universal questions of identity, the body, desire, loss, and human ... More
NEW YORK, NY.- From ancient myths to modern blockbusters, stories have long shaped how we understand ourselves and the world around us. Created in collaboration with the Lucas Museum of Narrative Art, this two-volume monograph traces the rich history of visual storytelling across generations, cultures, and artistic disciplines. Drawing from the museum’s extraordinary offerings, the book explores narrative image-making across painting, illustration, photography, comics, and the arts of filmmaking. These works reveal the shared visual language that connects fine art and popular culture, following the evolution of storytelling from canvas to the silver screen. Organized thematically, the volumes bring together work by many of the defining artists and storytellers of the modern era. From Norman Rockwell and Frank Frazetta to celebrated photographers, comic creators, and children's book illustrators, the works show how images help us make sense of the world, spark curiosity, and invite us to imagine ... More
Rana Begum, No. 1670, 2026, Wool Jacquard Woven Rib Fabric, 456.6 x 140 x 2 cm (Front 2). Courtesy Rana Begum Studio and The Third Line, Dubai.
DUBAI.- The Third Line will present Rana Begum’s fifth solo exhibition at the gallery, featuring a new body of works across linen, textile, wood, and paper. The exhibition continues Begum’s exploration of textiles, bringing the medium into dialogue with her ongoing interest in light, color, and material. While embracing a turn towards softness and delicacy, the works in Taking Form build on Begum's longstanding engagement with abstraction and Minimalism, continuing her exploration of light through new materials and forms. This engagement with geometry runs throughout: forms suggest patterns that extend beyond their physical boundaries. Drawing on Islamic geometry, the square and rectangle establish defined perimeters, while the configurations within them suggest a sense of continuation. The geometry is never truly contained. Begum moves fluidly across various media such as metal, paper, wood, terracotta, and mesh. Her latest work with ... More
Rembrandt Harmensz van Rijn (1606–1669); Portrait of Catrina Hooghsaet (1607–1685); Oil on canvas, 126 x 98.5 cm; Inscribed and signed on the shield upper left: ‘CATRINA HOOGH / ST. / OVT. 50. / Jaer’ and ‘Rembrandt. f. / 1657.
LONDON.- The UK government has blocked a painting by Rembrandt, one of the most famous artists of all time, from being taken out of the country permanently in the hope that a UK gallery or institution can save it for the nation. Rembrandt’s Portrait of Catrina Hooghsaet, painted in 1657, is one of the artist’s most exceptional later works, and has been displayed in the UK since the mid eighteenth century. It is valued at 71 million, the most expensive object ever to be given national treasure status. The decision to place a temporary export ban on the portrait gives museums and galleries time to raise the funds needed to acquire it, with the aim of keeping an important work in the UK and on public display. The portrait is of exceptional importance to our shared history and national life; it adds value to our understanding of Rembrandt and his works, social relations, gender, religion and identity ... More
Stefano Maderno, Samson and Two Philistines, 1624, bronze. Kimbell Art Museum.
FORT WORTH, TX.- The Kimbell Art Museum today announced its acquisition of the 1624 sculpture Samson and Two Philistines by Stefano Maderno (Italian, c. 1571–1636). A tour de force in both its composition and bronze casting, it is the first seventeenth-century bronze to enter the Kimbell’s collection. The sculpture is now on view in the Kimbell’s Louis I. Kahn Building. Just over two feet tall, the sculpture is a knotted tangle of three nude male figures, depicting the Old Testament account of Samson—a figure possessed of super-human strength—raising the jawbone of a donkey to strike an enemy Philistine while another lies motionless at his feet. The arrangement of these two beaten figures twisted in a pile beneath Samson represents the mass of vanquished Philistines he left in his wake: “With the jawbone of a donkey, heaps upon heaps” (Judges 15:16). The complex composition fully exploits its three-dimensionality and unfolds dynamically in the round. “Samson and ... More
A massive Ultraman Jack vending machine statue from the 1974 premiere of Hanuman and the Seven Ultramen at Bangkok’s Sala Chalermkrung Royal Theatre. (estimate: $2,000–$3,000).
LOS ANGELES, CA.- Julien’s Auctions announced today the Sci-Fi auction event of the season “Kaiju King: The Sompote Sands Legacy Collection” an exclusive live auction taking place Wednesday, September 23, 2026 in Los Angeles and online at juliensauctions.com. A remarkable archive of over 300 original film artifacts and memorabilia direct from the estate of the legendary filmmaker and tokusatsu (special effects) visionary Sompote Sands, will be offered at auction for the first time in history, spotlighting his work in the Ultraman universe and providing fans and collectors a once-in-a-lifetime opportunity to own a piece of the global pop culture phenomenon. The collection, amassed over five decades by the founder of Chaiyo Productions and displayed at his personally curated museum ‘Sompote House’ in Thailand, includes production used suits, ... More
Katsushika Hokusai, Clear Day with a Southern Breeze (Red Fuji), 1830-1833, colour woodblock, 25.6 x 37.6 cm. Courtesy the Iuchi Collection, on deposit at The National Museum of Western Art, Tokyo.
LONDON.- In winter 2026, Dulwich Picture Gallery will bring one of the world's most celebrated and influential print series to London in a landmark exhibition: Hokusai's Thirty-six Views of Mount Fuji (c.1830-33). Seldom seen outside of Japan in its entirety, this will be the first time UK audiences can experience the complete set of these iconic works alongside unique print variants. Among the exhibition's highlights will be an exceptionally rare blue impression of the normally full-colour work, Clear Day with a Southern Breeze, popularly known as Blue Fuji, of which around only ten comparable impressions are known to survive today. Further exhibition highlights include three well preserved impressions of the recognisable image, Under the Wave off Kanagawa, known in popular culture as The Great Wave. Presented together, visitors are invited to compare the subtle variations in printing ... More
Jan Brueghel the Elder, is represented by a beautiful oil on copper depicting travellers pausing on their way to market, dated 1606 (lot 3025, estimate CHF 350 000/500 000).
ZURICH.- From a Roman torso of Dionysus to works from the Golden Age of Dutch and Flemish painting and a rare first printing of the French ‘Dclaration des droits de l’Homme et du citoyen’, Koller’s September auctions offer a wide range of important works spanning Antiquity to the 19th century. Pieter Brueghel the Younger’s ‘The Swan Inn’ occupies an important place in the Flemish artist’s oeuvre. Unlike many of his compositions based on works by his father, this is an entirely original creation. Brueghel also departs from his usual style, filling the composition with larger figures and drawing the viewer directly into the lively scene (lot 3018, estimate CHF 600 000/900 000). Pieter’s brother, Jan Brueghel the Elder, is represented by a beautiful oil on copper depicting travellers pausing on their way to market, dated 1606 (lot 3025, estimate CHF 350 000/500 000). Other highlights ... More
Titled ‘Mope’, meaning ‘nearsighted’, the exhibition includes works that combine aerial viewpoints with shifting macro- and microscopic perspectives through abstract mark-making.
SEOUL.- White Cube will present Brazilian artist Marina Rheingantz’s first solo exhibition in Korea. Coinciding with the fifth edition of Frieze Seoul, this presentation debuts new works made in the artist’s So Paulo studio over the past year. Though she now lives and works in So Paulo, Brazil, Rheingantz was born in 1983 in the city of Araraquara, Brazil, and spent much of her childhood and adolescence visiting her family’s farm nearby, which became a formative place in her early life. Rheingantz often draws inspiration for her paintings and textile works from the country’s sublime natural ecosystem, embedding fragmented memories of both real and imagined locales to create ambiguous compositions that evoke landscapes, bodies of water and interior spaces with references to Brazil’s abundant flora and fauna. Titled ‘Mope’, meaning ‘nearsighted’, the exhibition includes works that combine aerial ... More
Murphy considers the minutia and the very atoms of her environment.
LONDON.- This September, Sadie Coles HQ, Bury Street, presents recent works by Catherine Murphy (b. 1946, Cambridge, MA), marking the artist’s second solo exhibition in London. Since the 1970s, Murphy has transformed the quotidian into the extraordinary, with painted views of existing and imagined scenarios staged in and around the artist’s home and studio in Poughkeepsie, New York. Although Murphy’s meticulous commitment to realism once situated her within the tradition of still life, over the past two decades her practice has shifted from direct observation towards more psychologically charged and subtly surreal interpretations of the objects that populate her surroundings. Focusing on overlooked and unexpected viewpoints, Murphy reframes and resizes the familiar. Idiosyncratic glimpses of objects are reproduced to unsettling effect, their character transformed through a careful choreographing of scenes and use of partial, cropped compositions, and heightened ... More
Quote Everything is miraculous. It is a miracle that one does not melt in one's bath. Pablo Picasso
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Sonsbeek 2026 heads into fall with performances, films and a focus on collective memory ARNHEM.- Sonsbeek 2026 is moving into its final weeks with a fall program that extends the exhibition beyond artworks in the park and into conversations, screenings, performances and shared acts of remembering. The latest edition of the long-running Dutch art event, titled Ik hoef geen tuin, ik deel een park (I don't need a backyard, I share a park), unfolds over one hundred days and closes on October 11. Curated by Amira Gad and Christina Li, the exhibition was conceived from the beginning as something that would change over time rather than remain fixed. “We imagined Sonsbeek 2026 as an exhibition that would grow through time,” the curators said. “The autumn program continues this movement, opening memory as a collective practice through which we remember the past and imagine possible futures.” That idea runs through the public program, ... More
Philadelphia Museum of Art announces two key curatorial appointments in the Department of Modern Art PHILADELPHIA, PA.- The Philadelphia Museum of Art announced the appointment of Joanna Robotham as the John Alchin and Hal Marryatt Curator of Contemporary Art and Colm Peare as Assistant Curator of Modern and Contemporary Art. Robotham comes to the PMA from the Tampa Museum of Art, where she has worked for the last ten years. Peare joins the PMA from the Royal Academy of Arts, London. “Welcoming Joanna and Colm to the museum’s Modern and Contemporary Art department marks an exciting new chapter for our curatorial programming,” said Daniel Weiss, the George D. Widener Director and CEO. “Their fresh perspective and vision strengthen our commitment to supporting living artists and expanding the conversations our institution can foster.” Robotham will lead the exhibition, interpretation, cultivation, and strategic growth ... More
CHART 2026 opens across Copenhagen with art in the Metro, Tivoli and Charlottenborg COPENHAGEN.- CHART 2026 has opened in Copenhagen, spreading contemporary art well beyond the walls of Kunsthal Charlottenborg and into some of the city’s most familiar public spaces. Running through August 30, this year’s edition brings together the art fair’s core gallery program with performances, public art, installations and citywide routes that extend into the Copenhagen Metro and Tivoli Gardens. The approach reflects CHART’s continuing effort to position itself not simply as a commercial fair, but as a broader meeting place for Nordic contemporary art. One of the clearest signs of that ambition can be found underground. CHART has expanded its collaboration with the Copenhagen Metro, integrating video art and performances into the transit network. At Kongens Nytorv, commuters and visitors encounter an eight-meter-long pink ... More
New Seoul exhibition explores human imperfection and error as creative forces SEOUL.- The Buk-Seoul Museum of Art invited artists Inhwan Oh and Seo Young Chang to headline the thirteenth edition of Title Match in 2026. At a time when many believe that the ability of cutting-edge technology to replace human creation has become increasingly pervasive, 2026 Title Match Inhwan Oh vs. Seo Young Chang: Human Error explores the essence of creativity that only humans can evoke. The term Human Error in the exhibition title offers a provisional answer. Semantically speaking, “human error” refers to an error or mistake arising from the physical or mental imperfection of humans, and is most commonly used to identify the causes of accidents in industrial settings. The phrase reflects a mindset that treats human beings as components within a system and expects them to aspire to the same faultless perfection as machines. The same logic operates ... More
Jaume Plensa explores scale and material in concurrent GRAY exhibitions CHICAGO, IL.- GRAY announced two concurrent solo exhibitions devoted to Jaume Plensa, opening this fall at the gallery’s Chicago and New York outposts. Jaume Plensa: Beyond Silence, opening at GRAY Chicago on September 17, marks the artist’s tenth solo exhibition with the gallery. Bringing together monumental carved-wood reliefs, dramatically vertical sculptures in cast iron and granite, and intimate bronze works, Beyond Silence examines two long-standing central tenets of his practice—scale and material. Unified thematically in their representation of the figure, the artist explores the possibility and continuity of our shared human experience. At the center of the exhibition are two monumental relief sculptures in carved wood, Beyond Silence (Julia) and Beyond Silence (Maria), each measuring twenty-eight feet in length. The works engage directly ... More
Contour Biennale presents eleventh edition The Eyes of the Heart and the Soul of the World MECHELEN.- From September 5 to November 1, 2026, Contour Biennale presents its 11th edition, curated by Sofia Lemos, in Mechelen, Belgium. This edition marks the return of Belgium’s longest-running moving image biennial. At a moment when imagination feels constrained by ecological crisis, political violence, and mediated fear, Contour Biennale 11 turns to the imaginal—the intermediary realm between the sensory and the symbolic—as a vital faculty of perception. Titled The Eyes of the Heart and the Soul of the World, it approaches images as forces that reveal rather than represent, reconciling inner and outer realities. The biennial engages practices attuned to visions, dreams, and projections that arise through life’s ongoing transformations—from gestation and birth to childhood and adolescence, from gender transition and ageing to love and loss, ... More
20/20 Photo Festival returns to Philadelphia this September PHILADELPHIA, PA.- The 20/20 Photo Festival returns September 10–19, 2026, bringing together photographers, curators, publishers, and the public for ten days that celebrate the breadth of contemporary photography through free and accessible public programming that includes a photo book fair held at Cherry Street Pier, photography and bookmaking demos, exhibitions at galleries throughout the city, artist talks held at Moore College of Art, and a series of photo walks across Philadelphia. The festival is supported this year by Presenting Sponsor PhotoLounge, Philadelphia's original film lab and a community-centered photography hub that has supported photographers since 1997 through film processing, printing, exhibitions, and free educational events. Now in its seventh year, the volunteer-run festival has become Philadelphia's premier citywide celebration ... More
IMMA and IPUT Real Estate extend Living Canvas partnership by two years DUBLIN.- The Irish Museum of Modern Art (IMMA) and IPUT Real Estate announced a two-year extension of their partnership, Living Canvas at IMMA, by launching The Park Series: Living Canvas by IPUT at IMMA as a celebration of the next chapter of this pioneering cultural collaboration. The Park Series has been curated by writer and curator Gemma Tipton, bringing together a diverse range of moving image works that reflect the creativity, innovation and artistic ambition that have defined Living Canvas since its inception in 2021 at IPUT’s Wilton Park development. Running from 27 August to 10 September 2026, The Park Series: Living Canvas by IPUT at IMMA celebrates both the legacy and future of Living Canvas through a vibrant programme of film, poetry and family screenings on IMMA’s Front Lawn. Presenting a selection of work by Irish and international ... More
Gladys Mgudlandlu painting acquired by University of Pretoria Museums PRETORIA.- MBR PROJECTS announced that Untiled (1962) by Gladys Mgudlandlu has been placed in The University of Pretoria Museums Permanent Art Collection. Gladys Mgudlandlu (1917–1979) is often recognised as the first woman of colour in South Africa to exhibit her work to a multiracial audience during the period of grand apartheid. Just how and why this came about is a political narrative rarely told. Gladys Mgudlandlu took up painting in early childhood in the Eastern Cape and was taught how to paint murals in the Mfengu tradition, using the ochre, red, blue and white clays of the Eastern Cape. The Mfengu, as early Xhosa Christian converts, developed a unique and hybrid set of traditions during the 19th century, many of which Mgudlandlu would reflect upon in her later paintings. Mgudlandlu’s art career, due to a tragic set of circumstances, was painfully ... More
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On a day like today, English artist Edward Burne-Jones was born
August 28, 1833. Sir Edward Coley Burne-Jones, 1st Baronet (28 August 1833 - 17 June 1898), was an English painter and designer associated with the Pre-Raphaelite Brotherhood's style and subject matter. Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts. His early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery, a new rival to the Royal Academy of Arts. These included The Beguiling of Merlin. The timing was right and he was taken up as a herald and star of the new Aesthetic Movement. In this image: Detail of Sol by Sir Edward Burne-Jones.
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