Jackson Pollock, Blue poles, 1952. National Gallery of Australia, Kamberri/Canberra. Purchased 1973. Pollock-Krasner Foundation. ARS/Copyright Agency, 2026.
PERTH.- The Art Gallery of Western Australia announced an historic moment for the State: Jackson Pollock’s iconic masterpiece Blue poles will be exhibited in Western Australia for the very first time in April 2027. This extraordinary loan from the National Gallery of Australia through the Sharing the National Collection program marks a major cultural milestone and a rare opportunity for Western Australians to encounter one of the most influential works of modern art. Painted in 1952, Blue poles is a defining example of Pollock’s radical poured paint technique. Stretching almost five metres across, the work features eight bold blue black vertical forms that anchor a dynamic field of drips, splashes and rhythmic movement. Created at a pivotal moment in Pollock’s career, it stands as one of his last major abstract paintings and remains a touchstone of 20th century art. When ... More
900 North Michigan Shops is a multi-sensory experience, merging luxury fashion houses and innovative boutiques with an aptitude for food and art.
CHICAGO, IL.-900 North Michigan Shops, a landmark destination on Chicago’s Magnificent Mile, is proud to announce a new collaboration between The Canopy, the Art Institute of Chicago and The Joffrey Ballet, bringing a work inspired by Willem de Kooning beyond the museum walls through an original ten-panel film inspired by the Art Institute's exhibition, Willem de Kooning Drawing. On view at The Canopy through September 20, 2026, Excavation of Movement reimagines de Kooning's artistic style by translating the lines and brush strokes in his work to physical movement, choreography and digital media. Designed specifically for The Canopy's 190-feet of LED screens, the piece invites visitors to experience Abstract Expressionism in a new way. The collaboration is on display in tandem with the Art Institute's Willem de ... More
Ushabti (grave figurine) with anch in hand | collection: National Museum of Antiquities.
LEIDEN.- Galleria is a unique museum experience that brings together twelve small exhibitions under one roof. From fragments of an Egyptian temple and Moroccan jewellery to contemporary art and personal stories. Each exhibition has its own atmosphere, perspective, story and connection with antiquity. They combine to form an unexpectedly beautiful journey, where past and present meet. Visitors wander amongst a rich collection of objects and stories. These include fragments of an Egyptian temple from the labyrinth of Amenemhat III, replicas of priests’ robes from medieval Nubia, exquisite Moroccan fibulas, and statues with elegant classical hairstyles. Visitors will also discover the drawings of Bob Brobbel (the great visualiser of Dutch archaeology), rare books from the museum library, a special collection of clocks, and two contemporary art projects: Odysseus and the Drowned ... More
Edvard Munch (1863–1944), Self-Portrait with Broad-Brimmed Hat, 1905–1906. Oil on canvas, 80 64.5 cm. Munchmuseet, Oslo. Photo: Munchmuseet / Ove Kvavik.
MALAGA.- Edvard Munch and Pablo Picasso never met, but this fall Museo Picasso Mlaga will imagine what might have happened if their art had. Opening October 30, Munch-Picasso will bring the two giants of modern art into direct conversation for the first time, assembling more than 100 paintings, drawings and prints to explore the striking parallels between artists born nearly two decades apart and shaped by very different cultural worlds. The exhibition, on view through February 28, 2027, does not attempt to establish a direct line of influence between the Norwegian Munch and the Mlaga-born Picasso. Instead, curator Paloma Alarc looks at something less obvious and potentially more revealing: the emotional, psychological and artistic concerns that ... More
HOUSTON, TX.- Public Content, the Houston-based public relations and marketing agency, has expanded its reach within the city’s arts and culture landscape with the appointment of Anabeth Guthrie as Director of Arts & Culture. The position, a first for the agency known for its deep local ties and global reach, emphasizes Public Content’s ability to communicate and promote the work of Houston’s most vibrant, creative sectors. Guthrie is an ideal choice to lead this new initiative. With more than 20 years in communications and marketing at the country’s most respected cultural institutions – including the National Gallery of Art and the Smithsonian Institution in Washington, DC – Guthrie brings a wealth of leadership, media savvy, and international connections to her new role. Her career has been defined by work in developing national and international communications strategies for major museums, exhibitions, cultural destinations, and nonprofit organizations. Her skills h ... More
Takashi Murakami, 'Rainbow' 2023–24, photo: Joshua White 2023–24 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved.
SYDNEY.- Prepare to step into an exploding world of colour, giant smiling flowers, playful anime characters and Japanese art history in Australia’s first retrospective of contemporary artist Takashi Murakami. Opening 5 December 2026 and presented exclusively in Sydney as part of the Sydney International Art Series 2026–27, Takashi Murakami: When the Mountain is High, the Moon Rises Higher transforms the Art Gallery of New South Wales into an expansive showcase of Murakami’s kaleidoscopic universe. The title, When the Mountain is High, the Moon Rises Higher, is adapted from a 17th-century calligraphy by Kanō Tan’yū held in the Art Gallery’s collection and reflects Murakami’s enduring ambition to bring moments of the past to light through new experiences. The exhibition explores the interconnected realms of art, history, fantasy, commerce and collaboration ... More
Hochhusler’s first solo exhibition at Neuer Berliner Kunstverein looks behind the camera to reveal his interdisciplinary approach to thinking through, and working with, cinema.
BERLIN.- Across his award-winning feature films, director and writer Christoph Hochhusler probes the border between reality and illusion, holding the seen, the intuited, and the imagined in productive tension. Positioned between auteur and genre cinema, his films draw us into seemingly familiar worlds whose horizons extend far beyond what is shown. His films train an observational eye on complex, often solitary characters whose motives – caught between intrigue, manipulation, and desire – never fully come into focus. Hochhusler’s first solo exhibition at Neuer Berliner Kunstverein looks behind the camera to reveal his interdisciplinary approach to thinking through, and working with, cinema. Alongside film posters, set photographs, film-mediating videos, and publications, Hochhusler presents his storyboards, notebooks, and ... More
Eva Gonzals, Au bord de la mer (Honfleur), 1881–82, pastel on canvas, 46.3 37.2 cm, private collection.
AMSTERDAM.- In the coming cultural season, the Van Gogh Museum turns its attention to Vincent van Gogh’s contemporaries. Discover James McNeill Whistler as never before in the Netherlands and get to know Eva Gonzals in the first ever retrospective devoted to her work and life. This autumn, the Van Gogh Museum and The Mesdag Collection, in collaboration with Tate Britain, present the largest European retrospective of James McNeill Whistler’s work in thirty years – and the first ever in the Netherlands. Meet James McNeill Whistler (1834–1903): painter and printmaker, aesthete and enfant terrible. Whistler is considered one of the most important artists of the 19th century. With his belief that art – like music – should above all evoke a mood, he helped shape modern art. His rebellious nature and outspoken views regularly brought him into conflict with critics and patrons. Vincent van Gogh, a contemporary of Whistler’s, ... More
Bruno Oll, Fent forma, 2025. Enamel on low density foam, 65 7/10 53 1/2 2 2/5 in | 167 136 6 cm.
MADRID.- For the 2026 edition of ENTER Art Fair, Alzueta Gallery will present Before the Image, a project bringing together seven artists whose work unfolds in the space between form, meaning, surface, and depth. In an age of over-information and endlessly manipulable images, art can no longer be limited to reproducing what is visible; it becomes instead a way of seeing differently, of opening fissures within the apparent and revealing what lies beneath. This proposal focuses on the moment before an image is created, when color, material, and symbol remain suspended, charged with tension and possibility. Jordi Alcaraz explores emptiness, transparency, and disappearance through materials like glass, paper, and ink, creating delicate structures where shadow, reflection, and material tension reveal the poetic space that exists just before form fully emerges. Max Cobalto, in turn, constructs ethereal, almost cosmic atmospheres ... More
Ankush Safaya.
MUMBAI.- What remains of history when what is remembered is also what has been erased, altered or left unresolved? Nunc Stans, meaning “the eternal present”, considers how the past continues to inhabit the present, not as a fixed record, but through memory, absence and interpretation. Histories are often imagined as an accurate record of the past, yet it is equally shaped by what is erased, what is not accounted for, and what remains unresolved. Marking Ankush Safaya’s third solo exhibition with Sakshi Gallery, Nunc Stans brings together a new body of work exploring the relationship between history, memory and material. Safaya transforms surfaces through acts of scraping, burning and abrasion, allowing the physical process of making to become a record in itself. What is removed becomes as significant as what remains, creating spaces where absence is made tangible. Repetition is central to Safaya’s process. Through recurring gestures and subtle variations, he slows ... More
Marcel Mayer, aus der Serie The Darkest Night, 2021.
STUTTGART.- Disorder is rarely as simple as chaos. It can be obvious and disruptive, but it can also remain hidden beneath surfaces that appear perfectly controlled. That tension lies at the heart of UNORDNUNG — DISORDER — the central exhibition of Fotosommer Stuttgart 2026, now on view at THE GLLERY at the Staatsgalerie Stuttgart through September 13. Bringing together works by 23 artists selected from more than 280 submissions, the exhibition looks at disorder not as a single condition but as something that can emerge in the environment, in cities, in society and in individual lives. A five-member jury chose the participating artists, whose approaches range widely in subject and tone. Among them are Eckart Bartnik, Evi Blink, Martin Eberle, Gosbert Gottmann, Celia Joy Homann, Martin Janczek, Jonas Glanz & Leon Adam Haas, Markus Kaesler, Barbara Karsch-Chaeb, Matthias Kleinen, Oliver A. Krimmel, Leonie Lass, Anna Lehrer, Marcel Mayer, Ann-Kathrin Mller, Sabine Bungert ... More
Lenke Rothman, Familjen, 1986.
STOCKHOLM.- Bonniers Konsthall is proud to open its landmark autumn exhibition, The Defeated: The Aesthetics of Resistance 2026 (26 August – 8 November 2026). Against a global backdrop of shifting political landscapes, this major international group show explores what resistance to fascism and experimentation with community mean in the contemporary climate of a rising far-right. The exhibition coincides with the lead-up to Sweden’s 13 September general elections, inviting a broader reflection on the role of culture and art in navigating today's complex democratic landscape. The exhibition is deeply rooted in the life and work of the Swedish-German writer and visual artist Peter Weiss (1916–1982). Taking its title from his 1948 post-war reflection The Defeated and his seminal three-volume novel The Aesthetics of Resistance (1975–1981), the exhibition weaves together new contemporary works with historical documents to explore how art can serve as a vital instrument ... More
Alvin Ong, Old Masters, 2026. Oil on canvas, 76 x 61 cm. 29 7/8 x 24 in. Courtesy of the artist and rodolphe janssen, Brussels. Photo Phillip Huynh.
BRUSSELS.- Another Life presents a new body of work by Alvin Ong that bears witness to the transition, and recovery from the artist’s self-confessed burnout in 2025. What has emerged are beguiling layers of multiplicity and texture. Bodies thin into ethereal translucency. they blend and bleed. Individual faces can be made out, encased in their own melancholy, sometimes contorted into split, or fractured souls. Heads serve as receptacles for other tableaux. Eyes are deliberately omitted or painted over like a blindfold or reflected surface. Screens are a recurrent motif, implicating the viewer as spectator. a recent evolution in his practice is the introduction of texts and embedded rhinestones. they draw reference to the devotional act of painting and the religious iconography he was exposed to growing up. In Residues, a new series on found antique blinds and signboards from Singapore, ... More
Quote The art of drawing is the art of omission. Max Liebermann
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Tomas Martišauskis to open solo exhibition at (AV17) Gallery VILNIUS.- Tomas Martišauskis is a sculptor and art researcher whose work explores the intersection of sculpture, digital technology, and conceptual thinking. The artist is interested in translating one plastic and semantic whole into another, perceiving an object as a changing collection of data, image, and matter. Employing 3D scanning, modeling, and coding systems, the author transforms physical objects into digital sculptures, textual or audio formats and newly materialized forms. In his practice, authorship is partially delegated to technological logic, while matter, image, and code functions as equal elements of contemporary reality. The exhibition “Spills” continues the artist’s ongoing research into stability, recycling, and sustainability, approaching sculpture not as a finished object, but as a dynamic and constantly changing process. In the context of rapidly ... More
Mesh Festival presents second edition Infrastructures of Care MNCHENSTEIN.- Mesh is a recurring festival for art and technology in Basel. The programme spans exhibitions, performances, screenings and workshops, complemented by a conference of talks, panels and lecture performances. This year’s edition, titled Infrastructures of Care, asks how we want to live together: how we can use, shape and change technologies to support more just and caring ways of doing so. Mesh creates spaces for connection, exchange and solidarity, understanding care as something held in common and shaped together. At its centre stands one question: How do we want to live together — and how can technologies help us get there? The programme is structured around seven care themes: Commons of Connection shows how closeness emerges, even when encounters increasingly take place digitally. Memory Machines asks who decides ... More
Silverlens to present Wawi Navarroza solo exhibition The Orchid Pavilion MANILA.- Silverlens will present The Orchid Pavilion, Part One of Wawi Navarroza’s trilogy “The Double-Naveled and Triple-Tongued, A Tropical Gothic Troika”, on view from 29 August through 03 October 2026. “When future generations look back to my time, it will probably be similar to how I now think of the past.” -- Wang Xizhi (Lantingji Xiu) Preface to the Poems Composed at the Orchid Pavilion. 353 CE The Orchid Pavilion is the first of the artists trilogy of exhibitions informed by the Philippines’ transpacific exchanges, acculturations, and material and artistic histories shaped by the movement of the Manila Galleons. It focuses on the Philippines’ pan-Asian heritage, particularly the Chinese presence woven into Filipino identity. Taking literature and poetry as points of departure, Navarroza turns to the Philippines’ layered past, looking beyond its broad strokes— ... More
Archaeologists uncover everyday Maya life at newly preserved Yucatn site MERIDA.- Archaeologists working along the Maya Train Freight project have uncovered and preserved a previously unknown Maya settlement in Yucatn, offering a rare look at the lives of people who lived far from the palaces and ceremonial centers that usually dominate the archaeological record. The site, known as K’oxol Ja’ II, was discovered in mid-2025 during salvage archaeology at the Progreso Multimodal Terminal, a component of the Maya Train Freight project. Mexico’s National Institute of Anthropology and History, or INAH, has now completed fieldwork there and established a protection zone designed to preserve the settlement’s 21 structures for future study. Ceramic evidence suggests K’oxol Ja’ II was occupied over a long span, from around 400 BC to AD 900, covering the regional Preclassic through the Late Classic period. Unlike the monumental architecture ... More
Helsinki Biennial presents artists and theme of 2027 edition HELSINKI.- Helsinki Biennial 2027, curated by Mami Kataoka and Arja Miller, unfolds around the theme Unknowns, bringing together visionary artists from Finland and around the world to present ambitious artworks across Vallisaari Island, Esplanade Park, and HAM Helsinki Art Museum. In a world defined by political turmoil, environmental upheaval, and deepening uncertainty, the fourth edition of Helsinki Biennial turns towards unknowns not with fear but with curiosity. Taking Unknowns as its curatorial framework, the biennial approaches what lies beyond comprehension through imagination and artistic inquiry. It dwells in the unresolved and the hidden, where uncertainty itself becomes a ground for wonder and for reimagining how we understand the world. Taking place across Vallisaari Island, Esplanade Park, and HAM Helsinki Art Museum, Helsinki Biennial ... More
Yossi Milo Gallery presents Pierre Knop solo exhibition Le Sacre Du Printemps NEW YORK, NY.- Yossi Milo will present Le Sacre Du Printemps, an exhibition of new paintings by Pierre Knop (b. 1982, Nancy, France). For his third solo exhibition with the gallery, Knop turns his attention entirely to landscapes, deepening his engagement within a practice that has long moved between observation, memory, and invention. “My paintings don’t depict an external reality, but rather an inner one,” he explains. Drawing from photographs, lived experience, and art historical references, Knop develops compositions through an ongoing dialogue between material, gesture, and perception, allowing each painting to arrive at its own internal logic. Although partially inspired by the subject matter within his paintings, the title, Le Sacre Du Printemps (The Rite of Spring), is also influenced by Igor Stravinsky’s 1913 composition of the same name. Knop ... More
Karma presents Yvonne Jacquette solo exhibition From the Air NEW YORK, NY.- For over five decades, Yvonne Jacquette (1934–2023) observed the world from above, rendering clouds, cities, and cultivated fields as interlocking patterns of line and color. Karma’s first Jacquette solo exhibition, From the Air brings together paintings and works on paper made between 1971 and 2019, tracing how she developed the aerial perspective as both subject and method. Whether looking down on Manhattan or Maine, Jacquette remained absorbed in the act of seeing, treating distance as her way of relating to the world below. Jacquette’s aerial vision grew from an early fascination with unusual vantage points. In the 1960s, she painted her surroundings from oblique angles, looking through windows, down at her son’s toys on the floor, and up at the ceilings of her Manhattan loft. After a cross-country flight to San Diego, California in 1969, she ... More
University Museums celebrates Iowa artists in new "Midwest Makers Series" AMES, IOWA.- Iowa artists, their vision, and inventive spirit are the focus in University Museums’ fall exhibition series. The Midwest Makers Series opened today at the Brunnier Art Museum, Iowa State University, with a celebration of paper artist Mary Merkel-Hess in the inaugural exhibition, Midwest Maker Series: Mary Merkel-Hess. “As an artist, craftsperson, and maker, she has played an important role in extending the artistic possibilities of paper as a material,” said Adrienne Gennett, curator of the Brunnier Art Museum. “As an Iowan, she has further cemented what we all know about the state: it is a place of great artistic talent and individuals like Mary Merkel-Hess who see the vast fields of crops and prairies as inspiration for beauty and endless possibility.” Mary Merkel-Hess (American, b. 1949) grew up in rural Iowa, where she spent much of her ... More
Artist Janaina Tschpe: "Paintings create longing."
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On a day like today, Dutch painter Frans Hals died
August 26, 1666. Frans Hals the Elder (c.?1582 - 26 August 1666) was a Dutch Golden Age painter. He lived and worked in Haarlem, a city in which the local authority of the day frowned on religious painting in places of worship but citizens liked to decorate their homes with works of art. Hals was highly sought after by wealthy burgher commissioners of individual, married-couple, family, and institutional-group portraits. He also painted tronies for the general market. In this image: Frans Hals, Pieter Jacobsz. Olycan, c. 1639, The John and Mable Ringling Museum of Art, Bequest of John Ringling, 1936, SN25.
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