Anchoring the exhibition is a monumental new sculptural installation, a ten-foot long house built entirely from reclaimed and salvaged wood, taking its form from the shotgun house, a vernacular dwelling central to Black life in the American South.
NEW YORK, NY.-Claire Oliver Gallery opened the fall season with The Weight of Grace, a new solo exhibition by multidisciplinary artist Stan Squirewell. “This body of work is my love letter to the people who came before me,” states Squirewell. “I keep going back — five generations, six — because I want to know who was standing there so that I could eventually stand here. History rarely gave them credit, so I wanted to build them a throne instead of a footnote. Every frame in this show is an altar to an ancestor, named or unnamed, real or reimagined. At the end of the day, this whole body of work is about one thing: celebrating life in all its majesty.” Comprised of 14 new mixed-media works, soft sculptures, and installation, the exhibition is a tribute to the consequence of connection across generations via material culture. Using the metaphor of a river, a traditional ... More
NEW YORK, NY.- The Metropolitan Museum of Art announced an acquisition of 38 paintings by preeminent Chinese ink painter Chang Dai-chien (Zhang Daqian; 1899–1983) from the collection of the artist’s daughter, Sing Sheng Chang. Chang Dai-chien left China in 1949 and spent the following decades moving between Hong Kong, Japan, India, Argentina, Brazil, California, Europe, and Taiwan, crafting along the way a transnational style that combined his early training with ideas and currents encountered along the way. The landmark acquisition spans all phases of the artist’s career, from his early works of the 1930s–40s to his breakthrough abstract paintings of 1965–68 to a selection of unfinished works, providing a deep and concentrated view of his singular career as an essential figure of modern art. A selection of works from the acquisition will be on view later this year, and ... More
Donald Judd, Untitled, 1992, structural steel and plexiglass, 550 x 50 x 25 cm. Collection Kunstmuseum Den Haag.
AMERSFOORT.- In fall 2026, Kunsthal KAdE in Amersfoort presents an exhibition that brings together the work of Helen Frankenthaler (1928–2011) and Donald Judd (1928–1994). Born the same year and rising to prominence in postwar New York, the two artists pursued markedly different paths within the history of abstraction while achieving major success in the United States. The level of success was radically different in Europe, especially in the Netherlands. Here, Donald Judd's minimalist work was extensively shown and collected from the beginning of the 1970s, while Frankenthaler’s work – and that of her female Abstract Expressionist peers – was almost completely ignored. Until recently, only the Stedelijk Museum Amsterdam held a single print of Helen Frankenthaler from a larger portfolio of American artists, acquired after her death. It was only in 2025 that the museum added two Frankenthaler paintings to its holdings. The work of her female compatriots ... More
Peder Severin Krøyer, Anna Ancher and Marie Krøyer on the beach at Skagen, 1893. Museum Kunst der Westküste.
STOCKHOLM.- How did the beach become a place for holidays, recreation, and pleasure? This autumn, Nationalmuseum presents an exhibition exploring the rise of coastal and seaside tourism from 1870 to the mid-20th century and how it has been depicted in art. Experience a day at the beach through more than 200 paintings, photographs, advertising posters, and examples of historical swimwear by artists such as Claude Monet, Anders Zorn, Peder Severin Krøyer, Sigrid Hjertén, Georgia O’Keeffe, Robert Capa, and many others. In the late 19th century, seaside resorts began to spring up along the coasts. It became popular to swim in the sea, spend time on the beaches and stay in the new hotels. The seaside resorts also attracted artists, and Impressionists such as Claude Monet depicted the coastal landscape and life there. In France, Normandy was a region where seaside tourism grew rapidly. The new railway lines also made the beaches along the coast easily accessible. ... More
David Nash, Lined Red Egg, 2023. Bronze. Edition of 6, 150 x 60 x 60 cm (59 1/8 x 23 5/8 x 23 5/8 in).
PARIS.- Since beginning his career in the 1970s, David Nash has found wood to be his material of choice. Working with timber from various continents, he has always refused to fell healthy trees and allows himself to be guided by the natural forms of the wood. Nash has thus developed a visually rich body of work based on a desire to “catch forms” as they present themselves, in order to reveal and emphasise them, sometimes using fire to char part or all of the sculpture’s surface. One day, curious to transform the negative space hollowed out inside a tree stump by a chainsaw into a positive form, David Nash decided to cast this void in order to capture its beauty. This led to the creation of the bronze sculpture Inside/Outside (2011), a larger version of which, Night Form (2026), is featured in this exhibition. For Nash, a bronze sculpture can emerge from a wooden one that has been ... More
1989 Stage-Worn Valentino Evening Gown.
LOS ANGELES, CA.- Julien’s Auctions presents “The Dionne Warwick Collection,” featuring more than 100 items from the life and career of the Grammy Award-winning pop icon, Kennedy Center Honoree, and one of the most-charted female vocalists in music history. From stage-worn clothing to fine jewelry and signed memorabilia, the auction offers an intimate look at Warwick’s iconic decades-long career. Born Marie Dionne Warrick on December 12, 1940, in East Orange, New Jersey, Warwick grew up in a musical family; her mother and siblings sang together as the Drinkard Sisters, her aunt is gospel singer Cissy Houston, and her cousin was Whitney Houston. Warwick’s solo career took off in 1962 with “Don’t Make Me Over,” the first hit to come out of her partnership with songwriters Burt Bacharach and Hal David, a collaboration that would go on to produce some of the most enduring songs in American pop, including “Walk On By,” “I ... More
Pier table, Philadelphia, Pennsylvania, 1815–30. White pine, marble. Winterthur Museum. Museum purchase with funds provided by the Special Fund for Collection Objects 1991.0063.
WINTERTHUR, DE.- Winterthur Museum, Garden & Library's new exhibition, Challenging Masterpieces: Art and Identity in American Furniture, uses more than 70 objects from its own collection to show how the term masterpiece was constructed, who it left out, and how it's being redefined today. Developed by Joshua W. Lane, the Lois F. and Henry S. McNeil Curator of Furniture, the exhibition opened Sept. 26, 2026, and runs through May 2, 2027. Organized around a single question, What makes a masterpiece? the exhibition traces how that label emerged among early 20th-century collectors, hardened into orthodoxy, and is now being reconsidered. The show unfolds across two galleries and two themes: the first traces how the idea of the aesthetic “masterpiece” took ... More
Installation view, Shilpa Gupta, One Palm Closer to the Sky, Furla Foundation and GAM – Galleria d’Arte Moderna in Milan, 2026. Photo by Andrea Rossetti.
MILAN.- For the eighth edition of the Furla Series programme, Fondazione Furla and GAM – Galleria d’Arte Moderna, Milan present One Palm Closer to the Sky, a solo exhibition by Shilpa Gupta, curated by Bruna Roccasalva. One of the most influential voices in international contemporary art, Shilpa Gupta explores language, censorship, mobility and the structures that shape individual lives and freedom. Working across sculpture, light installations, video, sound, and performance, Gupta creates works that shift between territories and languages, and between singularity and collectivity, intimacy and public life, through works that couple conceptual rigour and accessibility. “At GAM, Shilpa Gupta presents an exploration of borders, freedom, migration and the systems of control that shape our present,” explains Tommaso Sacchi, Councillor for Culture – City of Milan. “The project stems from the long- ... More
BERLIN.- Esther Schipper Berlin is presenting Fire Sermon, Tuan Andrew Nguyen's first solo exhibition with the gallery. On view are five new sculptures from the artist's series of mobiles. Tuan Andrew Nguyen's practice explores the critical impact of storytelling across media including video, sculpture, and installation. Grounded in sustained community engagement and extensive research, his work engages with oral narration, material history, genealogies that span continents, and the lingering impact of colonial politics. Nguyen's cinematic works feature tales of biographical, geographical and temporal entanglements that meld fact and fiction. The artist’s sculptural works are intertwined with his cinematic oeuvre. The five mobiles on view in Fire Sermon are made from artillery shells salvaged in Vietnam. They take direct inspiration from Nguyen’s 2022 film The Unburied Sounds of a Troubled Horizon, in which a young metal scavenger is ostracized by her mother, who believes that her dau ... More
Exhibition view, Sod All, Studio Voltaire, London, 2025. Courtesy Caspar Heinemann, Cabinet Gallery & Studio Voltaire. Photo: Sarah Rainer.
ZURICH.- In his sculptures, installations, performances, drawings, and texts, Glasgow-based artist Caspar Heinemann (b. 1994, London) casts language, narratives, and historical fragments into material and spatial forms. He often combines queer and countercultural histories with references to art that does not hail from the mainstream, architecture that is not built to professional designs, as well as spiritual and literary traditions that hold unexpected narratives and characters. Highlighting his interest in crafting and materiality, the exhibition at Kunsthalle Zürich unfolds around a new, large-scale installation in which Heinemann looks to the night sky – a recurring motif in his work to explore questions of continuity and magical thinking. ABRACADABRA (2026), an installation developed especially for the exhibition, includes wooden pallets and a heavy noise-cancelling hand-embroidered curtain ... More
NEW YORK, NY.- François Ghebaly New York is presenting Seven Keys, an exhibition of new paintings by São Paulo-based artist Beatrice Arraes. Beatrice Arraes conceals as much as she clarifies in her enigmatic oil works on canvas. A trained dancer and longtime admirer of artists and writers like Clarice Lispector, Pina Bausch, Eleonore Koch, and Lygia Fagundes Telles, Arraes looks to translate psychological states into heady, inscrutable pictures that both portray and protect the mysteries of life. Her newest exhibition, Seven Keys, takes its title from a proverbial Portuguese expression to describe the lengths one might go to secure something very important––i.e. to hide behind “seven locks and keys.” Excavatory and atavistic, Arraes’ images incorporate detailed scenography, observational painting, and a rich, dusken palette to explore ideas of displacement and desire. Set throughout the New York gallery space, the paintings that comprise Seven ... More
The exhibition is accompanied by a catalogue published by Mario Adda Editore, bringing together institutional and scholarly contributions on the themes explored in the exhibition.
BARI.- The body and its training, competition, social prestige, the hero and memory: these are some of the themes at the heart of Athlètes - The Icon Beyond Time. Athletics, society and funerary ritual among the Peucetian aristocracies of the territory of Bari, an exhibition promoted by the Superintendency for Archaeology, Fine Arts and Landscape of the Metropolitan City of Bari. Curated by Caterina Annese, Elena Dellù and Francesca Romana Paolillo, the exhibition will remain open until 28 March 2027. The initiative forms part of the institutional activities of the Ministry of Culture - Department for Cultural Heritage Protection and Directorate-General for Archaeology, Fine Arts and Landscape - and reflects its commitment to combining heritage protection, research and knowledge with meaningful public access to the archaeological heritage. Fabrizio ... More
Judy Dater, Self-portrait in Mist,1980, gelatin silver print, 20 x 16 in., Linda Pace Foundation Collection, Ruby City, San Antonio, Texas; 2007.1.61
SAN ANTONIO, TX.- This fall, Ruby City presents Generative Disruption: Feminist Art from the Collection, an exhibition bringing together the work of 33 artists whose practices explore the body, identity, gender, power, space, belonging, and lived experience. On view September 26, 2026, through August 29, 2027, the exhibition draws largely from the Linda Pace Foundation Collection and considers how the ideas and artistic strategies advanced by feminist artists beginning in the 1960s and 1970s continue to resonate in contemporary art today. The exhibition opens to the public on Saturday, September 26, with a special afternoon of art and conversation. From 2–3 p.m., Ruby City Director, Elyse A. Gonzales will lead a one-hour gallery walkthrough of Generative Disruption, offering an introduction to the exhibition and be joined by several artists who will speak about their ... More
Quote What I am after, above all, is expression.... Henri Matisse
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Eline Vansteenkiste brings mythic, tempestuous landscapes to Tim Van Laere Gallery ROME.- Tim Van Laere Gallery is presenting Under the Shade of a Coolabah Tree, the second solo exhibition by Eline Vansteenkiste. The exhibition builds on her previous solo show, in which Vansteenkiste unfolded her own Mappa Mundi: a collection of landscapes from an imaginary, composite world. Whereas the viewer previously seemed to drift past these landscapes, the artist now invites us to move further inward. Vansteenkiste enters the landscapes between the trees, within the dark forest, and beneath the earth. The viewer is no longer positioned at a distance, but drawn into a terrain in which multiple events unfold. In works such as Landscape with Holstein Cow, the eye moves through the trees, encountering different scenes that continues beyond the boundaries of the canvas. The exhibition’s title is drawn from Slim Dusty’s rendition of Waltzing Matilda, evoking ... More
Sadie Barnette exhibits in the Joslyn Art Museum's Riley Contemporary Artists Project OMAHA, NE.- Sadie Barnette exhibits in the Joslyn Art Museum’s Riley Contemporary Artists Project Working across drawing, sculpture, photography, and installation, Sadie Barnette mines both personal narratives and collective histories, exploring how the two intersect and diverge over the course of one’s life. Her exhibition in the CAP Gallery centers on a recording she discovered on a doorbell security camera. In the short black-and-white video, the artist’s father is seen removing helium balloons from the trunk of a car. As he wrangles the inflatables-a gift for the artist’s mother-a single heart-shaped balloon floats away without his notice, prompting a bewildered search of the vehicle. Upon reviewing the footage, Barnette recognized that an easily overlooked episode had many stories to tell-about gestures of affection, about bearing witness to everyday life, ... More
New Tang exhibition traces two decades of ecological repair through art, mapping, and science SARATOGA SPRINGS, NY.- The Tang Museum at Skidmore College presents 500 Dams: Art, Ecology, and Radical Care at Anaya Springs, an exhibition tracing a more than two-decade effort to regenerate degraded grasslands in New Mexico through hand-built stone dams and the art, mapping, and ecological research that have grown around the project. The exhibition opens September 26 and runs through January 10, 2027. For more than two decades, artist Bill Gilbert and landscape architect Anne Nelson have walked the high-desert landscape of Anaya Springs, building low stone dams by hand to slow rainwater runoff, capture soil and seeds, and help grasses and other plants take hold. Historic overgrazing and erosion had stripped vegetation and topsoil from the landscape, reducing its ability to absorb and retain water. What began as a daily ... More
Pierre Bismuth explores gospel, divine love, and American identity in new exhibition in Chicago CHICAGO, IL.- The Neubauer Collegium for Culture and Society is presenting Love Bless America, an exhibition of new works by French artist and filmmaker Pierre Bismuth, on view September 26, 2026–January 8, 2027. The exhibition, featuring a new film project and a series of digital images created with the 250th anniversary of the United States in mind, entwines the notion of divine love with America’s enduring tradition of spiritual “folk” music, specifically gospel. The project was partly inspired by the Love/Music research initiative at the Neubauer Collegium, which is focused on the “problem” of the relationship between love and music. Bismuth has a longstanding interest in improvised music, and for Love Bless America he invited Chicago-based contrabassist Joshua Abrams and pianist Sharon Udoh to compose a 21st century spiritual based ... More
Kunstverein München presents Kitty Kraus, George Tourkovasilis, and Bianca Stone MUNICH.- Kitty Kraus’s exhibition at Kunstverein München is dedicated to a single new work: a path that seems to have no end. A mirror, lit from behind, casts a long black shadow across the floor. For that shadow to resolve into a perfectly straight line, and for the line to continue as a path, the light has to behave in a way that artificial light normally does not. Sunlight can achieve this effortlessly, its rays reaching the earth in near-parallel lines. A lamp has no such distance to work with: positioned close to what it illuminates, the rays fan out from a single point so that, instead of running straight, the shadow cast diverges. Kraus works against this condition using a tightly focused light source of almost blinding intensity and an arrangement of mirrors. The light is bent and redirected, coaxing artificial light to behave like sunlight. What results is elementary: a long, straight black ... More
First New York solo museum exhibition of Diego Marcon features new commission NEW YORK, NY.- The New Museum presents the first New York museum solo exhibition of artist Diego Marcon (b. 1985, Busto Arsizio, Italy; lives and works in Lombardy, Italy), whose work in moving image and installation coopts familiar forms from horror movies, slapstick comedy, and cartoons to subvert cinematic archetypes and call into question accepted norms of family life and childhood. On view September 24, 2026, through January 31, 2027, Arrivederci, Piggies! stages four of Marcon’s most significant films as a total installation, including his newly commissioned film Krapfen. This film merges human choreography with green-screen CGI to explore the relationship between a child and their family, who are represented by floating articles of clothing. Krapfen—the word for a traditional Austrian jam doughnut, from which the work takes its name—is repeated ... More
SIGNAL—Center for Contemporary Art opens Marianne Hurum: It's Haunted MALMÖ.- It is not a big surprise that the history of portrait painting is closely connected to power and wealth. If one had the means and the desire to be memorialised, to commission a portrait was a way of securing one’s remembrance even after the worldly departure. Marianne Hurum is not a portrait painter, but she is interested in portraiture painting from a class perspective—its history and tradition, its cultural and political significance, and what the center cannot hold. Compositions happening at the edges feature painting in which the motifs have been pushed out to the edges, as well as paintings that are nothing but edges. Two sculptures ‘painting sheds’ render the total overview impossible and serve as vantage points from which to view the paintings, while SIGNAL itself has been altered, corners removed and softened round and smooth, enveloping ... More
Asian Art Museum presents first North American survey of the acclaimed Korean artist Ha Chong-Hyun SAN FRANCISCO, CA.- Ha Chong-Hyun: Retrospective, on view September 25, 2026–January 25, 2027, at the Asian Art Museum, is the first major North American museum exhibition by pioneering Korean contemporary artist Ha Chong-Hyun. The exhibition features more than 50 paintings — including two new works completed as recently as 2025 — tracing Ha’s creative evolution over more than six decades. Ha Chong-Hyun: Retrospective is guest curated by eminent Seoul-based scholar and curator Sunjung Kim. Currently the Artistic Director of Art Sonje Center in Seoul and the chair of ICOM (International Council of Museums) Republic of Korea, Kim served as President of the Gwangju Biennale Foundation (2017–2021) and commissioner of the Korean Pavilion at the 51st Venice Biennale. Born in 1935 during Japanese colonial rule and coming ... More
Fairfield University Art Museum presents US debut of James Welling's classical series 'Cento' FAIRFIELD, CONN.- Fairfield University Art Museum is presenting James Welling: Cento, a major exhibition of the photographer’s work focusing on the classical world, in its first American museum presentation. The exhibition will be on view from Sept. 25 to Dec. 12, in the Museum’s Walsh Gallery at the Regina A. Quick Center for the Arts. James Welling: Cento presents more than 60 photographs by Connecticut-born, American photographer James Welling (b. 1951), featuring architecture and statuary of ancient Greece and Rome. Welling prints his images on plastic sheets via a laser printer, and then animates the surface with oil paint, oil sticks, and even raw powdered pigment. The resulting prints lie somewhere between photography, painting, and printmaking, their surfaces mechanically printed while also visibly hand-altered. The series ... More
Zvono Award finalists critically reconsider inherited realities in 'The Present as Found' BIHAć.- The divergent practices of the Zvono Award finalists—Ljiljana Arsić, Isidora Branković, Mustafa Mlinarević, and Emina Veladžić—have shaped a media-heterogeneous exhibition. Although their works cannot be unified by a common thematic or formal framework, they reveal a certain closeness in the position the artists occupy in the contemporary social moment. The title The Present as Found stems from their generational position and the socio-political horizon within which they were formed. They grew up within a reality they did not choose, but whose structures, values, contradictions and unresolved issues they inherited as the framework of their experience. The title therefore names the position from which they critically reconsider the present in which they have found themselves. The winner of the Zvono Award, Emina Veladžić, re- ... More
Academy Museum opens immersive horror exhibition exploring why scary movies endure LOS ANGELES, CA.- Just in time for the Halloween season, the Academy Museum of Motion Pictures has opened The Horror Show, an immersive exhibition examining the enduring pull of horror cinema and the ways filmmakers have transformed fear, anxiety and the supernatural into some of the medium’s most memorable images. On view from September 26, 2026, through July 25, 2027, the exhibition approaches horror not simply as a genre built around scares, but as a cultural form that has repeatedly reflected social anxieties, psychological fears and changing ideas about monsters, morality and the unknown. At the center of the exhibition is a deceptively simple question: why do horror films matter so deeply to so many people? Rather than answering it through a conventional chronological survey, The Horror Show turns the museum experience itself into ... More
Artist Tracey Emin: I'm Doing What I Think Is Right
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